It has that Japanese-style sound, but the beat is mystical!
This is seriously amazing 🔥 I love the drums too 🔥
Such a dope collaboration 🔥💯💯💯
Respect to both of you 🙏

Hey Tot.! I thought I hadn;t heard your music for a while - SoundCloud somehow messed up and got me unfollowing you. Good to hear this, lovely beat!

This is beautiful, Tot.!   Lots of love to you!

Tot. and wellgraysan, you have outdone yourselves, with this dope awesome unique and mesmerising and mystical track!! Much respect. ~Masha and Rob

Man I love them crunchy drums!! More please! Such a beautiful instrumental

And now for something completely different...I had a lot of fun working on this track with the very talented JIM WEBCAMPRO https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Please note, ai may have been used for some elements of the music track.

With A Doctor's Note

Those kind men from across the sea
Really care about your family
Sent their bombs to you and me
To blow our town to smithereens

Tech bros to billionaires
Convincing us that they really care
While we’re all living on a partial share
No worries, they’ve got cash to spare

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

That nice king from over there
Let’s us know that life ain’t fair
Never to rise above our station
‘Cause we weren’t born in favoured nation

Another bully says might ain’t right
While devising new ways to smite
Media sayin’ all the wrong things
The feckless queue to kiss the ring
Media sayin’ all the wrong things
If there’s a God, he’s got justice to bring

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

Music & Production: Jim Webcampro https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics and Vocals:  Todd J McLean
Cover Art: Doctor Pepper (Mixed Media)

With A Doctor's Note

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

Figuras de cordel

Music by Ambient Annie. Production & mastering BtNikStudio2, Bottna, Sweden.

DANCING WITH THE UNKNOWN

cruelty of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime

they found him in his underwear and one black sock 
the coroner said the time of death was two o'clock
 his neck was bent and showed the signs
of multiple contusions 
his face was bruised and staring eyes
showed signs of his confusion
 oh can this really be, happening to me 
cruelty of fate, the irony of time

cruelties of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime 
one inch to the left or right or just one minute late 
and he'd have walked off down the street
and missed his first blind date 
or maybe you and he could never really see 
the cruelty of fate, the irony of time

victims never know their fate
they really don't suspect it 
but when they do it's much too late 
to know is to expect it 
what's that sound, do i hear someone 
laughing quite insanely 
no one gets out of here alive
your fate can be seen plainly
oh cruelty of fate, the irony of time .
....... 
written & produced by kid otari 
drums by greek god Yannis Alfiers 
keyboards by guillaume, guitars by naldo
 vocals by blind lemon pledge and lizzy
cover photo: Gun by William Klein 1955 NYC

......

Cruelty ozn-5shrtn

Cruelty of Fate

Walking under the shades

Atlantouch(wellgraysan&Tot.masa)
Dope fantastic guy,wellglaysan-https://soundcloud.com/graysandrowned
https://soundcloud.com/bakutoarchive/tracks
Thank U 4 listening from us both🙇🙇✨

Atlantouch w/ wellgraysan

First track of a forthcoming album called "Sweet songs for Winter", full of sassy, naughty and hot tracks for the cold days.
Lyrics:
I sprawl across the sheets, half-dreaming,  
Comfy socks on, the fan’s soft humming.  
Old t-shirt pulled-up, a beat in my veins,  
My fingers trace where heat remains.  

The gold through half-drawn blinds,  
a lazy dance of lust and time.  
My breath is slow, my thoughts adrift,  
a sigh escapes—A pleasure’s gift.  

(Chorus)
I love this lazy afternoon gooning
On my old T-shirt your smell lingers
Girl, thinking of you, I can’t stop edging,
I love the caress of my slick fingers

The mattress dips where shadows play,  
My body sweaty, my attention astray.  
I stretch long, a cat’s slow grace,  
While my fingers follow the trace.  

The air is thick with summer’s weight,  
My scented skin alive, my moves innate.  
I linger gently where the desire grows,  
a dampness that the pleasure follows.  

(Chorus)
I love this lazy afternoon gooning
On my old T-shirt your smell lingers
Girl, thinking of you, I can’t stop edging,
I love the caress of my slick fingers


No rush, no want, just warmth and light,  
Afternoon dissolves,  orgasm takes flight.
My socks still on, my thoughts askew,  
I drift where pleasure hums its tune.  

And when the dusk begins to creep,  
I stir but doesn’t leave the heat.  
The bed still holds me, loose and sweet,  
a gooning day—my bliss complete.

Lazy afternoon

Words and music written by Bartley Charles Mastin
Performance and production by Bartley Charles Mastin - All instruments and vocals.
Copyright 2025 All Rights Reserved

Tuning: Standard
Instruments: Acoustic guitar, Slide Guitar(Open D), Bass guitar, Harmonica, Round shakers, Cabasa, Tambourine, Metal drum, Conga drum, Drum set.

Lyrics:
You don’t wanna go
To Memphis
Too many thieves
Too many fences

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out

Don’t wanna ride
You prefer walkin’
Say you can’t sleep
You feel like talking

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out

Leave them behind
Best left forgotten
Baby blue sky
Clouds look like cotton

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out
Let’s dream about

Anything

3 Chord Drummer

This album is shaped by the instruments that have meant the most to me. The piano was the first one. My grandmother taught me by ear in the living room, guiding me to listen for the notes instead of reading them. That memory still sits underneath everything I make.

I have always been drawn to the violin because it feels almost vocal, able to carry emotion the way a voice does. My wife has the same bond with the cello and the warmth it brings, so that sound found its place in our home too. Bringing all three together felt natural.

The music blends these roots into a Modern Instrumental style that is serene, expressive, and personal. The violin leads with lyrical motion. The cello adds depth and softness. The piano and Rhodes set the foundation. The sound moves through easy listening, neo classical color, soft R and B influence, and gentle cinematic moments.

These pieces were shaped with the help of current creative prompt based tools, guided carefully to preserve the same warmth and emotion these instruments have always held for us all.

Velvet in D# Minor

Check out this music! It’s my favourite.

Atlantouch w/ wellgraysan

Tot.

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