Name: Basking (naviarhaiku521) by SONOGRAYN in haiku #521: Basking / in the New Year's sun... / my trashy hut
Duration: 3 min
Description: My new contribution to the NAVIAR Haiku project.

Deadline: 3rd January 2024

All submissions to Haiku 521:

https://www.naviarrecords.com/naviarhaiku521-basking/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #521: Basking / in the New Year's sun... / my trashy hut

My contribution to Naviar Records Haiku Challenge 521.
Haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa
Basking
in the New Year's sun...
my trashy hut

Picture by Jonathan M. Hethey https://unsplash.com/photos/photography-of-grass-with-sun-light-ka9D9DiEVvw

::::>>>>::Journey To The Sun::::::Naviar Haiku 521

29Dec23

My naviarhaiku521 submission;
https://naviarlab.tumblr.com/post/737852018027298816/naviarhaiku521-basking
:D

basking in the New Year's sun [naviarhaiku521]

Huge thanks and appreciation to xtrgamr who provided the crowd countdown, which can be found @ https://freesound.org/people/xtrgamr/sounds/239496/

basking
in the New Year's sun...
my trashy hut

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF trashY [naviarhaiku521]

Seramind - Casa Mea (naviarhaiku521)

basking
in the New Year's sun...
my trashy hut
 

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd January 2023

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Jonathan M. Hethey https://unsplash.com/photos/photography-of-grass-with-sun-light-ka9D9DiEVvw

Visit my other pages:

Official: http://www.seramind.de
Artcore: https://artcore.com/seramind
Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeKa
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
MixCloud: https://www.mixcloud.com/seramind
YouTube: https://www.youtube.com/channel/UCSVk1v75Cpzc7Bf-KVsrUUg

Casa Mea (naviarhaiku521)

Composition inspired by haiku written by Kobayashi Issa

Basking
in the New Year's sun...
my trashy hut

Basking in the Sun

Basking in the Sun - (naviarhaiku521)

My new contribution to the NAVIAR Haiku project.

Basking (naviarhaiku521)

COLL2

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

[disquiet0636] Left Tt16tt

sound art for disquiet0636

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

marsh bones (disquiet0636)

Left to Drone [Disquiet0636]

Watch out for the hairpin turns on this dusty track out back of Lone Pine.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

disquiet0636 - Mallard Drone

This week's prompt was to record the first part of a trio.

I recorded some street musicians this weekend and did some tweaking in Ableton Live. At first, a little bit of tweaking. Then, a lot of tweaking!  81 bpm - I hope someone chooses this to be a left-panned rhythm!

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

1 Left (Disquiet0636)

The first thunder
Is likely to shake
The tiered doll stand.

Like Santoka and Seisensui, Kawahigashi Hekigoto (1873-1937) was an important advocate of the free verse haiku.

Besides being a writer and critic of haiku, Hekigoto was a literary scholar, noh dancer, art critic, calligrapher, social commentator, and mountain climber.

The first thunder (naviarhaiku0531)

It’s been a rough and exhausting week, so the soothing guitar chords from Torsten Goerke (https://soundcloud.com/torstengoerke) instantly hit my sweet spot (Gruß nach Dresden!).

I extracted the MIDI notes via Ableton, added a granular reverb to it, and played a bit with the pitches. As the guitar line was a bit short, I doubled the part. Also, I added a shortwave radio segment to it.

***
Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). 

To select a track, you can listen through all those and choose one, or simply look around and select, or you can come up with a random approach to sifting through them.

It is strongly encouraged that you look through the discussion thread for the previous project on the Lines forum because many tracks include additional contextual information there:
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. 

To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track you selected in Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. In normal circumstances, Junto projects have a one-track-per-participant limit. You can do two this time. For the second, it’s appreciated if you try to work with a solo that no one else has used yet. I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 18, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s required for this sequence of projects to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right Beside You (with Torsten Goehrke) [disquiet0637]

Part two of three of the Disquiet Junto collaboration project. This takes the C# electronic drone created by @alanblip and adds a drop-tuned guitar for a rhythm track. What will it sound like with a 3rd part, I wonder?

Lefty Drone, Right English disquiet0637

16May24

My naviarhaiku541 track
https://naviarlab.tumblr.com/post/750552215383588864/naviarhaiku541-heat-in-waves
:D

heat in waves [naviarhaiku541]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

These are just my contributions for the Naviar Haiku project.
My whole catalog is hosted at Bandcamp:
www.martinjuenke.bandcamp.com
www.sonograyn.bandcamp.com
Get in contact!

Basking (naviarhaiku521)

SONOGRAYN

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