i used 2 instances of loom
the deep sound of the moon gradually fades out
the tempo gradually decreases
.

moonset
a sudden vastness
between stars

Here’s another haiku by award-winning poet an’ya, who is also the author of the poem we used for our 290th Haiku challenge.

The pen name “an’ya” loosely translates into “a peaceful surprise light in the moonless night”. Though nowadays she writes mostly tanka, in 2011 an’ya was voted one of the top ten haiku poets in the world by Simply Haiku. If you want to find out more about an’ya’s poetry, there’s an interesting article about her on Aha Poetry written by Ty Hadman https://www.ahapoetry.com/PP0501..htm

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 2nd October 2019

haiku by an’ya https://www.tankaanya.com

picture by kazuend https://unsplash.com/@kazuend

parsecs apart (naviarhaiku299 )

recorded my voice in podfarm
had some fx fading in and out for the stages: pitch shifted 5st, paulstretch
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Disquiet Junto Project 0404: Seven (St)ages
The Assignment: Record a piece of music that follows the arc of Jacques’ “All the world’s a stage” speech from Shakespeare’s play As You Like It.

Step 1: This project is inspired by a famous speech from William Shakespeare’s play As You Like It. The speech is the one that begins “All the world’s a stage,” and is spoken by the melancholy character Jacques.

Step 2: Familiarize yourself with the speech, in which Jacques lists the “seven ages” that people move through over the course of their lives, should they lead full and long ones: the infant, the student (“schoolboy” in the play), the lover, the soldier, the justice, old age, and the final decline (likened to a “second childishness and mere oblivion”).

Step 3: Consider how those seven ages might be explored in musical terms. Consider concepts in the original text, such as how in old age “his big manly voice, / Turning again towards childish treble, pipes / And whistles in his sound.”

Step 4: Record a piece of music that occurs in seven stages, following the seven ages of Jacques’ speech. One possibility is to have seven related pieces of music, as i na suite, that represent the ages. Another is to have one consistent source audio throughout, but to treat/filter/process it in accordance with each successive (st)age.

aspects (disquiet0404)

i loved the ambient sections of this album
i got the start and near end of cloud 1 ran thru:
ambient reverb
hornet chorus
izotope vinyl
ddly

intro of cloud 4 thru pong texture

gradually slows from 99bpm to 40bpm
.
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Disquiet Junto Project 0405: Trustable (C. Remix)
The Assignment: Remix music from C. Reider’s album … a trustable cloud.

Step 1: The album … a trustable cloud by the Colorado-based musician C. Reider is available at the following URL. It is downloadable for free. Reider, a longtime Junto participant, has given us permission to remix it for this project.

https://c-reider.bandcamp.com/album/a-trustable-cloud

Step 2: Remix the album to your heart’s content, and your ears’, for that matter. Focus on one track, or combine elements from various tracks. Add your own material, or stick with Reider’s. The direction is up to you. (Note: Reider created the album using online tools, and you might consider using one or more of those tools yourself.)

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0405” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0405” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0405-trustable-c-remix/

C. Reider - Cloud (1 / 4 ambmix) : disquiet0405

wanted to put a bit more thought into the 300th project (congrats marco!)

split into 3 sections - about 4,5 and 9 minutes long
used iris 2 vocal doubler and ddly, played for 4 minutes, notes D E B (corresponded to 4 5 and 9)
more chorus and cello sounds in the 2nd section, a fouths chord, and fifths randomization
more chorus reverb and an arpeggio in the 3rd section gradually increasing pitch

the sections were meant to correspond to the lines of the haiku (but i think the first section sounds more like a cherry blossom) and also the development is meant to be gradual
.
"
four, five, nine years
always the first to bloom…
cherry tree

 

Today we start our 300th Haiku challenge. It feels like an incredible milestone and, looking back at how this project has been filling my life with new friends and music for the last 5 years, I’m grateful to all of you for keeping it alive and inspiring. I hope this journey together has, and will, help you stay creative for a very long time.

For the occasion I chose this poem by Kobayashi Issa, an author I’ve learnt to appreciate over time, especially for his optimism: his poems were often lively and humorous, despite his life was marked by sorrow.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 9th October 2019

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Irina Iriser https://unsplash.com/@iriser
"

first bloom (naviarhaiku300)

the following are 11 random environmental/animal sounds collected from 'yellowstone park' on Terra (native nomenclature: earth); a boundaried and somewhat curated aspect of the landscape.
the recording follows some of the conventions of the dominant species' music (base frequency 130.813Hz, layering, repetitive rhythm, repeated sounds, approximations of music instruments: ableton live8, protoplasm tsmpro)
the natural frequencies are very low compared to what we are used to so you'll want to raise this considerably. the sounds are generally unadorned but some work has been done in raising frequencies so it's slightly less unpleasant. the goal is to distinguish between sounds to produce an internal network of 11 concurrent tracks. on average it will take about 4.75 terra minutes to traverse from cacophony to concurrence.

all sounds credited to " National Park Service "
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Disquiet Junto Project 0406: Phoneme Home
The Assignment: After a visit to Yellowstone National Park, you send a sonic report back to your planet of origin.

