Electro

Be Svendsen lässt sich einfach nicht in eine Schublade stecken. Zumindest eins steht aber fest: Seine stilistische Freimütigkeit passt ganz wunderbar an die frische Luft!

Durchweg spaßorientiert betreibt der Däne hier seine einzigartige Klang-Jonglage. Auf minimalem Groove wirbelt er surreale Samples und Melodiefetzen herum, bis sich das Kaleidoskopmuster der Sounds schließlich mit jazziger Stimmigkeit um die swingende Stimme einer Sängerin legt: Let Them Not Weep! Mollono.Bass zaubert für seinen Remix noch mal eine Extraportion Schub aus dem Ärmel, wie so oft ist es die Summe vieler Details, die hier für ordentlich Druck sorgt. Der Titel Leone galoppiert mit wunderbarer Verwegenheit in die Klanglandschaft eines Spaghetti Western. Zwischen Club- und Saloon-Atmosphäre tobt hier eine draufgängerische Party. Damit nicht genug cineastisches Hitpotential: Be Svendsen’s Remix seines unvergesslichen Solo Para Mi entwickelt aus wagemutigen Gitarrenakkorden eine wilde Arpeggio-Hypnose.





It’s simply impossible to put a label on the sound of Be Svendsen. Well, at least one thing can be said: His stylistic open-mindedness is just perfect for open air scenarios!

Seriously fun loving – that’s the style in which the Danish producer performs his signature sound juggling. Based on a minimal groove he whirls around surreal tunes and melody samples until eventually a kaleidoscopic pattern shapes around the swinging voice of a female singer: Let Them Not Weep! Mollono.Bass has even a little more boost up his sleeve, once again it’s the combination of many small details that makes his remix pumping and kicking. The audacious beats of Leone gallop straight into the acoustic landscape of a Spaghetti Western where a wild party is taking off when the adventurous atmosphere of a saloon meets the urban energy of a club dance floor. There’s even more cinematic hit potential on this record: Be Svendsen’s remix of his epic title Solo Para Mi evolves from daring guitar chords into the endless rising of hypnotic arpeggios.


BeSvendsen - Leone - 3000Grad013 - Masquerade EP snippet

X: The Remixes

Spark (Stereo Express Remix)

The Age Of Love

The Age Of Love (Charlotte de Witte & Enrico Sangiuliano Remix - Edit)

André Winter and Hatzler's unique studio alchemy has revealed itself under many guises over many years. Their latest incarnation sees them join forces yet again for an impressive selection of maximal techno future classics, on the beloved Senso Sounds imprint of their longtime friend Oliver Huntemann.

There is nothing illusory about the duo's Mirage EP; the three tracks are rock solid, bristling with energy, and designed for maximum impact. "Mirage" is pure forward movement and acceleration, straight out of the gate. The duo create layer after layer of dark tech elements and percussive accents, building a sense of anticipation that drive towards a peak of sensory saturation.

"Kwantum" continues the metallic tones and spiky attitude, with a touch of vintage minimal flair that is perfect for late-night sessions. Starting with a sparse, deep swing and distinctive bass riff, neon retro pads begin to fill the gaps and tiny snips of machine music bring this streamlined stomper to life. "Glowsticks" possesses with the colour and vibrancy that the name suggests, to create a big, bright peaktime belter that maintains its relentless pace from the very first bar.


André Winter & Hatzler - Mirage

Free Download

BBE - Seven Days And One Week (BLR REMIX)

Mollono.Bass Remix - Monolink&AcidPauli - The End - The End EP 128kps

Crunchy beats and bouncy basses – no doubt, this is electronic dance music. But the extensive way in which classical instruments are deployed on Acker number 23 cant be described as a simple sampling play any more. Rather a fiery mixture of rhythmic electronic thrust and the thrilling atmosphere of handmade music is created. &gt;Solo Para Mi&lt; is based on a functional yet driving groove on which a wind player arrangement unfolds, progressively escalating to ever new atmospheric peaks. Mollono.Bass takes up the summery-warm tone colours of the original in his remix but keeps it a little more dreamy and subliminal. &gt;Bulgarian Chicks&lt; is stronger orientated towards the electronic elements but still also here there are instrumental and vocal entries which lend to this title a very unconventional gipsy style. Finally another remix on &gt;Solo Para Mi&lt; by Eule:nhaupt and Molle:nhauer puts emphasis on the song-orientated components of the original, taking its hybrid character even further. 

Acker 023-1 A1 Be Svendsen - Solo Para Mi - CATCHPENNY &amp; COSMOS EP

Simmer Down

How Many Times

Abyss

Skylla

The Age Of Love Trance Anthems vol.1

The Age Of Love (Jam & Spoon Watch Out For Stella Mix)

Come. Come closer. Come with us! 
And enter the world we are living in.
The journey begins and we are happy to introduce our first release on Heimlich Musik!
Close your eyes and refill your soul with pure energy of deceleration. 
We want to thank all the artists who joined us on this ride!

