Rony Moser, born 1981, studied clarinet at the Mozarteum Universität Salzburg under Alois Brandhofer and later at the University for Music and Performing Arts Graz with Gerald Pachinger. While studying in Salzburg, he regularly performed as a substitute with the Mozarteum Orchestra Salzburg, and served as principal clarinetist with the orchestra of the Tyrolean Festival Erl from 2004 until 2008. His artistic journey has led him to perform with prestigious ensembles such as the Vienna Symphony Orchestra, the Mahler Chamber Orchestra, the Vienna Concert-Verein and the OENM Salzburg. As founding member of the Qatar Philharmonic Orchestra, he has served as principal clarinet since the orchestra’s establishment in September 2008. Throughout his career, Rony Moser has collaborated with esteemed conductors including Lorin Maazel, Dmitrij Kitajenko, Daniel Harding, Fabio Luisi, Marc Minkowski, Gerd Albrecht, and Ivor Bolton. As a soloist, he has performed under the baton of James Gaffigan, Dennis Russell Davies, Gustav Kuhn, Tomáš Netopil, and Alastair Willis.
In 2003, Rony Moser and his ensemble Penta Musica received scholarships from the Herbert von Karajan Centre in Vienna and from the Gottfried von Einem Private Music Foundation. The following year, they were awarded a special price for the best woodwind quintet at the Gradus ad Parnassum competition and were selected for the Austrian Foreign Ministry’s New Austrian Sound of Music funding programme. The ensemble participated in the ARD International Music Competition in Munich in 2006. Rony Moser‘s chamber music career has been shaped by collaborations and mentorships with renowned musicians such as Chia Chou, Günther Passin, Hansjörg Schellenberger, Stefan Schilli, Milan Turković, and Radovan Vlatković. His artistic journey has also been enriched by performances with acclaimed artists like Richard Galler, Johannes Hinterholzer, Michael Martin Kofler, and Thomas Riebl, as well as with esteemed ensembles including the Minetti Quartet and the Trio Encanto.
Rony Moser has enjoyed an extensive international career as chamber and orchestral musician, performing across North- and Central America, Asia, and throughout Europe. He has appeared in some of the world’s most prestigious concert venues, including the Vienna Musikverein, Berlin Philharmonie, La Sala Santa Cecilia in Rome, London’s Royal Albert Hall, Teatro alla Scala in Milan, and the Kennedy Center for the Performing Arts in Washington, D.C. His performances have also been featured at renowned international festivals such as the BBC Proms, Salzburg Mozart week, Festival Mecklenburg-Vorpommern, the Castleton Festival, and the Festival de Música de Morelia. In addition to his live performances, Rony Moser’s artistic work is documented in numerous radio, CD, and DVD productions, including collaborations with the Qatar Philharmonic Orchestra, the Tyrolean Festival Erl, Ensemble Penta Musica, dem Salzburg State Youth Orchestra, and the Wind Philharmonic Salzburg.
Since 2011, Rony Moser has also actively engaged in music education. He teaches clarinet to young talents from around the world at the Qatar Music Academy. In addition, he regularly serves as a lecturer at various wind music courses, including Bläserurlaub Bad Goisern and Musicmania – Internationale Musiktage Großarl. To further enhance his professional scope, he completed a master’s degree in Cultural Management at the University for Music and Performing Arts Vienna (Institute for Cultural Management) and has also engaged in a wide range of project and cultural management activities.

Ella's Choice is an acoustic trio from Central Pennsylvania that plays a variety of music spanning multiple genres.

Composer, educator and interactive media artist and professional dedicated to creativity and multidisciplinary collaboration. Interested in constructionist approaches to new media education and how interactive technologies and complexity theory enhance and expand the creative process in the traditional arts, new media and game design.

Developed NetWorks, a body of musical work as well as an interactive music-generating algorithm based on scale-free networks. Developer of ~zomes, a sound synthesizer based on a-life models. 

Interest in metacreation dates back to Voices From The Edge of Chaos (1998), a CD of emergent, self–organizing computer music. Received a FACTOR international distribution grant and was subsequently awarded a residency at Lovebytes Labs in Sheffield, England (1999), to produce a piece for Digital Space CD and CD ROM of “innovative new work using digital sound and multimedia”.

