BenjaminManeyrol-Clarinets

Léo Margue, direction

Flûte, Emmanuelle Ophèle
Clarinette, Jérôme Comte
Percussion 1, Gilles Durot
Percussion 2, Samuel Favre
Harpe,  Valeria Kafelnikov
Piano, Fernando Palomeque
Violon, Diégo Tosi
Alto,  Odile Auboin
Violoncelle, Éric-Maria Couturier
Contrebasse, Jules Bauer

Heterotopia I - Ensemble Intercontemporain

commissioned by Ars Musica
performed by Benjamin Maneyrol (bass clarinet) and Eliott Delafosse (Pulsar 23)
La Tricoterie, Bruxelles, Belgium, November 28th 2022

(凸ಠ益ಠ)凸 GAFAM \./¤₪’7 }{4\/|=- +#oO0°0Oo§є 10 [V]1/\/ LOL (凸ಠ益ಠ)凸 for bass clarinet & pulsar23

Wasteland_underlife
for five instruments and electroacustic device

Commissioned by Ensemble Suono Giallo and funded by Ernst von Siemens Musikstiftung

Andrea Biagini, flute
Michele Bianchini, saxophone
Laura Mancini, percussion
Simone Nocchi, piano
Giacomo Piermatti, double bass

Score published by Edizioni Suvini-Zerboni, Milan

Wasteland_underlife (2022)_excerpt [use headphones!]

Claude Ledoux "Herunter" (2023) World Premiere
Ensemble21 dir. Marc Collet, solo bass clarinet Benjamin Maneyrol
Live @ festival LOOP13 Brussels
19/10/2023 Le Senghor
Ensemble21 
Violins  : Aymeric De Villoutreys, Laurent Houque
Viola : Akiko Okawa
Cello : Merryl Havard
Double Bass: Géry Cambier
Flutes : Anne Davids
French Horn : Dries Laureyssens
Percussions : Max Charue

Recorded by Pierre Bartholomé (GreenField Studio)

Claude Ledoux "Herunter" WorldPremiere Live

Denis Bosse "Pourparlers@Jack Sparrow" (2023) World Premiere
Ensemble21 dir. Max Charue, solo clarinets Benjamin Maneyrol
Live @ Festival LOOP13 Brussels
19/10/2023 Le Senghor
Ensemble21
Violins : Aymeric de Villoutreys, Laurent Houque
Viola : Akiko Okawa
Cello : Merryl Havard
Double Bass : Géry Cambier
Flutes : Anne Davids
French Horn : Dries Laureyssens
Percussions : Kaja Farszki

Recorded by Pierre Bartholomé (GreenField Studio)

Denis Bosse "Pourparlers@Jack Sparrow" WorldPremiere live

Sarah Wéry "Gourou.e" (2023) World Premiere
Ensemble21 dir. Marc Collet, solo bass clarinet & khen Benjamin Maneyrol
Live @ Festival LOOP13 Brussels
19/10/2023 Le Senghor
Ensemble21
Violin, talkbox and bird call Akiko Okawa
Violin and bird call Aymeric de Villoutreys
Viola and bird call Laurent Houque
Cello and bird call Merryl Havard
Double Bass Géry Cambier
Flutes Anne Davids
French Horn Dries Laureyssens
Percussions Max Charue
Electronics Sarah Wéry

Recorded by Pierre Bartholomé (GreenField Studio)
----------------------------------------------
Les flèches qui vous ont transpercé.e dévoilent la lumière en vous, derrière vous. Ces entailles vous confèrent une aura irradiante.

Les chefs-d'œuvre sont construits par le manque. Le plein est infécond et sombre. Les trous qui vous ont été infligés dentellent votre ombre.

Laissez la lumière vous traverser telle une icône. 

SOYEZ SURPUISSANT.E 

Ne comblez pas vos brèches, choyez-les. Soyez un vecteur de lumière.  Rejoignez les perforé.es, les amputé.es. 
Inondez vous de cette lucidité éblouissante.

Sarah Wéry

Sarah Wéry "Gourou.e" WorldPremiere live

Listen with headphones or good speakers for an optimal listening

they forgot to dream last night - solo electronics

Wraith II was written for Ensemble Black Pencil

Paetzold contrabass recorder - Jorge Isaac
contrabass pan-flute - Matthijs Koene 
viola - Esra Pehlivanli
accordion - Marko Kassl
percussion - Enric Monfort
and amplification

Recorded at the Orgelpark Amsterdam during the Prix Annelie de Man Festival 2023 where Wraith II was awarded the Ensemble Black Pencil Prize.

