Love this song, dreamy vocals and haunting chord structure

amongst other qualities...the backing vocals are wonderful

excellente composition, j'aime bien le style

Très dans l'époque 70s en effet. Ca me fait penser à certains morceaux du groupe "Il était une fois".

Phantom World

SANNY: music and lyrics by Dgé breton
Titre original composé, joué et réalisé par Dgé breton  pour: Dgé.B.SoundProjectMusic
All instruments, chants,  by Dgé breton Chœurs: Dgé et Joyce.R

Waiting to get my guitar back……I broke my wrist, 😡😡right hand, and I have at least 5 weeks if all goes well before I can play again….. I invite you to listen to this timeless  song,... A little throwback to the 75's, I was a fan of this great vocal group,Crosby, Stills, Nash and Young,. and naturally I wanted to share this title, as it is, without editing, the original sound……. was one of my first models made on Revox 2 tracks and Teac 4 tracks in 1975. Thank you for taking the time to listen to it and welcome to feedback( in case you enjoy)
Wish my best
En attendant de reprendre ma guitare……Je me suis cassé le poignet,😡😡main droite, et j’ en ai pour au moins pour 5 semaines si tout  va bien avant de pouvoir rejouer…..je vous invite a écouter ce titre chanté, Sanny, rappel de mon époque Crosby, Stills, Nash and Young… version originale d’ époque,(Année 75), sans retouche telle quelle …!c’était une de mes  premières maquettes réalisé  sur Revox 2 pistes et Teac 4 pistes en 1975.Merci de prendre le temps de l’ écouter et welcome aux feedback si ça vous plait.
je vous souhaite un excellent été.
Lyrics traduction
Sanny, Sanny, Sanny, I like your hair when it gets tangled
Sanny, Sanny, Sanny, your red lips taste like honey
Sanny stay right there against me
and above all don't talk
we are so good you and me
Sanny I don't know why,
but if we love each other, that's how it is
nothing but you and me
Backing vocals: nanana, nanana …….

Sanny, Sanny, Sanny, like in a dream I surprise you
Sanny, Sanny, Sanny, I put my lips on your forehead
above all darling don't wake up
how beautiful you are to look at
the moment is wonderful
darling especially do not blame me
this is how i want to love you
Coda:
backing vocals: Sanny Sanny Sanny, Sanny Sanny Sanny
honey i love you, (Sanny Sanny Sanny )
don't tell me anything, (Sanny Sanny Sanny ) above all don't wake up (Sanny Sanny Sanny)
that's all my dream (Sanny Sanny Sanny), honey I love you (Sanny Sanny Sanny)
guitar chorus…….

My Years 70'

Sanny

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

The King and Queen are now finally walking down the elegant-extravagant Red Carpet to officialize the vital ties, the surrounding connections, the obligatory motions here-on from this day forward...and all eyes indeed are on them...a splendid celebrity high-fine, status-star-procession...it carries on, as today is the day of all days, it's the marriage day, the match of all astral matches...sacred vows fully embraced, a majestic unforgetable soul to soul, now about to be etched in stone, for all near and far to realize...yes, this couple destined to be, from the very start, will rule like good royal nobles do...only to execute their eminent duties for the good of their people. Hope you all enjoy this heart to heart Red Carpet Procession my lovely distinguished guests of honour XOXOXO-REKHA

Music Performed & Recorded, Composed & Produced, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA


M: RCP Procession BU 2

Trailokya

RED CARPET PROCESSION

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

the image is a still from my video for muterialism https://www.instagram.com/p/CmPIAVHgfqQ/ and the track is on the way to being a still from it too !

still

Here’s my first composition of the year with piano, bass, percussion, strings, koto, synths and vocals! 
Thank you to my awesome Sander for mastering for me. @wane-of-summer 😊🎶❤️❤️❤️

Picture by myself. 😊🌲❤️

EVERY STEP OF THE WAY

Hiya Peoples! 😊

As seeds, budding plants, shrubs and bears awaken from the depths of winter in the Northern Hemisphere and Spring comes, we're delighted to finally Release a New Track for Spring of 2023! 😎  
   
We call it 'Awakening'. 

And thank goodness that as usual, the fingers of Tim Elliot are on his Telecaster and mine on the ancient Upright Grand Piano .

and together, they work their magic as we continue to explore the sonic landscape together through Improvisation.

Of course this can only happen within a space of Deep Listening.  A place Musicians can go in their totally individual inimitable ways.                      
                                                                                                                               
In our case, we almost immediately found ourselves being 'Led' into a Tonal Awakening....
Subtle grooves that were an outer manifestation of the Joy we were experiencing as we explored the spaces in between the notes.  😊  

Of course, the very best kind of Awakening is to one's own inimitable Truth, no matter the noise and apparent confusion all around. And sure... there's all kinds of negativity and nonsense in this ol world, but who needs to Awaken to that? It's more than obvious!
 
Far better to explore and express one's unique Creativity! To share the Love one feels for whatever they're passionate about, through their Music! 😉

May you enJOY what Tim and i have been up to lately. 


© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Arranged and MiXed by Anomon

Awakening *

Midnight Talking (For two guitars)

You’re Gonna Find Your Own Way

I am a guitarist by training, self-taught, multi-instrumentalist for my compositions & arrangements, bass, keyboards and others, therefore, composer and arranger Music has been my main passion for many years, I have made it my job. This has allowed me to play in pretty much any style, following the currents of the moment, rock, jazz, blues, variety and many other implications, groups, collective, accompaniment of singing stars, studio recording.
Here are some compositions, for the moment instrumentals, like brock 'style guitar. 
——-
je suis guitariste de formation, autodidacte, multi instrumentiste pour mes compos & arrangements, basse, claviers et autres, compositeur arrangeur.La musique est ma passion principale depuis bien des années, j’ en ai d’ailleurs fait mon métier. Cela m’ a permis de jouer a peu près dans tous les styles, suivant les courants du moment, rock, jazz, blues, variété  et biens d’ autres implications, groupes, collectif, accompagnement de stars de la chanson, enregistrement studio.
Voici donc quelques compos, pour le moment instrumentaux, genre guitare brock' style.

Sanny

Dgé breton

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