Deadline: 10th January 2024

All submissions to Haiku 522:

https://www.naviarrecords.com/naviarhaiku522-lightning/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #522: lightning – / flashing in the east yesterday / and today in the west

This track was created for the Naviar Haiku group.
522
https://naviarlab.tumblr.com/

2024-01-03

Lightning ( Naviarhaiku 522 )

Electronic composition, sounds created in Pure Data.

East & West (naviarhaiku522)

Created with Cubase 12 on PC, Spectres by Slate+Ash, Sequis and Piano Colors by Native Instruments

Inspired by Naviar Haiku 522:
https://www.naviarrecords.com/naviarhaiku522-lightning/

Photo by zenbytes (2023, near Lake Creek on Beartooth Highway, Wyoming, USA)

two day lightning - Naviarhaiku 522

My new contribution to the 
Naviar Haiku project
https://www.naviarrecords.com/haiku-music-challenge/

Lightning (naviarhaiku522)

7Jan24

My naviarhaiku522 submission;
https://naviarlab.tumblr.com/post/738505900732596224/naviarhaiku522-lightning
:D

Lightning [naviarhaiku522]

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Bassline Collab (disquiet0636)

little guitar line, recorded through SOMA Cosmos Pedal
Mastering/Mono down mix in Ableton

Guitar/Left1Mono(disquiet0636)

Turns

This was my contribution for Disquiet Junto Project 0636: Left (1 of 3)

Here’s a copy of my post on the Disquiet Junto 0636 discussion thread:

Created this generative ambient track using SDKC Helical on my little ALM 3U 52hp rig. No other modules were used except for a bit of reverb with FX Aid. Manually adjusted note spread, envelope, filter cutoff, etc. while recording. Mangle, chop up or do whatever you’d like for your creation. The main thing of course is to enjoy the process. Busy few weeks coming up so not sure whether I’ll be able to participate 100% in this series, we’ll see.
This is in C# Major.
River image by Nitish Kadam via Unsplash.     

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

View From The Left Bank [disquiet0636]

Here is a drone in C# major for Disquiet Junto. The filter cutoff frequencies are slowly modulated by hand to give it some breathing. Hopefully there's enough space for you to add additional parts to it. It's a stereo recording but I expect it to be panned partially or fully to the left 

Created on Elta Music Solar 42 "ambient machine" post-processed with some EQ to limit the frequency spectrum. Just got the Solar 42 yesterday so there is much to learn.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

leftydrone

Leftydrone - Disquiet0636

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece would appear panned to the left in the finished recording, after three weeks.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

bass flurry [disquiet0636]

Disquiet Junto Project 0636: Left (1 of 3)
The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three weeks, you can participate in any or all three of those parts.



Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece would appear panned to the left in the finished recording, after three weeks.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.

===

Track notes:

One of the few things I haven't been doing much of this year is playing guitar, which is my 'primary' instrument. However, since late last year the one guitar (within reach) has been a Danelectro electric 12-string, stripped back of its thick strings to only six strings and put through through a variety of modal open tunings. A few years ago I listened to Lee Renaldo talk about this kind of retrofitting, which was called an Angel Hair guitar and was pioneered in the 1960s by country guitarists to create a light, jangly accompaniment, that in some ways is reminiscent of a pedal steel guitar's upper timbre.

I don't know how much open tunings figured at this time, but I could certainly appreciate Lee's attraction to all things unconventional and open-tuned. My current set up for this guitar is a D-A-C-E-A-E tuning, which gives it a kind of pentatonic, suspended tonality. Given the unconventional order of string gauges from bottom to top, the unison notes have an especially interesting appeal. From a fingerpicking approach, it all opens up the guitar in unexpected ways, since a regular picking technique can be inverted by the string gauge order and also feels quite different too.

So with this in mind, I recorded a repeated fingerpicking figure which exploits the unique qualities of this setup, such as the unisons and harmonic attributes of the tuning. The main guitar (soft left) is run through an EHX Holy Grail Reverb with a smidge of spring reverb, whilst an accompaniment (same guitar and tuning) is on the soft right, also run through the Holy Grail, but with the weird 'Flerb' reverb, which is a kind of modulated effect.

It's at 72bpm and runs just a shade over 2 minutes, starting a fade at the 1:46 mark.

[Disquiet_Junto_0636] Epochs (Left 1 of 3) 72 BPM

Part 2 of a 3 part assignment.
Incorporating John Wright's Just Percussion for Disquiet0636 (https://on.soundcloud.com/Xtc2d)

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

rightward feat John Wright [disquiet0637]

Part two of three of the Disquiet Junto collaboration project. This takes the C# electronic drone created by @alanblip and adds a drop-tuned guitar for a rhythm track. What will it sound like with a 3rd part, I wonder?

Lefty Drone, Right English disquiet0637

revisited a longer recording from my modular system, made a few weeks back - and picked a ~5min segment to focus on

addition - recorded a repeating loop with some granular processing from my modular system to sit in the background (low end)

arranged in ableton live - some automation (mainly filter cutoff)

added a stereo pair of field recordings (referenced in title)

--

More on the 641st weekly Disquiet Junto project, Re-re-re-re-revise — The Assignment: Take an old track and make it better — at https://disquiet.com/0641/

disquiet0641 - cais do sodré

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

These are just my contributions for the Naviar Haiku project.
My whole catalog is hosted at Bandcamp:
www.martinjuenke.bandcamp.com
www.sonograyn.bandcamp.com
Get in contact!

Lightning (naviarhaiku522)

SONOGRAYN

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