1. red calx [slo]
2. lush ambulance 2
3. early morning clissold
4. rhubarb rev.
5. th1 [slo]
6. just fall asleep
7. chopped f beginning
8. stabbing interview
9. road shimmer f
10. slothscrape
11. [Sl]ow Early Morning Clissold Sunrise


yeah sorry track 8 is messed up and went mono at two points. the old laptop can't handle the awesomeness.

Aphex Twin - Selected Ambient Works 2.5 (12.25.15 Mix)

youtube.com/watch?v=TJCSht1HqKQ

Old School West Coast Rap Mix [Snoop,Nate,Dogg Pound,Dre,2Pac,Rage,Eazy E,Ice Cube,Outlawz,Kurrupt

A roughly recorded and poorly mixed demonstration cover of The Sundays' 1992 rendition of The Rolling Stones' 1969 classic "Wild Horses".

Wild Horses (The Sundays/Rolling Stones) [Cover]

Let It Happen - Tame Impala (Slowed)

Fall 2018
https://www.zhumusic.com/tour

'My Life' Out Everywhere: http://hyperurl.co/84fv6e

Follow ZHU: 
https://www.facebook.com/zhu
https://twitter.com/zhumusic
https://www.instagram.com/zhu 
https://soundcloud.com/zhu
https://smarturl.it/ZHUspotify

text 'z' to join the Blacklizt: +1(773) 8BL-KLZT (825-5598)

My Life

Fall 2018

ZHU x Tame Impala - My Life

Tame Impala - Borderline (House rework)

In honor of this Friday the 13th being the 50th Birthday of legendary Saturday morning savior Scooby Doo, having made his original television début in September of 1969, I thought I'd share this groovy little rendition of the original theme song, in true psychedelic fashion, of course. Happy Birthday, bud.

Gotcha Covered

Scooby-Doo, Where Are You!? (Original Theme Song - 1969)

Remade because I couldn't find the edit from TikTok...

Tame Impala - Borderline (Slowed slightly + Reverb)

Taken from the album "John Frusciante - Maya" (23rd October 2020)
https://planetmu.bleepstores.com/release/200467-john-frusciante-maya

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. He says "Maya was with me as I made music for 15 years, so I wanted to name it after her. She loved music, and with such a personal title, it didn't seem right to call myself Trickfinger, somehow, so it's by John Frusciante." 

  'Maya' is inspired by his favourite music: '91 to'96 UK breakbeat hardcore and jungle. It’s a varied and personal take with sophisticated, authentic production balanced against John’s acute sense of melody, an inspired blending of machines and samples infused with a joyful energy.

  After discovering early UK rave music, John started dancing at drum & bass club nights in Los Angeles. He then got into Venetian Snares' music at the Autechre curated ATP in 2003, eventually becoming friends with Aaron resulting in the Speed Dealer Moms collaboration which boosted his confidence in making electronic music.

  The process of making his tracks changed over time as John explains; “For a full year before I started this record, I worked within self-imposed limitations and rules that made the music-making process as difficult as possible, programming for programming's sake. After a full year of that, I decided to make things easier, to the degree that I could regularly finish tracks I enjoyed listening to, while continuing many of the practices I‘d developed. Throughout the recording of Maya, I would prepare to make each track very slowly, but would finish tracks very quickly. I'd spend weeks making breakbeats, souping up a drum machine, making DX7 patches, and so on. By the time an idea came up that seemed like the beginning of a tune, I had a lot of fresh elements ready to go."

  John says his solo music has changed; "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he’s having on 'Maya' is infectious.

Slow Skool

Yasubon31

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