Might have said so elsewhere, but sounds so much like Cat Stevens. Always a fan of good acoustic singer-songwriter tunes like this. Well done!

 Nights

Red Skies At Night

haven't uploaded anything in a minute so here's something short and sweet

art by LaurentSchmidt: https://pixabay.com/photos/fence-barbed-barbed-wire-fencing-3373369/

sunset city stroll

Rock A Car / 2022 Open Collab
At the request of several listeners I have removed the noise at 36 seconds and declared the track as open collaboration. 109 BPM.
Bass, Music and Mix Paploviante
Logic Pro X
Free Download
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Rock A Car - Paploviante

Suspensex

This is a song I did and put on YouTube.  My friend Dave Cooper heard it and wanted to do his own version of the song.  This is that song.

Lyrics:
The feeling was so clear 
Oh you were so near 
On the high beams 
In my dreams 

It had that feeling 
it seemed so real and
It was true 
I was right for you 

Chorus: 
But when I saw you 
I knew you were the one 
The one in my dreams 
I loved you 
And I didn’t know
You were there in my dreams

Bridge to solo
But I did not understand them 
Brought to me in the night 
By angels who knew you were there 
But they knew you were so right

I was standing there  
So high in the air  
On top of the earth  
Giving out love birth  
 
Little did I know  
That all is not woe  
My dreams came true  
As I sit here with you

Chorus
Outro: Angel of my Dreams  - Angel of my Dreams

You can find the original here:
https://www.youtube.com/watch?v=_H-WW4mBI3k

You can find Dave Cooper's music here:
https://soundcloud.com/warfydave

Angel Of My Dreams Featuring Dave Cooper

Living High

Like Smoke

Pacific - Rhythm of the Ocean

This is actually a remix of the song “Where We Want To Be” which I shared about four years ago when I first joined Soundcloud.   “Winter's Road” was in fact the original title when the song was written.  So I decided to fall back to that with this remix.   See what you think.

Thanks so much for stopping by.

[Credits]
Music / Vocals / Arrangement / Programming / Keyboards – Michael C. Lynn
Lyrics – Ron Carnell
Electric Guitar Solo (Intro & Ending) – Dave Cleveland @Band_in_a_Box
Piano Solo - John Jarvis @Band_in_a_Box

[LYRICS]
I cannot speak for all who stem
Long road less traveled as their way,
Nor question choices made by them
In days long past or nights long dim
By words they spoke and did not say.

(Chorus)
All roads lead to where we go
Where we go is where we have been,
So home’s just a word we know,
For where we want to be again.

From North to South, then back again,
I followed birds like all the rest
Escaping nature's snowy den
On roads I've seen and places been,
Forsaking roads that traveled West.

Repeat Chorus

For even home, it seems to me,
Is still a choice we all must face
From day to day and endlessly,
To choose if home is gonna to be
Another road or just a place.

Repeat Chorus

© Myst Songs 2018 / 2023

Winter's Road

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Summer Day of Bliss

I am Dan Lockhart/ProgRockDan.  I am half of the duo Dan X2.  I enjoy making music with my partner Dan Blackard.  I was born in East St. Louis, Illinois.  I was raised in a rural area near Edwardsville, Illinois.  I have lived in San Antonio, Texas; Bad, Kreuznach, Germany;  Kansas City, Missouri; Columbus, Georgia; Haverhill Massachusetts;  St, Louis, Missouri, and Indianapolis, Indiana.  I have resided in Carmel Indiana for the past 20 + years.  I consider this home.  I have a small studio in my home.  I go to it everyday and work on creating (writing) songs.  I play bass, guitar, banjo, mandolin, pedal steel, piano, violin, and viola.  I use Cubase for my DAW.  I master using Izotope, Ozone.

You can find my other music on these sites:
https://soundcloud.com/progrockdan1
https://soundcloud.com/dan-lockhart
https://soundcloud.com/progrockdan-instrumentals

https://www.reverbnation.com/prdvocals
https://www.reverbnation.com/progrockdan1
https://www.reverbnation.com/daniellockhart4

My songs with Dan Blackard can be found here:
https://soundcloud.com/user-106484228
https://soundcloud.com/user-590884876

https://www.reverbnation.com/dananddan5
https://www.reverbnation.com/danx2


I also have a collection Chistmas songs here:
https://soundcloud.com/prd-holiday

Here is a link to my Patreon Page.  You can find music that is only available to my patreon supporters on this page.

https://www.patreon.com/user?u=59878068

Angel Of My Dreams Featuring Dave Cooper

Daniel Lockhart

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