Join elsa winner’s first episode of his show on Lyl radio, exploring ambient and experimental textures, as first guest, Pelo Renzo will join for an hour of musical experiments. 
La clé vers l’oubli de soi : s’abandonner à la musique, c’est embrasser le confinement sonore.


enceinte interne w/ elsa winner (19/12/24)

The work of Dhangsha, alias of Asian Dub Foundation founding member Aniruddha Das, is more of a sonic statement, compelling enough to reach number 11th on The Wire’s Releases of the Year. Its name, which means ‘destruction’ in Bengali, stands for the textual inscription of a content that conjures up and vindicates the now anachronistic idea of art as war, today received as an empty grimace. Certainly, his work has been particularly impacted by the witnessing of the live-streamed genocide happening in Gaza, Palestine for over a year, perpetrated by the forces of israeli fascism and basically applauded, funded and supported by western governments and their respective media.

The title of this podcast, "We Are Grieving But We Are Not Despondent", adds to the set of paratextual elements that complete its idiomatic features, largely present here, a sort of DIY interface between experimental noise and bass culture that traces connections between different events of Black Modernity, from black techno (a tautology that responds rather to white plunder tactics) to black noise to a mutant dub that inverts the importance of reverb to focus on compression. The effect of this last trait is as characteristic as it is paradoxical: percussion and spatialisation generate a weightless sensation that center the listener’s attention on the mid and high frequencies, abrasively accumulating uneasy hooks, alarms and feedbacks that weaponize the overhearing sounds in the western spectacle. Is it not perhaps a radical transfiguration of the liberating, spiritual hymnlike cadence of reggae/dub?

This is a specially recorded live session of his current material. Though each of his themes are defined by certain samples and sequences, the arrangements are always created through live improvisation and recorded straight to stereo, no multi-tracking. The recordings are processed afterwards with edits, fades, equalisation and mastering.

Public performance is what drives the development of the Dhangsha’s sound and compositions. He is aware of what’s going on in the world and doesn’t attempt to censor his feelings thereof.

Cover by Maria Isabel Acosta.

Dialektik Podcast #18 - Dhangsha

we are excited to present a debut compilation album by soak music label, an international community focused on contemporary sound as a means of emotional liberation & self-inquiry

the outcome is 24 tracks by beloved artists, featuring various kinds of music, ranging from lamebient & downtempo to quirky sound-design, raw sonic intimacy & processed emo. Whatever that is, it’s something we are proud to share, aiming at fostering a sense of unity, artistic freedom & love 💗

all proceeds will be donated to Dara Charity in Kazakhstan.
credits
released January 24, 2025

@dorisdana @melodieblaison @@queenhannasus

Mastered by yeyo
Artwork by Arsenii Iy
Curated by a b & marat koshkin

doris dana - important information enclosed ft. Morning Sex and Mélodie Blaison


      Played & Recorded at Neubad Luzern by may35
      
      ┈┈┈┈․° ☣ °․┈┈┈┈
      
      freeminded non-commercial music diffusion
      www.radio-bollwerk.ch
      

may35 | Lumen Festival  - Radio Bollwerk - 26.01.2025

Dead Wind

Dirge

Jamie Hudson brings a monthly hour of hyper-terrestial, futuristic sounds straight from the information superhighway.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/sendspaace/episodes/sendspaace-1st-february-2025

Dirge

obeth

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