Armed with a pencil, paper, and modular synthesizers, composer and Arturia Artist Leanna Primiani’s music oscillates between electronic modernism and orchestral abstraction across the classical, film and ambient electronic music genres. Each musical expression parallels her fragmented existence as she works between the concert and Hollywood traditions.
A featured NPR and Apple Music Classical composer, Leanna won the 2020 Toulmin Commission from the League of American Orchestras, ROCO, and The American Composers Orchestra to compose Neither Man Nor Money Validate My Worth for Chamber Orchestra, a tone poem dedicated to the survivors of human trafficking. This work was featured several times on NPR's Performance Today with over 2 million listeners nationwide.
Leanna's recent film credits include The Bad Seed Returns, written by and starring Mckenna Grace for Lifetime, Fantasia FF runaway hit experimental horror short Ivory Wave, WIF/Fox Searchlight production of Signal, the award-winning feature documentary Altitude Not Attitude, as well as the remake of the cult classic The Bad Seed, directed by and starring Rob Lowe. Variety’s Jon Burlingame calls the music “one of the most remarkable… scores of the past season.” Her training as a classical composer and her fluency composing orchestral works coupled with her talents in electronic synthesis give Leanna an advantage few other composers can boast of when scoring media.
Performances of her classical catalog include the Omaha Symphony, Rochester Philharmonic, Nashville Symphony, ROCO, American Composers Orchestra, Bang On A Can Music Festival at MASS MoCA, Wheeling Symphony, Kalamazoo Symphony, UT Wind Ensemble, Midwest Clinic, Cabrillo Festival, Seattle Collaborative Orchestra, Aspen Music Festival, United Nations 50 for Freedom campaign, International Clarinet Association (Belgium and the USA), National Flute Association, Imani Wind Festival (NYC), Trio 212 in NYC, June In Buffalo, Left Coast Chamber Ensemble, Harvard Women’s Choral Festival, Atlanta Chamber Players, Vox Musica, and the Hear/Now Festival in LA. In addition, Leanna was a featured composer at the 2021 Taiwan International Flute Festival and a composer-in-residence at The Millay Colony for the Arts in Upstate New York.

A devoted wife and mother,  Leanna earned a doctorate in composition from USC and has studied with such noted composers and conductors as Leonard Slatkin, Peter Eötvös, Morten Lauridsen, Tom Salta and Howard Shore. She currently splits her time between Santa Monica and New York, and is a voting member of the Recording Arts Academy, Television Academy, as well as a member of BMI, New York Women Composers, The Alliance of Women Film Composers, and The Society of Composers and Lyricists.

>>> Hello! Here you can listen to my Music for Film, Remixes, Sound Art, Performance and other Experiments. Enjoy! <<<

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU

I am a flute teacher, concertist flutist, composer and software engineer.
I have taken back the study of piano since May 2018. I am a member of the Sacem in Paris and of the Swiss association Archebole located in Lausanne.
My flute teachers were :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché and
Shigenori Kudo 
My composition's teacher was :
Lucian Metianu
I'm on Facebook since 2017 : https://www.facebook.com/franck.douvin
You can follow me on my website : https://www.franckdouvin.com and on the composers's  plateform : https://www.soundcloud.com/franckdouvin
If you want to support my compositions and recordings posted on my YouTube channel : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw or simply support my activity as a musician, you can donate to me via Paypal : 
https://www.PayPal.me/franckdouvin
Thanks, Franck

In my music, I try to inspire me different forms that are in the nature, where microcosm and macrocosm intertwine closely.
It is really pleasant to be able to share our musics through our passions and ideas...
I currently have 67 Opus and all scores are available. 
Thank you for listening, comments and reposts !

Je suis professeur de flûte traversière, flûtiste concertiste, compositeur et ingénieur software.
J'ai repris l'étude du piano depuis Mai 2018. Je suis Membre de la Sacem à Paris et de l'association Suisse Archébole dont le siège est à Lausanne.
Mes professeurs de flûte traversière furent :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché et
Shigenori Kudo 
Mon maître de composition était :
Lucian Metianu
Je suis sur Facebook depuis 2017 : https://www.facebook.com/franck.douvin
Vous pouvez me suivre sur mon site internet : https://www.franckdouvin.com
ainsi que sur la plateforme compositeurs : https://www.soundcloud.com/franckdouvin
Dans ma musique, j’essaie de m’inspirer des différentes formes qui se trouvent dans la nature, là où microcosme et macrocosme se mêlent étroitement.
C’est vraiment agréable de pouvoir partager nos musiques, nos passions et idées...
J’ai actuellement  à mon actif 67 Opus et toutes mes partitions sont disponibles.
Merci pour votre écoute, commentaires et reposts !

Si vous souhaitez soutenir mes compositions et enregistrements postés sur ma chaîne YouTube : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw ou tout simplement soutenir mon activité de musicien, vous pouvez vous me faire un don via Paypal  :
https://www.PayPal.me/franckdouvin
Merci, Franck

Markus J. Buehler is following