Telemann - Quatuors parisiens (Mirare)
Les Ombres
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Varoujan Doneyan - violon
Sylvain Sartre - flûte traversière
Margaux Blanchard - viole de gambe
Nadja Lesaulnier - clavecin
Jonathan Pesek - violoncelle
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À l’apogée du baroque et loin de tout formalisme, Telemann célèbre dans ces quatuors la réunion des langages européens de son temps. Son imagination s’y renouvelle sans cesse dans le but unique de séduire et de charmer. Un bonheur de tous les instants.
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At the zenith of the Baroque era,
far from all formalism, Telemann celebrates in these quartets the union of the European musical languages of his time. Here his endlessly inventive imagination is deployed with the single aim of attracting and charming the listener

Georg Philipp Telemann  - Sonata I (Allegro)

Released 4th May - Preorder 'Live in Riga' http://thomasgould.bandcamp.com/

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3 VIOLIN CONCERTO IN D, OP. 61 - LUDWIG VAN BEETHOVEN 
I. Allegro ma non troppo 
II. Larghetto 
III. Rondo (Allegro)

4 THE LARK ASCENDING - RALPH VAUGHAN WILLIAMS

‘Violinist Thomas Gould is one of a new generation of classical musicians who refuses to be defined by a single genre’. GUARDIAN

‘One of the most talented and charismatic British violinists of the younger generation’. LONDON EVENING STANDARD

‘The young British violinist Thomas Gould seems intent on becoming the Nigel Kennedy of his generation… Scythingly scintillating playing from a young virtuoso with a magpie mind’. THE TIMES

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Vaughan Williams - The Lark Ascending

[1부] 
1. Johann Sebastian Bach(1685~1750)
  Partita for Solo Violin No. 2 in D minor BWV 1004
    Ⅰ. Allemanda
    Ⅲ. Sarabanda
    Ⅳ. Giga
  Violin : 전필승(드래곤라이더)
 
2. Johann Sebastian Bach(1685~1750)
  Trio Sonata from The Musical Offering BWV 1079
    Ⅰ. Largo
    Ⅱ. Allegro
  Flute : 김지희(김플룻피아노)
  Violin : 현준호(폭풍빛)
  Cello : 함정호(알랭드잘함)
  Piano : 김가영(모카)

3. Wolfgang Amadeus Mozart(1756~1791)
  Clarinet Quintet in A major K.581
    II. Larghetto
  Clarinet : 이소영(금성인)
  Piano : 오승희(로시애루)
 
4. Cesar Franck(1822~1890)
  Sonata for violin and piano in A major
    Ⅱ. Allegro
  Violin : 조수연(josu)
  Piano : 김정민(sepiano)

5. Felix Mendelssohn(1809~1847)
  Piano Trio No. 1 in D minor, Op. 49
    I. Molto allegro ed agitato
  Piano : 서준교(전주곡)
  Violin : 장종우(장총)
  Cello : 김지원(카롱)

1. Johann Sebastian Bach(1685~1750)   Partita for Solo Violin No. 2 in D minor BWV 1004

Philip Glass - The Kiss (The Hours ost)

Festival d'opéra de Québec 2015 (enregistrement live)
Le Choeur de l'Opéra de Québec
Les Violons du Roy
Martin Robidoux - direction

Jean-Philippe Rameau (1683-1764) - Les Indes Galantes, "Forêts Paisibles"

St. Cecilia Choir & Chamber Orchestra Richard J. Clark, Director
Allesandra Cionco, soprano
Marc DeMille, baritone
Timothy E. Smith Organ

Recorded Live November 20, 2015
St. Cecilia Church, Boston, Massachusetts, USA

Requiem in D minor, Op. 48, VII. In Paradisum, Gabriel Fauré

Available here: http://bit.ly/2mB96no

Johann Sebastian Bach 
Motetten
Collegium Vocale Gent, Philippe Herreweghe

Komm, Jesu, komm !, BWV 229: Komm, Jesu, komm

Concert in "Michaelskapelle" in Witzenhausen/Germany

"Asturias" by Isaac Albéniz [live in concert]

Dvorak - 'The American' Quartet, Lento

A chill out music composed with the Op1 and the Opz.
Mixed in Ableton live.
Audio sample : Les Quarxs (voice : Alain DORVAL)
Poster art : Randy Mora

Le Quarx

GIDAE( 기대 ) - In Trutina from Carl Orff
From Carmina Burana

© 2019 Heavy Wings Production

Soprano : Isabelle VIER (Iza IV)

****

In trutina mentis dubia
fluctuant contraria
lascivus amor et pudicitia

Sed eligo quod video
collumiugo prebeo
ad iugum tamen
suave, suave transeo

In Trutina - Carmina Burana - Carl ORFF

GIDAE ( 기대 )

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