Mastering: Ken Hayakawa
Artwork: Vakat

Heimlich I

Bandcamp

Bernstein - Álom (Original Mix)

Artist: Adana Twins 
Title: Everyday 
Label: Exploited 
Format: Digital 
LC: 15799 
Released: 20.02.2012 (Beatport) / 05.03.2012 (I-Tunes/Juno ect.)

http://www.exploitedghetto.de

Currently in the Top10 of Beatport with 'Claptone's - Cream', here is the next strong release on Exploited in 2012. 
Exploited presents the Hamburg duo ADANA TWINS - consisting of Take it Easy, the energizer and Freezo, the straight and fluffy guy - who were brought together by the power of good turkish food and the love for grooving house music. 
Last year Adana Twins (together with Doctor Dru) were responsible for the most successful tune on Exploited: "JUICY FRUIT" - a slo-mo housed-up boogie-soul joint that found appreciation from a variety of DJs including the likes of Axel Boman, Round Table Knights, Solomun, A-Trak and many more. 
Now the boys return with yet another hit: "EVERYDAY" is an updated version of a New Jack Swing Classic that has been getting a lot of support by Solomun of late. Reworked and refreshed its now ready to wreck! And lets not forget, the bonus track "STRANGE": a secret weapon for the early morning hours.

Supported by Solomun, Maya Jane Coles, Deetron, Skream, Noir, Soul Clap, DJ Sneak, Claude Von Stroke, Aeroplane, David August, Round Table Knights, Lovebirds, Larse, Joe Goddart/Hot Chip, Lee Curtis, Robert Owens, Luciano, Manik, dOP and many more.

Early Feedback:

Maya Jane Coles: – “Strange is definitely the one! Loving this!!”

Deetron: - "Hey. Everyday is really nice. I like the vocals a lot! Will be playing where I can."

Skream: - "Really like 'strange'"

Noir: - "Great release. Will def support."

DJ Sneak: - "Cool. Still Banging CREAM."

Joe Goddart/Hot Chip: - "Love it! Love it!"

David August: - "Hey guys. This is really a great release!! Everyday is for me!"

Round Table Knights: - "Summer Hit 2012!!! Been playing Everyday for a while now. Such a good track. Strange is fucking good too! Amazing EP."

Soul Clap: – “Hey guys, Everyday is ruff n’ TUFF!! Will see how she goes down.”

Robert Owens: - "Great track."

Lee Curtiss: – “Yeah another cool ep from Exploited… Strange probably the fav. Will try it out.”

Aeroplane: - "The Doors song is not ruined, which is often the case! Great tool! Will play."

Lovebirds: - "Nice one guys!! Everyday is cool for me. Hamburg rocks! "

M A N I K: - "Yeah i remember this one good stuff here as always from these guys... Playing!"

dOP: - "Nice EP from Adana Twins! Both tracks are cool for us! Will be supporting for sure."

X-Press 2: - "Everyday is def being played."

Bushwacka!: - "Definite support from me on this. It's all about the Strange track for me though."

T.Williams: - "Now this is a wicked release!!!"

Pezzner: - "Everyday is sounding pretty good. Gonna try both in fact..."

Mercury: - "Yes Yes. Everyday. All day&amp;Night. Love it."

Homework: - "We've been playing Everyday for a while now. Crowds love it, as we do. Absolutely hate The Doors, but Strange might just convince us to go Dark Side."

Uner: - "Totally in love with the feeling in Everyday!!! Playing!"

Tomas Barfod: - "Strange works for me."

Brandt Brauer Frick: - "Strange is a nice song."

Death On The Balcony: – “Cool Work here! Some nice sampling in both tracks put to good effect.. will be playing! ”

ZDAR: - "Yo Exploited! I love Everyday! Really elegant and still bumpy, early hours indeed, thanks a lot!"

Jozif: – “Oh yeah… Strange is totally YUMMY!!!”

Adriatique: - "Hard to pick a favorite. Both great deep pieces of music. Really profound and strong! We love it."

Michelle Owen: - "Nice release."

Joyce Muniz: - "Great tunes."

Kasper Bjorke - "Sexy moody stuff. Strange is my favorite here! Excellent take on this classic melody."

Phonique: - "Nice n deep!"

Friendly Fires: - "Solid stuff!"

Daniel Solar: - "Very nice release. Will try out both tracks."

Released by: Exploited 
Release/catalogue number: EXP-DIGITAL-12 
Release date: Feb 20, 2012 


Strange

Adana Twins - Strange (Original Mix) Preview

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Ocean Drive - Drumcode - DC184

Flower of Cane

Relentless (Radio Edit)

20JAHRE 2RAUMWOHNUNG

Wir werden sehen (Paul kalkbrenner Remix 2020 edit)

Flying Through the Souls

Flying Through the Souls (Just Emma Remix)

The Green Armchair

Europa

Seven Days and One Week

Seven Days and One Week (Club Mix)

We are ready for the second round of free downloads for you! This time our lovely Andreas made a fantastic 21st century edit of his big hit "Waiting In The Weeds"! Brace yourself for fierce synths and badass baselines! Grab a copy at:
https://www.snoemusic.com/product-category/free-downloads/

Waiting In The Weeds (21st Century Edition)

Andreas Henneberg - Waiting In The Weeds (21st Century Edition)

Hôtel Costes

Rollin'on chrome (Wild motherfucker dub)

Electro

brownie