Sample from album 1 by my band Fly, not yet released
Good guitar solo

Don't waste it

Lyden av Follo (‘The Sound of Follo’) is an atmospheric soundscape comprising ambient/electronic music interwoven around various 'key' sounds collected in Follo municipality, Viken county, Norway using a Zoom H2n recorder during the summer of 2022. The piece was premiered as a backdrop for the Kunst i Follo 2022 art exhibition displayed at the Kolben Cultural Center (Kolben kulturhus) the weekend of August 27-28, 2022.

Lyden Av Follo ('The Sound of Follo')

Mysteries of the Deep Podcast, Chapter CXLI by Jo Johnson (@werkhouse). Cover photo courtesy of Candace Price.

Tracklist:
1. The possible in the impossible - Jo Johnson (Mysteries of the Deep)
2. Thru - Bea Brennan (Old Technology)
3. Overview Effect - Transcendence Orchestra (Editions Mego)
4. Overmind - Ali Wade (Frequency Domain)
5. Kuvalaya (moon flower) [featuring Vanraj Shastri] – Ryan J Raffa 
Nico Rosenberg and the Svara Ensemble (Shimmering Moods)
6. Harmonies in Grey - Sarah Davachi (Late Music)
7. Side B - o.utlier (Verdant Recordings)
8. Trailing Moss in the Mystic Glow - Oren Ambarchi (Touch / Southern Lord)
9. Robert Aiki Aubrey Lowe - kopernik trip note (self-released / MorcTapes)
10. The Rocky River - Imaginary Softwoods featuring Russell Brill (Mineral Disk)
11. Elongation - Ali Wade (Space Surgeries)
12. Live at Going In (2022) - Jo Johnson (self-released)

Buy 'The Wave Ahead'

Mysteries of the Deep CXLI – Jo Johnson

Whatever you choose for your stationery is your favorite color because it's where you pour your heart out.

https://soundcloud.com/kikok_audio
https://soundcloud.com/gnoomes_band

PREMIERE⚡️KIKOK - Pistachio Green (Gnoomes Remix) [Electric Shapes]

Whatever you choose for your stationery is your favorite color because it's where you pour your heart out.

Artist: KIKOK / @kikok_audio
Title: My Favorite Colors
Label: Electric Shapes / @electric_shapes
Release date: March 24, 2023 
Format: digital
Buy: https://electricshapes.bandcamp.com/album/my-favorite-colors

PREMIERE: KIKOK — Royal Blue (Electric Shapes, 2023)

Motus

I've not released a new mix for a long time because I've been busy working on a new album (which you can hear soon), and the Emergence live show, which is coming in a new form for next year.  

So for this new mix I brought together some new unreleased work, a couple of pieces I wanted to bring attention to, like Attaque's amazing remix of Remnants, and some older work that's been featuring in my recent live sets.

Thanks for listening - and thanks to everyone who's come to Emergence this year!

Max.


Max Cooper - Resonant States
1. Max Cooper And Tom Hodge - Remnants - Attaque Remix - Edit (Fields)
2. Max Cooper Feat. BRAIDS - Automaton - Ghosting Season Remix - Edit (Fields)
3. Landside - Still There - Max Cooper Remix (Just Music)
4. Max Cooper - Arc (Quotient Series)
5. Microtrauma - Circulate - Max Cooper Remix (Traum)
6. Max Cooper - Origins (Fields)
7. Max Cooper - Woven Ancestry - Olaf Stuut Remix (Fields)
8. Cream Sound - Sonata - Max Cooper Remix (Festival Lounge)
9. Max Cooper and Rob Clouth - Unreleased
10. Max Cooper and Alex Banks - Eve (Quotient Series)
11. Max Cooper and Tom Hodge - Resonant Expanse (Fields)
12. Stephan Bodzin - Wir - Max Cooper Remix (Herzblut)
13. Max Cooper and Tom Hodge - Remnants (Fields)
14. Max Cooper and Tom Hodge - Teotihuacan (Fields)

This mix has been sent as a free download to subscribers at maxcooper.net

Resonant States - Mix

March 15, 2020. The first hidden sound page from isolation diary.
From A Spring Diary, released May 24, 2020
Performed & Recorded by Matteo Mariano in 2020

March 15 is the first of a series of 4 tracks collected in the album "A Spring Diary". All of these were written during the first major lockdown in Italy that went from March to May 2020. This strange period of closure took me back to the spring of five years earlier, in 2015, when a series of situations and concerns brought my family and me to experience a sort of unspoken "family lockdown" to the outside world.
"A Spring Diary" is a book of notes of discordant moods, between hope and uncertainty, lived between waiting and trying to take advantage of the imposed pause to rework the past.

------

March 15 è la prima di una serie di 4 tracce raccolte nell'album "A Spring Diary". Tutte queste sono state scritte durante il primo grande lockdown che in Italia è andato da Marzo a Maggio del 2020. Questo strano periodo di chiusura mi portò indietro alla primavera di cinque anni prima, nel 2015, quando una serie di situazioni e preoccupazioni portarono la mia famiglia e me a vivere una sorta di "lockdown familiare" inespresso verso l'esterno. 
"A Spring Diary" è un libro di appunti di stati d'animo discordanti, tra speranza e incertezza, vissuti tra l'attesa e cercare di sfruttare la pausa imposta per rielaborare il passato.

A Spring Diary

March 15

“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern

Russia via the early-90s Thames Valley” - The Guardian

“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” - NME
“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” - Q Magazine
“Excessively impressive, unexpectedly fast-paced shoegaze.” - Drowned In Sound

Pinkshinyultrablast, Russia’s premiere shoegaze export, have shared their epic and ethereal new single ‘Songs’.

With vocalist Lyubov moving to LA, the band were deeply immersed in exploring new ways of composing and collaborating from a distance long before it was enforced.

They tells us that "this one is kind of an oddball. I think when we recorded ‘Songs’ we weren’t really sure what to do with this 15-minute-long beast, or if we will ever get a chance to release it. For some reason, this B-side feels especially dear to all of us. Possibly because it encapsulates a certain time of us existing together as a band, a very specific moment. We’ve been living in different cities for over four years now, and I think what I miss the most about us all being in the same place is the ability to regularly spend time together in the same room, practice, and run ideas by one another — just communicate and figure stuff out, side by side. I went to a Terry Riley show last December and he was playing with his grandson Gyan. They were sitting on the opposite sides of a really wide stage, pretty far apart from one another, separated by this giant concert grand - playing, pausing, improvising - and just kind of secretly smiling at each other from across the hall. When I think of the time we worked on this song, I think of those kinds of smiles, you know. It feels like hearing back a long conversation you’ve had with a dear friend a while back. Maybe you don’t agree with everything you’ve said back then, but then it doesn’t even really matter, because you know you were just able to truly relate." 

Pinkshinyultrablast have amassed critical praise across the board since the release of their debut album ‘Everything Else Matters’ and follow-ups ‘Grandfeathered’ in 2016 and ‘Miserable Miracles’ in 2018.

On ‘Songs’ they deliver waves upon waves of expansive guitars to form a truly massive fusion of psychedelia and ambience that flows beautifully, awash with blissful synths and their trademark celestial vocals.

Lyden Av Follo ('The Sound of Follo')

Talgø

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