Lovely, but I was surprised with the abrupt ending...

First Movement of Suite de Danses no.2 , Pavane pour un Exilé Mélancolique is for those who feel far from home; without pathos or fanfare, this pavane expresses the simple melancholy of an accepted exile, but never forgotten. The dance draws inspiration from the measured steps of the pavane, a noble and slow dance, to evoke the quiet wandering of those who carry within them the nostalgia for a forced, voluntary, or necessary departure.
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Cette "Pavane pour un exilé mélancolique" est pour ceux qui se sentent loin de chez eux; sans pathos ni éclat, cette pavane exprime la mélancolie simple d’un exil accepté, mais jamais oublié. La danse s’inspire du pas mesuré de la pavane, danse noble et lente, pour évoquer l'errance tranquille de ceux qui portent en eux la nostalgie du départ contraint, volontaire ou nécessaire.

Composer & Pianist: Pierre Fontaine
Dedicated to my friend Jun H. Kim.

Score available for purchase on pierrefontaine.composer@gmail.com
(Piano solo, Piano four-hands and Symphonic orchestra)

Copyright Pierre Fontaine © All rights reserved

Pavane pour un Exilé Mélancolique | Petite Orchestre Symphonique

This is my Cover really an Adaption to ELP'S Lucky Man , its not note for note..  Just my take on it Cheers The Dark Queen G

HE HAD WHITE HORSES

Marco Lucchi : piano and fx

5 agosto 2020

Dobrada à Moda do Porto

Um dia, num restaurante, fora do espaço e do tempo,
Serviram-me o amor como dobrada fria.
Disse delicadamente ao missionário da cozinha
Que a preferia quente,
Que a dobrada (e era à moda do Porto) nunca se come fria.

Impacientaram-se comigo.
Nunca se pode ter razão, nem num restaurante.
Não comi, não pedi outra coisa, paguei a conta,
E vim passear para toda a rua.

Quem sabe o que isto quer dizer?
Eu não sei, e foi comigo …

(Sei muito bem que na infância de toda a gente houve um jardim,
Particular ou público, ou do vizinho.
Sei muito bem que brincarmos era o dono dele.
E que a tristeza é de hoje).

Sei isso muitas vezes,
Mas, se eu pedi amor, porque é que me trouxeram
Dobrada à moda do Porto fria?
Não é prato que se possa comer frio,
Mas trouxeram-mo frio.
Não me queixei, mas estava frio,
Nunca se pode comer frio, mas veio frio.

Poesias de Álvaro de Campos. Fernando Pessoa, Lisboa: Ática, 1944

piano patterns no 1

22/August/2020

Rumours (featuring Jussi Welin)

Where I Belong

“The Clown turned his powdered face to the mirror.
"If to be fair is to be beautiful," he said, "who can compare with me in my white mask?"
"Who can compare with him in his white mask?" I asked Death beside me.
"Who can compare with me?" said Death, "for I am paler still."
"You are very beautiful," sighed the Clown, turning his powdered face from the mirror.”
― Robert W. Chambers

Gleaming Sunray Of Dark Intentions

Of Salt And Bitter Ways

This track is basically a work-in-progress thing, but also finished in a way; so I'm glad that Morten sent me this version and gave permission to post it here.
Concept, composition, instruments, mastering - Morten Jeamland
flute solo in one go - joerworx
of course it is highly recommended to check out: https://soundcloud.com/orteneamland who also gave me the cover art image ! enjoy !

passion fruit - by Jeamland // flute feature -

Shallow Saline

Straight to the Point

Image by Zeckrombryan

Do the lights run low
when they're not on me?
In the afterglow
Does it get lonely?

By the undertow
Do you just haunt me?
Fly the crooked crows
For they are calling

Are we just falling?

And I never brought any rope
Is the superman ready to show?
And I never brought any rope
Is the superman ready to show?

Don't you know I'm falling in slow motion?
I'm falling
If I just keep falling in slow, slow motion
Will I ever learn how to let go?

Do your light run low?
do you think of me?
By the undertow
Are we still falling?

Straight to the Point

Mark Hughes

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