이게 필연이 아니면 뭐로 설명할 수 있겠어. J

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Brian Crain - Canon In D (piano & Violin )

Fauré - Romance sans paroles Op. 17, No. 3

Chopin Étude Op. 10, No. 4

Franz Liszt's 4th Transcendental Etude, named "Mazeppa" 

First recording on my new Fazioli F228. 
Too excited to record anything more contemplative. 


Franz Liszt - Transcendental Etude No.4 in D Minor - Mazeppa

ED SHEERAN - ALL OF THE STARS (piano instrumental)

Romance Larghetto - Chopin

Gymnopédie no.1 - Erik Satie

Merry Christmas Mr. Lawrence (a.k.a. Forbidden Colours) by Ryuichi Sakamoto (1983)

Live video: http://www.youtube.com/watch?v=G_v_pbd-O8U

Soundtrack from the movie Merry Christmas Mr. Lawrence (戦場のメリークリスマス), a.k.a. Furyo in Europe, directed by Nagisa Oshima, and starring David Bowie, Tom Conti, Ryuichi Sakamoto and Takeshi Kitano.

The instrument is a Kawai VPC1 controlling a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and... straight from the 80's a sampled preset named "Touch Perco" from the Yamaha DX7 mk2 synth.

Spotify

Ryuichi Sakamoto 坂本龍一 Merry Christmas Mr. Lawrence [live cover]

Written in 1890, Debussy's Reverie was one of his first solo piano works to make an impact. Even at this early stage in his career, when he was still working out what kind of composer he wanted to be (he was apparently a fervent debater when it came to Wagnerism), it's clear to see traits of that signature Debussy sound.

However, the young Debussy had not quite developed the style and tricks that would earmark him as one of his generation's most notable talents. There are no fireworks here, no sudden explosions in texture that would come to characterise his later works - this is more of a meditation, the perfect precursor to exploring those later works.

The gently repetitive theme that opens the work feels like a descent into sleepy dream-world (as the title suggests), and as the textures become ever richer the dreams only become more lush and addictive. A fantastic early sign that this Debussy fellow was one to watch…

Source:

ClassicFM
http://www.classicfm.com/composers/debussy/music/debussy-reverie/

Retailers:

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Napster
https://us.napster.com/artist/claude-debussy/album/claude-debussy-the-essential-collection

Tidal
https://listen.tidal.com/album/26275698

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
www.youtube.com/c/indypoprecords

Claude Debussy - The Essential Collection

Rêverie, L.68

Tidal

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Clair de Lune

Clair de Lune - Debussy

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

Maurice Ravel- Piano Concerto in G - II. Adagio assai

One of my favorite piano composition. Soundtrack for po[ular NES game - Binary LAnd ;)
Performer - OlegG.
Keyboard - Casio CTK 800.

Eric Satie - Je te veux

Debussy composed this valse when he was twenty-eight years old. Impressive.

The score is available here:
https://imslp.org/wiki/Category:Debussy,_Claude

Claude Debussy: Valse Romantique

Dedico esta grabación con gran cariño a mis padres.

https://itunes.apple.com/us/album/debussy-deux-arabesques-single/id1109105473

Debussy: Deux Arabesques

Arabesque No. 1 in E Major, L. 66: Andante con moto

Claude Debussy: Première Arabesque

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

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