Paradis et poubelles... Magnifique ❤️

01 AWAY

WHITE SLAAVE

Martin Dupont - Just Because

@reymour
NoLand sounds like a story already experienced. A series of lyrical landscapes infused with deviant pop sonorities.
In the second album on Knekelhuis, Reymour gives us the keys to three years of life's passages through mist and clearings, delving deep into their innermost selves and emotions.
By merging new inspirations with new encounters, they weave and unravel their tale.

NoLand

L'odeur du tabac froid

Reymour - L'odeur du tabac froid

Décadanse

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming


A Different River Once - Beatrice Dillon & Rupert Clervaux

Pre-order: http://anotherdarkage.bigcartel.com/product/exek-biased-advice-another-dark-age

Another Dark Age is proud to release Exek's debut LP, Biased Advice, which follows one self-titled cassette EP (2014) and a single contribution to a split cassette (2015). The album collects rerecorded and past material, which together stands as the fullest realisation of an Exek identity, honed during two years of haunting Melbourne’s live gig circuit. 

Before forming as a four-piece band in 2014, Exek remained an abstract concept in the mind of front man-to-be, Albert Wolski. With songs written but no musicians to perform them he enlisted Andrew Brocchi (synthesiser), Henry Wilson (bass) and Sam Dixon (drums) and together they began recording material according to Wolski 's vision.

"Then they were there, on my arms, on my legs, everywhere." - 'Foregin Lesions'

The addition of Nell Grant on saxophone made previously murky reference points plainly obvious: Exek are the progeny of a Melbourne scene that established itself around Dave Chesworth and Philip Brophy’s Innocent record label of the 1980s and its greatest offering,  Essendon Airport’s Palimpsest LP (1981). But Exek  dared to abandon the pop and funk tropes of the early Australian new wave scene reaching out to  German post-punk of the same era. Wolski’s songwriting is akin to that of the records put out by Hannover’s No Fun Records and Hamburg’s Zickzack, channeling the droll lyricism of The 39 Clocks and saturated with self-deprecating Attitude. 

"New friends, new influence, new ring around the finger, a hedonist who finds regret.”  - ‘A Hedonist’

Exek are messengers for today’s young, unemployed, immobile, self-obsessed middle-class.  The themes of societal isolation, heartbreak, consumerism are all funnelled through metaphors of terminal illness, monsters and bondage. Their vision mirrors Tuxedomoon’s ‘Holiday for Plywood’ but crucially Biased Advice is a sermon that Exek preach to themselves. The band pit themselves as both victims and saviours living in a world that’s trying to extinguish them, or worse still, mould them into boring automatons. 

“Spitting image, two legged, stick figured, adolescent, disinfectant, replicant.”  - ‘Replicate’

The conceptual weight carried in Wolski’s lyrics follows on from process. Dub and other studio techniques are used throughout Biased Advice and are no better evidenced in the 16-minute modern (and instant) classic, ‘Baby Giant Squid.’ This song remains unchanged from it’s cassette release on Melbourne’s Resistance/Restraint label but spread out over one side of a record it lays bare its perfection. Basslines that stand out one moment give way to dubbed out percussion, hissing tape delay and reverb drenched vocals. Simply, this post-kraut-dub-psyche-punk excursion looks back over it’s shoulder as it leaves ‘Bella Lugosi’s Dead’ for dead. It’s a sublime balance of improvisation and cold calculation. 

“Excitement entails the probability of murder to eliminate stress.”  - ‘Baby Giant Squid’

It’s the tension between this teetering psychotic nihilism and arrangement with studio-like precision that gives Biased Advice the tone of a forewarning. But of what?

“Listen well.”  - ‘Submitted’

Exek - A Hedonist

Poetry, speech, melody and electronics combine on this limited tape from new sub-label ‘Purely Physical Teeny Tapes’.

A change of pace for PP, ‘Figures’ is also a divergence for the two artists involved. Emerging from Melbourne, 'Figures' is a rare artefact for devotees of both poetry and electronic music. The release marks a protean coming together by two figures with curiosity for each other's practice, forming a union between sound and speech to explore themes of bodies, time, language and power.

Lucy Van, who works as a post-doctoral researcher in English and Theatre studies, offers her poems in spoken form and also transcribed in full for the poster in the release.

Laila Sakini, a DJ who has recently emerged as a songwriter-producer, shapes music around each poem intuitively, adding context with restraint, in an experimental, yet pop-conscious process.

Initially developed as a one track hobby project for a noise and spoken word poetry night (which was cancelled), 'Figures' continued to evolve into a more complete body of work, with Laila leaking the demos on her NTS guest slots, leading to this eventual, finalisation of an EP.

The release is presented on a pro-dubbed all clear tape, packaged with an A2 double sided fold-out newsprint poster, all housed within a PVC heat sealed pouch.

Out June 2nd, 2017.

Mastered by Rashad Becker.

Edition of 100.

Laila and Lucy:

Lucy writes about poetry and photography. She is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an editor at Cordite Poetry Review. Lucy also writes lyric and prose poems, and has spoken at venues including The Slow Canoe, Station Gallery, and the National Gallery of Victoria.

Laila's role as a DJ and emerging producer/songwriter has seen her traverse between her home town of Melbourne and London. She has performed across clubs and festivals in  Melbourne and in various venues throughout London, Paris and Belgium along with art spaces including The National Gallery of Victoria, Carriageworks and The Australian Centre for the Moving Image. She presents semi-regularly on NTS Radio, has appeared on Boiler Room and has opened for the likes of Dopplereffekt and Optimo. Laila has recently begun producing, writing and performing live solo and collaborative works.

Laila Sakini & Lucy Van - False Ceiling

"Closed Space" is the first single from CFCF's forthcoming album Liquid Colours

Montreal’s earnest-kitsch-explorer CFCF (aka Mike Silver) has been honing gentle revisions and updates on the outmoded luxuries of pop and new age music for years now. Now he returns with a ‘spiritual sequel’ to his much-loved 2015 ambient opus ’The Colours of Life’, refitted with an eye towards the bygone future: oxygen lounges, chill- out rooms, luminescent spas, and breakbeats. Told in 15 movements, ‘Liquid Colours’ is a 42-minute new age jungle odyssey, perfect for a journey into a dreamworld of pure consumerism. Like all of CFCF’s work, it’s as sincerely and painstakingly composed as it is gently sardonic.

Liquid Colours

Closed Space (Single Edit)

Jeanne Vomit-Terror & Ed Sunspot - The Seat of Same (Original Mix)


Jeanne Vomit-Terror & Ed Sunspot - The Seat of Same

Full album (Cassettes / Digi):
https://hairdel.bandcamp.com/album/33-45

33-45

Пурпурный Дядя - Sereno E' (''33​-​45'' cassettes)

MUSIQUE PAR LISE SUTTER + SETH SUTTON
ART ET MOTS PAR LISE SUTTER
ENREGISTRÉ À GENÈVE, SUISSE

MUSIC BY LISE SUTTER + SETH SUTTON
ART AND LYRICS: LISE SUTTER
RECORDED IN GENEVA, SWITZERLAND

contact: 
seth.uselesseaters@yahoo.com
ziloublues@yahoo.com

Décadanse

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