Jose

Zygmund de Somogyi - 'there's a stain on my jacket i hope never washes out', for solo performer (voice, acoustic instrument, and electronics).
Performed by Seán Clancy as part of CODA Festival 2021, Royal Birmingham Conservatoire, UK.

More information: zdscomposer.co.uk/concert

there's a stain on my jacket i hope never washes out (perf. Seán Clancy)

Zygmund de Somogyi - 'Altschmerz: a salient scene reflected (String Quartet, No. 2 in 31-TET)'.
Workshopped by Quatuor Bozzini in Montreal, Canada, February 2021, facilitated by Royal Birmingham Conservatoire.

More information: zdscomposer.co.uk/concert

Altschmerz: a salient scene reflected (String Quartet, No. 2 in 31-TET)

Reading session conducted by Giuseppe Famularo

«¿Qué le voy a hacer? En mitad del gran desorden me sigo creyendo veleta, al final de tanta vuelta hay que señalar un norte, un sur. Decir de alguien que es un veleta prueba poca imaginación: se ven las vueltas pero no la intención, la punta de la flecha que busca hincarse y permanecer en el río del viento.»
JULIO CORTÁZAR

Milan, Italy
April 12th, 2022

Image: "Floating garden" (2013) by MOTOI YAMAMOTO

y permanecer en el río del viento - for orchestra [reading session]

mdi ensemble, conducted by Marco Bossi

«Son mis voces cantando
para que no canten ellos,
los amordazados grismente en el alba,
los vestidos de pájaro desolado en la lluvia.
Hay, en la espera,
un rumor a lila rompiéndose.
Y hay, cuando viene el día,
una partición del sol en pequeños soles negros.
Y cuando es de noche, siempre,
una tribu de palabras mutiladas
busca asilo en mi garganta,
para que no canten ellos,
los funestos, los dueños del silencio.»
ALEJANDRA PIZARNIK

'Giuseppe Verdi' Conservatory of Music, Milan, Italy
June 16th, 2022

Image: fragment of "Il verde alle Cinque Terre" (1958) by RENATO BIROLLI

https://youtu.be/kaBZ6uPtMVM?si=gmsjkE7PpVz_NNtV

son mis voces cantando para que no canten ellos - for 7 performers

"Asterion" — for sextet
Eneko Lacalle Berasategi
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«El Sol de la mañana reverberó en la espada de bronce. Ya no quedaba ni un vestigio de sangre.

—¿Lo creerás, Ariadna? —dijo Teseo—. El minotauro apenas se defendió. »

Jorge Luis Borges
________________________________________________________________

Flute: Daniel Romano Medina
Clarinet: Antón Seijas Vieites
Percussion: Javier Delgado Pérez
Piano: Paula Rocosa Gáñez
Violin: Pilar Rodríguez Cotorruelo
Violoncello: Unai Urkola Etxabe

Premiered and recorded live at l'Auditori Sala 2, Barcelona, as part of the "Concert Premi Joan Guinjoan", the 20/06/2022.

Asterion

Asterion (2021–2022)

Written in 6 days for the ARCO Composition Workshop. 
Performed by Ensemble Multilateral & Tana Quartett, 
conducted by Léo Warynski.

Prozessor 0.1 (2022)

Poems by Sam Riviere.
Performed by Riot Ensemble during Klangspuren Schwaz Festival, 2022

Riot Ensemble:
Klarinette: Horia Dumitrache, Alt-Saxophon: Amy Green, Schlagzeug: Sam Wilson Piano: Siwan Rhys, Violine: Sarah Saviet, Viola: Stephen Upshaw, Cello: Colin Alexander, Kontrabass: Marianne Schofield
Dirigent/Ensemble-Leiter: Aaron Holloway-Nahum

infinite heaven (2022)

Piece for solo voice, sung by Astrid Creve and written by myself!

Risonanza #1

After Water
For Flute, Bassoon, Violin, Violoncello and Tape

Program Note:

씻을 때는 내가 왠지 대단한 곡을 쓸 수 있을 것 같은 착각에 빠지곤 한다. 샤워 부스 안에서 요란하게 뜨거운 김을 내뿜으며 비누칠을 하고, 머리카락에 묻은 거품을 씻어내고, 떠오른 아이디어를 각국 언어로 지껄여보다가 타월로 몸을 꽁꽁 싸매고… 그리고 샤워 부스 문을 열고 바깥에 발을 내딛으면 말라 사라져 버리는 물기 마냥 그 대단한 아이디어 들이 없어져 버린다. 그리곤 생각한다. 뭘까, 마치 엄청난 개꿈을 꾼 것 같은데 까먹었네… 같은. 그럴 때면 이 세상이 가짜인지 진짜인지 헷갈리게 된다. 비슷하게 약물에 취했을 때 겪는 경험들, 꿈, 아니면 정말 꿈같은 상황에 놓였을 때. 우리는 현실을 믿고 싶을 때도, 부정하고 싶을 때도 있는 법이다. 그렇다면 이런 의문이 든다. 과연 현실과 비현실의 경계는 무엇일까? 