Step 1: You’re an extraterrestrial visiting Earth from your home planet. Like many tourists, you’re in awe of the beauty of Yellowstone National Park. You make a bunch of audio recordings of the wildlife. You surreptitiously post those recordings at the following URL. Check them out:

https://www.nps.gov/yell/learn/photosmultimedia/soundlibrary.htm

Step 2: Since this is your first trip to Earth, you can’t really tell one animal from another, bird or human or wolf. Create a report back to your home planet consisting of material drawn from those audio recordings. It can take whatever structure you’d like: collage, song, cut-up, analysis. Be sure to employ alien technology when constructing your report.

Thanks to Lowell Goss for mentioning the kottke.org post that brought this resource to my attention.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0406” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0406” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0406-phoneme-home/

Yellowstone, Terra (disquiet0406)

there's a lot of lilies in this! despite the speed it's meant to have a soothing cumulative effect

i converted last weeks track to midi
had that running thru a c minor harmonic scale, arpeggiator, acoustic piano instrument in live 8
arp rate gradually increases then in the middle i turn off the arp
.
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naviarhaiku301 – waterlily leaves

waterlily leaves
bobbing on the lake . . .
lullaby

One of Naviar’s most active members, Corine is an Interior Designer, Animal Lover, and a self-published author who recently also discovered a passion for music: she’s been taking part in Naviar’s challenges for a few months now, and you can find her music responses both on her Soundcloud and Facebook page.

Corine recently curated a pig haiku anthology in celebration of the Year of the Pig: you can watch a trailer here.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 16th October 2019

haiku by Corine Timmer www.bicadeideias.com

picture by Dustin Scarpitti https://unsplash.com/@dusty_blanco

waterlily lullaby ((naviarhaiku301 ))

this is one of the first tracks i made back in 1997 and i think the first experimental track. my soundcard was pretty noisy and i thought it sounded like the radio. other sounds are i think: burping, a friends dads drumkit, comedy samples - the fast show, bottom, magix musicmaker samples, wu tang clan?

i'd usually do something new but in a nice synchronicity i just remastered a load of old stuff and released it as my 200th bandcamp album https://sevenism.bandcamp.com/album/some-old-stuff-remastered, and i thought this fit the brief pretty well
.
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.Disquiet Junto Project 0407: Dark Pitch
The Assignment: What do you hear between stations on the radio dial during a drive in the middle of night?

This project has one step:

Step 1: It’s 3am. You’re driving across a very dark, very flat territory. There are no other cars in sight. The radio signal begins to fade. You turn the dial. You hear something strange between stations. You grab your phone to record what you’re hearing. Now share that recording.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0407” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0407” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0407-dark-pitch/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, October 21, 2019, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 17, 2019.

Length: The length is up to you.

jl - outro (1997) 3am radio (disquiet0407)

luminescent unease
slight atonal
gradual distortion with sliding pitch shift 
iris 2

naviarhaiku302 – bursts from our guns
bursts from our guns
the town on the horizon
a brief vision of light

Given recent events in the Kurdish-held territories, this week I opted for a war haiku.

Julien Vocance published “Cent visions de guerre” (A Hundred Visions of War) in 1916. From the battlefield of World War I, this French soldier decided to express his emotions of life in the trenches in the form of haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 23rd October 2019

haiku by Julien Vocance https://www.thehaikufoundation.org/juxta/juxta-2-1/snapshots-haiku-in-the-great-war

picture by Rene Böhmer https://unsplash.com/@qrenep

phospha horizon (naviarhaiku302 )

i was staying in the northumberland countryside last week and had the time and space to listen to birds.

funnily enough i took a robert macfarlane book with me but it wasnt til the project came thru that i picked it up. woller is a word in that book (landmarks) for a seal waddle (saw lots of seals around farne and stockton)

i'd recorded a load of birds at a junction waiting for a train to pass, there were loads of sparrows, jackdaws and tits; not sure what else

i denoised and converted the recording to midi so you could say it's composed by the birds.
ran thru zynfx ddly and freqecho then had the recording of the birds appended towards the end

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Disquiet Junto Project 0408: Fritiniency Tronics
The Assignment: Were “fritiniency” (“the chirruping sound made by birds or insects”) a musical genre or technique, what would it sound like?

Many thanks to Michael Upton for having initiated this project.

Step 1: Familiarize yourself with the word “fritiniency.” It was described in a tweet by the author Robert Macfarlane as follows:

Word of the Day: “fritiniency” – “the chirruping sound made by birds or insects; an ambient creaturely hubbub (17thC English; from Latin “fritinnīre”, onomatopoeically meaning “to twitter”). “Fritiniency is a chirping like a Swallow” (Blount, Glossographia, 1656)

The original tweet is here:

https://twitter.com/RobGMacfarlane/status/1185797836585213953

Step 2: Now imagine the word “fritiniency” to be a musical genre or technique.

Step 3: Record a short piece of music that would qualify as an example of the genre or technique you imagined in Step 2.

chathill junction (wallington woller) disquiet0408

choral samples in iris 2
.
Whenever I speak
My lips are
chilled— Autumn wind.

mono ieba
kuchibiru samushi
aki no kaze

Autumn has finally arrived here in Italy as well, so this week I opted for this Fall themed haiku by Basho. My understanding is that this poem has become a well-known Japanese proverb, meaning “It is better to leave many things unsaid”.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th October 2019

haiku by Matsuo Basho https://www.poetryfoundation.org/poets/basho

picture by Grzegorz Mleczek https://unsplash.com/@noctous_

s e v e n i s m