Hey man, this really gives me a rush! Excellent work the whole way through!

Love this track! I love how all the instruments stand out when they are the point of focus, but never detract from the song as whole. Great composition, arrangement, production and performance!

Related tracks: Dingo Ate My Baby

2012

This is a song that Computart came up with and passed on to me. It was just some ambient synth and a very simple beat when I got a hold of it, but it did have a really cool feel. I took it, and added five string fretless bass, electric guitar, piano, and organ. I then asked Tez (Llanpsych) to work his mix magic on it, which he did very expertly, as always. We hope you like it.

The Shining (with Computart [Phill Chris] and Llanpsych)

Dingo Ate My Baby

DEMON IN THE WOODS

Opus82

Special thanks to 5Eleven for his a cappella....

ONLY MY DRUGS.  Feat 5Eleven

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

STORM EXODUS

We sit together at the table,
Tension trembling in our tone.
Words clash like blades in battle,
My heart could break alone.
This round, I may have won a little,
But joy is far from mine—
Your eyes have long betrayed the truth:
You’re nearing your last line.

Everything whole has shattered, and now I just don’t know—
Will we still be living tomorrow, when silence takes control…
…of all our soul.

You say nothing, just stare in silence,
It’s disarming, that’s for sure.
And in your gaze I see it clearly—
You’re not listening anymore.
I sit again beside this table,
Alone, just me and one regret:
That once I may have won a moment,
But it’s all I now have left.

Everything whole has shattered, and now I just don’t know—
Will we still be living tomorrow, when silence takes control…
…of all our soul.

/...


Ülünk ketten az asztal mellett,
hangunkban némi indulat.
Szavak vívnak véres harcot 
a szívem majd megszakad.
Az ütközetben most kicsit győztem,
de nem vagyok ezért túl vidám.
Szemedből már régen látom, hogy nem bírod tovább.

Minden egész összetört, és most nem tudom mi lesz.
Holnap talán újra élünk, de túl nagy a csend...
...ami lelkünkben lett.

Nem szólsz semmit csak nézel némán,
Ez zavarba ejtő nem vitás.
Szemedből most tényleg látom, 
hogy nem is figyelsz már rám. 
Ülök újra az asztal mellett, 
egyedül vagyok, s egy gonolat,
hogy egyszer talán kicsit győztem
ez emléknek megmarad.

Minden egész összetört, és most nem tudom mi lesz.
Holnap talán újra élünk, de túl nagy a csend...
...ami lelkünkben lett.

Minden eltörött / Everithing whole has shatteref

"Veil of Light" Part II

Hilma our little girl, Version 1.

The time of the pandemic led to the isolation of people. This is rendered in sound by a solitary harp, a flute, a clarinet, and a bassoon. Scattered across the vast space, these instruments whisper their sorrow— not in unison, not in dialogue, but each alone, unanswered, unheard, isolated.

Pandemic Suite – 06. Lost

https://youtu.be/8onvf9vFZ_I?si=HQne6j0iCuwREvjZ

ios garage band jam 02.08.2025

flowers lover

Ping Of Life (2025)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Opus82

Far East Radio

Recent comments

Alex Music Art

Fiberglass

Ingo Bremenkamp

Ingo Bremenkamp

Related tracks