Berserk

Lord of Lazers

king

Our heroes giggle their way through an extremely long and extremely fun action film.

We Just Watched... John Wick: Chapter 4

Left - To - Right (disquiet0619)

https://disquiet.com/2023/11/09/disquiet-junto-project-0619-beat-accrual/
Komposition988 SchalgzeugKlavier

Risse (Disquiet0619)

Years ago I made this patch in VCV Rack (version 1, mind you!) to show how easy it is to make polyrhythms using Frozen Wastelands BPM LFO. Now I only had to add some kind of build-up to comply with this week's assignment from the Disquiet Junto. I chose Squinky Labs Graycode, so that any possible combination of instruments will be heard. 

There are eight instruments. A kick is heard on every first and third beat, a snare on every second and fourth, a tom between the beats and a hihat plays eighth notes. Then the fun starts: a ride plays triplets, a rimshot quintuplets and a cowbell septuplets. Finally there is a "swoosh" for which the BPM LFO was set to (well, why not?) 11:73.

There is a video available at  https://youtu.be/BDX4Wte-ErY 

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Beat Accrual (disquiet0619)

This track started from a 2 drum loops that I chopped and separated into more tracks. Then I applied different settings to them such as EQ and distortion. For the arrangement, each elements is added at regular interval until the beat is complete. Later I added additional synths, all with a certain rhythmic feel to them.

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Don't Give Her Your Number (disquiet0619)

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Disquiet0619 - Beat A Cruel

for john hinks.

two loops of vinyl glitch and a filtered techno beat give forward motion to several layers of piano and live guitar, tuned down and tone rolled off to make it sound like a bass guitar. the high end rapidly rolls off near the end to "de-arch" everything.

[naviarhaiku538] de-arching (for john)

Disquiet Junto Project 0650: Doppler, Interrupted
The Assignment: Record a piece of music in which a passing siren blossoms into something else entirely

The siren I used as raw material is an excerpt from my work with Sound Obsessed x Sónar+D: Temporal Tide

The collection of A/V pieces is currently exhibited at Sonar Festival in Barcelona. It's a collective work I enjoyed being part of https://www.soundobsessed.com/temporaltide

For my part of the exhibition piece "Exploring global temperatures since  1750" I processed Earth Surface Temperature Data for several cities as control voltage in VCV Rack. Noah Pred wrote a wonderful article about his sonification tool for  Ableton and how people approached the sonification task for Temporal Tide: https://manifest.audio/temporal-tide

Low Tide is inspired from that work. I heavily processed the siren and the first bleeps from the incoming
data in audacity (simulating a doppler effect, of sorts). I processed that sound in VCV Rack and added a synth from my Ksoloti Gills (Tiar SpaceViolin).

Disquiet0619 - Beat A Cruel

SAMPLAIR

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