Very earthy synthmusic for all the extraterrestrial vibes! But what I really ewant is a landing on BARSOOM...

Super extraterrestrial lounge soundscape...Really awesome vibes! <3 <3 <3>>>

Sounds like I like. Great production. :-)

Rich synth landscape that appeals to my ears!

Theme for an Imaginary Western - Part 1

“I can stop the heartbeat of angels…”

Revenant

Turograf

Inspired by alleged events and phenomenon surrounding the Hoia Baciu Forest in Romania, this album is a return to the sound of my earlier albums.

Dark themes, sombre melodies, heavy ambience and atmospheres, all performed live on modular synthesis and mastered in Ozone. Thanks for listening

Get album here

VILLAGE OF THE FORELORN

Cover art includes seed from @mystique_wind ❤️🍄

Tonic Elves Inlets Cove

Cyclops. Return from the pasture. Abyss Odyssey

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

Unseen Events Ploy Plenus Seventy One

UTOPIA PLANITIA

thanks for listening to my little ditty. 
lyrics.
know my friends we shall live on
if anything can take us out
it won’t be a 
little bug.
it will be us, by our own hands
and those who chose to make each day 
a little less
hard to live. 
all lost souls
rest as one. 
lets have a moment together
we might never
get again.

a moment together

Rhythm and Blues

One Drop with Two Drop? I am not sure.
Foto: Johnny Brown @ unsplash

UTOPIA PLANITIA

MR.LINO

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