Richard Devine

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Richard Devine's demo of the Mutant Snare eurorack module (amongst others). He seems to have made good use of the external input to morph the Snare into something completely different!

Find it on ModularGrid here! https://www.modulargrid.net/e/hexinverter-Electronique-mutant-snare

His description of the patch:

"I took 5 sources into the external input, and then multiplied the output and fed it back into it self so you get this really hi-fi feedback sound at times. 
Used the Low-Gain Electronics Short Bus V2, with 5 sources running in, then took the summed output back into the Snare to get these glitchy broken like sounds, then slowly opened the decay allowing for more of the external signal coming through and then I flipped the switches to turn on and off different effects.
Sources:
1. Mungo d0
2. Warps running parasites program 7 delay/feedback
3. Z3000 modulation at low rates (amplitude modulation) audio cutting.
4. FMVDO running modulated high FM, mixed in by hand manually with a intellijel ATT
5. Digital Noise out from the Synthesis Tech e102 quad temporal shifter
I multiplied the output and sent 4 sends to the HexVCA, one out to the Eventide Space, one to the intellijel Spring Ray, and one to Clouds for the granular delay stereo scatters. Being triggered by the Ladik Random R-110, for the long gate holds."

Devine's Mutant Snare Workout

Recordings of various electrical devices (printers, scanners, Nintendo Wii, PlayStation, Mac-book hard drives, 5 different wireless modems, fax machines, iPhone, iPad, and computers. 
Recorded with two telephone recording microphones (induction coil) into a Sound Devices 744T recorder 24-bit 96khz.

Note: The file download is now available in the original 24-bit 96khz format. 


The Sound of Data Transmissions-Electromagnetic Fields

Richard Devine tries to break the Hexinverter Mutant BD9 we sent him!

Eurorack module info: https://www.modulargrid.net/e/hexinverter-Electronique-mutant-bd9

Some patch notes from Richard: 

"I was using the Control Forge to go into 8 stage modulation CV shapes, stepping slowly in random order to the Amp decay Pitch etc on the BD9, can get really interesting, made for some serious abstract weirdness. Love it.

I ran the BD9 through the new black hole DSP module by Erica Synths, and the Mutable Instruments Clouds running a unreleased firmware, and finally some Rainmaker X 2 for the snare processing, pitch delays. There is also a bit of Z-DSP, Eventide H9, AD Reverb, OWL, and ErbVerb too. Lots of SFX going on this one"

Devine BD9 - A Mutant BD9 audio demo

Fresh new music Kotez style, Favorite and leave comments :) Enjoy..

Will be part of my new EP.


Kotez - Right Here Right Now

For the "Transform" trailer demo song I mixed a few of my favorite sounds from  Jean-Edouard Miclot sound effects library new from Twisted Tools and tried to create a short slow piece that really showcased the versatility of some these sounds within the context of a musical composition. I also included a few additional sound effects and percussion sounds from my personal library that are also included in the release.
Recorded/processed/mangled at 24-bit 96-khz...

Link to buy the library here: http://twistedtools.com/shop/samplepacks/transform/

Devil's Droid / Transform - Licensing contact: Pitch Hammer (310) 709-2794

"Transform" Trailer -by Richard Devine

Recorded May 11, 2010 using only my Analogue Doepfer A-100 P9 case, with one pass. No post processing. Modules used, Tiptop Z-8000, Cwejman VM-1, Cwejman VCO-2RM, Harvestman Piston Honda,Harvestman Hertz Donut, Doepfer A-187 VCDSP. Doepfer A-145 

York Capacitor

Taken and remixed from the Album: External Combustion, all sounds made from only a Bodhran Frame Drum. 





Glen Velez Remix, External Combustion, interpretation.

BADAWI- EL TOPO (CARDOPUSHER REMIX)

-warning-this piece can cause hearing damage, when played at loud volumes. 

TL/A\S-I/L.A-Re-mix

Pulse/Excerpt/Short Experiment

Extended version of the "Creature II" composed entirely on the MakeNoise Modular system. 2012 - Catalog number - MNR001 

Buy it here:

http://trashaudio.com/2012/12/make-noise-records-presents-shared-system-series/


Label info:

http://www.makenoiserecords.com/

MakeNoise Records facebook page:

http://www.facebook.com/MakeNoiseRecords

Shared System page:

http://www.makenoisemusic.com/sharedsystem.shtml




Richard Devine

User 263158971