Le résultat est très impressionnant et surtout agréable à écouter encore et encore !!!!!!

ppp, Chris…. perfect punchy power😜💪🏻😎

Dancehall as it is supposed to be. GREAT TUNE

@user-936947521 Thank you so much ! Wow your comment means a lot. I value that 🙏🏻🙏🏻

THE CONQUEST OF YESTERDAY'S  WAVES' MOTEL

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
-------------------------------------------------------------------------------------------------

I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

Dope cool man-ryonthemic
https://soundcloud.com/rquinlan48
California stop（ryonthemic&Tot.masa)
Words,vocals-ryonthemic
Beat,prod-Tot.masa
Peace&Love from us both🙏🙏

California Stop feat. ryonthemic

Conquest

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

The Heatwave Mr Lexx & Keida VS JoeyStarr (Dramantic Remix).mp3

Recorded in Modesto, Ca.   Featuring Vibraphone solo. Selmer Tenor Saxophone solo. Gibson 335 Electric Guitar solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Drums Acoustic Full drum kit set. Percussion Timbales, Cow Bell, Tree Chimes.

Ipanema

El Bonalita

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

“I Wish (I Was Like You)” is an emotional song about longing, self-denial, and the fear of hurting those we care about — wrapped in a dark, poetic vampire metaphor.

I love exploring different genres and diving into new musical worlds — and right now, it's musical theatre that's calling me.

This song is part of a musical project in collaboration with Sarah Paradise Brown, centered around themes of inner conflict, unfulfilled love, and the tension between light and darkness.

A new song with Sarah is already in the works — and there may be more to come as we continue to unfold this mysterious chapter.

Lyrics / Music / Vocals: 
Axel Menningen



"I wish (I was like you)"

You wake up with the sun in your eyes.
You breathe like nothing hurts.
You laugh like life is simple.
I watch you from the dark.

I try to move like you.
To speak like you.
But my steps are too heavy.
And something inside me always pulls me back.

I wish I was like you.
I wish I didn't want what I want.
I wish I could be close
without the fear,
without the hunger.
But I can't.

You hold my hand like it's safe.
You look at me like I'm still human.
And for a moment,
I almost believe it.

But the night speaks to me.
It whispers what I am.
And the blood calls louder
than your voice ever could.

I wish I was like you.
I wish I didn't want what I want.
I wish I could be close
without the fear,
without the hunger.
But I can't.

I don't want to hurt you.
I don't want to lose myself.
But if I choose you,
I lose what keeps me alive.

I wish I was like you.
I wish I could just love.
But I'm built for hunger,
not for peace.
Not for love.
Not like you.

I Wish (I Was Like You)

Sitting alone at night around a remote campfire in the Bieszczady Mountains, a fascinating area with free-roaming wolves and bears, you feel much more at ease when you can hear a group of horses grazing behind you and enjoy the peace and coolness of the night after a hot day spent carrying riders on long journeys over hills, fields, and meadows.

Horsepower

[Intro: Distant, Spoken, Alone]
Night suffocates
Lost beneath collapsing towers
No way out, no voice answers
VIRTUS SOLA INVICTA!

[Verse 1: Isolation, Hopelessness]
Concrete waste, life in fragments
Steps echo in empty halls
Dreams dismantled, faith abandoned
I am wounded, pressed and small

Silent city has no mercy
Every hope turns to rust
Breath is shallow, vision blurry
Feet drag heavy through the dust

[Pre-Chorus 1: Fear]
Fear whispers—nothing left
Hiding from the shadow’s breath
Walls contract, cold and near
Strength forgotten, drowned in fear

VIRTUS SOLA INVICTA!

[Chorus 1: Awakening]
But a spark beneath the ashes glows
In darkness, something bold grows
From trembling hands that fate would claim—
Rage becomes my secret flame

VIRTUS SOLA INVICTA!
From the edge, I rise unknown
VIRTUS SOLA INVICTA!
Broken, burning, never gone

[Verse 2: Gathering Strength]
Every scar a silent promise
Every bruise another vow
I reject the fate that haunts us
Summon strength—refuse to bow

Heartbeat pounding like an engine
Will ignites behind my eyes
Fear gives way to raw ascension
I am thunder in disguise

[Pre-Chorus 2: Transformation]
Grief to power—molten, wild
Pain re-shaped and reconciled
No surrender, not this time
Voice electric, soul defined

VIRTUS SOLA INVICTA!

[Chorus 2: Unleashed Power]
Walls collapse before my stride
Ghosts dissolve as I collide
Light explodes where I declare
I was steel, now fire and air

VIRTUS SOLA INVICTA!
From the ruins I ignite
VIRTUS SOLA INVICTA!
Radiant, relentless fight

[Bridge: Climax, Shouted/Chanted]
I am not the shattered night
I am force, the will, the right
No more hiding, no more chains—
VIRTUS SOLA INVICTA!

[Final Chorus: Overcoming/Prevail]
Every wound, a reason found
Courage roaring, shaking ground
Never silenced, never tame—
I am victory without shame

VIRTUS SOLA INVICTA!
Final dawn, unbreakable
VIRTUS SOLA INVICTA!
Triumphant, untouchable

[Outro: Fading, Fiercely Chanting]
VIRTUS SOLA INVICTA...
Stand alone, unbeaten...
Forever, forever prevail...

INSUPERABILIS!  -VIRTUS SOLA INVICTA!


INSUPERABILIS!  -VIRTUS SOLA INVICTA!

VIRTUS SOLA INVICTA

Buy Here

TC4 - Come Closer (Prod. Strew-B x Holy1k)

smooth criminal

Zombie

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd

(Don't follow me here, best on my main page ;)

The Heatwave Mr Lexx & Keida VS JoeyStarr (Dramantic Remix).mp3

Dramantic

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Dramantic

JarJar beatz

SACHERBROS.

Andronix

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