When I shower, I often fall into the misconception that I can compose a magnificent piece. Inside the shower booth, I emit a noisy rush of hot steam, lather myself with soap, rinse off the foam from my hair, and babble about the ideas that come to mind in different languages. Then I tightly wrap my body in a towel, and as I open the shower booth door and step outside, those grand ideas vanish, just like the moisture drying up and disappearing. Then I contemplate. What was it? It's as if I had an incredible dream but forgot... In those moments, I become even confused about whether this world is real or fake. Similar experiences occur when under the influence of drugs, in dreams, or when placed in situations that feel like dreams. We have a natural inclination to want to believe in reality and to deny it at times. This raises the question: What is the boundary between reality and unreality?


Wenn ich dusche, verfalle ich oft dem Irrglauben, dass ich ein großartiges Stück komponieren kann. In der Duschkabine strömt ein lautes Geräusch von heißem Dampf, ich seife mich mit Seife ein, spüle den Schaum aus meinem Haar und plaudere in verschiedenen Sprachen über die Ideen, die mir in den Sinn kommen. Dann wickle ich meinen Körper fest in ein Handtuch und während ich die Duschkabinentür öffne und nach draußen trete, verschwinden diese grandiosen Ideen genauso wie die Feuchtigkeit, die sich verflüchtigt und verschwindet. Dann denke ich nach. Was war es? Es ist, als hätte ich einen unglaublichen Traum gehabt, aber ihn vergessen... In diesen Momenten werde ich noch verwirrter darüber, ob diese Welt real oder fake ist. Ähnliche Erfahrungen treten auf, wenn man unter dem Einfluss von Drogen steht, in Träumen oder in Situationen, die sich wie Träume anfühlen. Wir haben eine natürliche Neigung, an die Realität glauben zu wollen und sie manchmal zu leugnen. Das wirft die Frage auf: Wo liegt die Grenze zwischen Realität und Irrealität?

----

Conductor: Konstantinos Angelidis
Flute: Sophie Mattiuzzo
Bassoon: Olivia Palmer-Baker
Violin: Kateryna Vashchenko
Violoncello: Raquel Rivera Novillo
Tape: Jacqueline Butzinger

SS 2023 ZoomFokus Concert in Studiosaal HfM

After Water for Flute, Bassoon, Violin, Violoncello and Tape

For two Oboes and Double Bass.

Recording performed by Antje Thierbach, Özge Inci and Gabriel Takano.
First performed at Zoom+Focus, 10 February 2019.

Program Notes:

'Gyaling' (also gya ling, gya-ling, jahlin, jah-lin, jahling, jah-ling, rGya-gling) is a double reed instrument of Tibetan music. It is played in the Tibetan monasteries, especially during the puja, which is a daily practice of religious reverence, and the welcoming of lamas and rinpoches.

The instrument belongs to the family of kegeloboen, as well as the Indian shehnai and the Chinese suona. It's played always with circular breathing and produces a high, shrill sound. In the invocation rituals of Tibetan Buddhist monasteries, wind instruments always play in pairs.

red gyaling's road (2018) for two oboes and double bass

Performed by Ensemble 10/10
Conducted by Clark Rundell

Composition For 12 Instruments (2019)

for Bass Clarinet, Bassoon, Tuba, Percussion, Live Electronics and Fixed Media
-performed by ensemble ilinx – B.Cl.: Aaron Schilling, Bsn: Carlotta Brendel, Tba: Jörgen Roggenkamp, Perc.: Leonard Weber
-conductor: Miguel Pérez Iñesta
-electronics: Jakob Böttcher, Ole Jana

puls|insomn|asystol

Diamante de "4 Miniaturas Litográficas" / Diamond from "4 Lithographic Miniatures"
Eneko Lacalle Berasategi
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Intérpretes / Performers:

· Saxofón / saxophone - Joe Hooworth-Smith
· Fagot / bassoon - Sabina Aran
· Percusión / percussion - Javier Delgado
· Piano / piano - Paula Rocosa
· Acordeón / accordion - Laura Almiñana
· Contrabajo / double bass - Álvaro Orcajo
· Director / conductor - Ferran Gallart

Premiered and recorded live at ESMUC the 16/02/2021
YouTube link for Live Performance: youtu.be/vMkCET_4fq8

puls|insomn|asystol

Nik Bohnenberger

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