Wraith II

for violin, cello, bass clarinet, e-guitar, midi keyboard, drumset and electronics

commissioned by Centre Henri Pousseur (BE) premiered by Ensemble Hopper at Théâtre de Liège (BE) on December 7th, 2023 

Musicians : 

- Roxane Leuridan (violin)
- Ian-Elfinn Rosiu (cello) 
- Benjamin Dieltjens (bass clarinet) 
- Hughes Kolp (e-guitar)
- Sara Picavet (midi keyboard)
- Rémi Lafosse (drums)

Conductor : François Deppe
Electronics : Patrick Delge (Centre Henri Pousseur) and Nicolas Roulive

blurring ember

Bass flute and double bass imrpov based on the beatings generated by small intervals.

Grué

Nina Fukuoka - 13<x & x<11 (2015) for bass clarinet solo

bass clarinet - Benjamin Maneyrol
sound engineer - Krzysztof Sztekmiler

Recorded on the 6th of November 2016 in Łódź, Poland

13<x & x<11

Un Eco Di Soffio II for Clarinet (bass/Bb), prepared piano resonance-vibration (+  piano pedal extension) 

Performed by Benjamin Maneyrol

I 0:00  II 4:45  III 11:00  IV 16:30  V 22:05

Cette œuvre utilise un système de « pédale étendue ». Spécialement conçu, il permet au musicien de contrôler précisément l’action de la pédale de droite sur les côtés/autour du piano. La résonance sympathique est ici à la fois générée et contrôlée par un seul et même musicien. La vibration (des objets vibrateurs, créant des résonances riches, sont placés dans le piano et contrôlés à distance par un second musicien caché dans le public) crée un espace fait de "traces" sonores, autour de situations - tantôt musicales, tantôt théâtrales - qui exploitent différentes polarités résonantes à travers le souffle.

Un Eco Di Soffio II (2019) for Clarinet and Piano resonance

Mixtur 2019 commission.

Esmuc ensemble conducted by Lorenzo Ferrándiz.

Sergio Sotelo, bass clarinet
Ismael Azidane, percussion
Elías Maestresala, piano
Rodrigo García, violin
Mario Morueta, cello

The piece structure arises from one of the Sudali Tala of the Indian carnatic music: Dushkara, a nine beat rhythmical cycle formed by the following subdivisions or anga: Laghu5 (four beats) - Drutam (two beats) - Drutam (two beats). Every beat is divided into a number of equal duration units or matras, five in this case, where the composer can work with certain amount of freedom omitting and/or tying those units.

It is not a matter, as occurs in the carnatic tradition, of a development based on the rhythmical variation of the cycle, but a discourse based on a fragmented dialogue of it were  instrumentation plays a fundamental role in its timbrical diversity and the use of tempo in its formal architecture.

L5DD” is a work primarly rhythmical were the instruments form a whole from through basic frequential roles. A machine-like performance is wanted, being aware of its impossibility and finding in that fact its optimal place.

L5DD - Bass clarinet, percussion, piano, violin, cello and electronics (2019) - Esmuc ensemble

Premiered at outHEAR Festival in Larissa, Greece on December 14th, 2019 by members of Klangforum Wien and PPCM. 

Felix Martl, bass clarinet
Mikael Rudolfsson, trombone
Leo Morello, cello
Joonas Ahonen, piano
Dimitrios Polisoidis, conductor

recorded by Dimitri Papageorgiou

[pictured: John Divola]

Sunol (2019) for bass clarinet, trombone, cello, and piano

Super Cut Teaser Made out of the forthcoming BT release on May 21.
Watch Video here : https://vimeo.com/549583006

MMF Teaser

Our first series of songs/pieces/duos with our hybrid setups.
All live electronics.

performers: Tom De Cock, Gerrit Nulens

sound engineer: Alex Fostier

with the support of FRArt.

Pulse

Benjamin Maneyrol  
Clarinetist specialized in new musics
Assistant director at Forum de la Création Musicale (belgian composer association), festival Loop and Belgian Music Days
Director of Festival Mosaïques
Based in Brussels - Belgium
Pictures by Isabelle Françaix

(凸ಠ益ಠ)凸 GAFAM \./¤₪’7 }{4\/|=- +#oO0°0Oo§є 10 [V]1/\/ LOL (凸ಠ益ಠ)凸 for bass clarinet & pulsar23

Eliott Delafosse - Composer

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