KVR OSC197 Odin2
32 Instances of Reaper 7.3

ReaLimit, Valhalla SuperMassive, Raum,TDR Kotelnikov, ChowTapeModel,ReEQ, Deelay, LoudMax .... and added OTT to the piano. 

All sounds from init except the vocal pad is a tweaked factory patch. 

What does the title/pic mean? 
I have had many dreams throughout my life about finding hidden doors that lead to magical places. The picture is of a abandoned stairway in a house I lived in for a few years in college. Leads to the backside of a refrigerator. I had dreams about that house, that there were secret floors burrowed back into the hillside, etc. And at one point years later I couldn't remember if this abandoned stairway really was there or I just dreamed it.

Anyway making this triggered another of that type of dream.

OSC197 That One Door (Odin2)

Entry for the "KVR One Synth Challenge #197: Odin 2"

Title: Sleipnir's Ride
BPM: 134

DAW: Bitwig 5.3.12

Instruments:
* Odin 2: 16 instance

Bitwig Devices:
* Delay+, Reverb, Chorus+, Compressor+, Compressor, Peak Limiter, Dynamics, Saturator, EQ+, EQ-2, Tool, Multiband FX-2, Mid-Side Split, Oscilloscope, Spectrum

Third party:
* OTT, Youlean Loudness Meter

BlitBit - Sleipnir's Ride

Entry for the OSC #197 Every sounds made with WaveWarden's Odin 2 

Reencuentro

This track is made for the One Synth Challenge #198, using Dawesome Myth. 
Cover Image made completely by myself. 

Most sounds are created completly from scratch by my self. Exceptions see below.

DAW: Ableton 12

11x Myth

Self made Patches don't use Instrument Samples as Iris even though that is a great feature of myth,
    I was exploring the a more traditional synth like  side of Sounddesign with Myth:
4x Init Iris  (sinewave)
1x self resampled Iris (resampled from selfmade a no Iris MythPatch )
1x TriSawPulse WT selfmade
3x No Iris.        

Preset: 2x OuterWorlds - ExpressiveE (Adjusted - and any modulation played via MPE) [no Iris used in there to]


Ableton:
8x MPEControl 
14x Utility
1x Glue Compressor
1x Limiter
1x Multiband Compressor
1x EQ8


2x Neold U2A 
6x Ozone 10 - Dynamic EQ
1x Arturia Bus Peak

1x Dawesome Hate (Ott, Saturator,  Compressor, EQ)
1x Dawesome Hate (Compressor)
1x Dawesome Hate (OTT, Saturator, Clouds, Compressor)

Fbr - OSC198 - Space Sirens

Entry for OSC#198

DAW: Reaper
Synth: Surge XT
22 instances - half from scratch

FX:
Valhalla Supermassive
OrilRiver Reverb
Dead Duck: Delay, Filter, Limiter
kHS Gain
ReaEQ
JS: Saturation, Exciter
SPAN & YouLean Loudness Meter

The Whelming

Here's my entry for the OSC #200 challenge. A few people in our OSC Discord responded enthusiastically when I said I was planning to make a contemporary hippie piece. A promise is a promise. Dr Bob immediately sent me live recordings of his band from the good old days. But with my background, with Zebralette and the OSC rules, I can't quite match that. But don't worry, I've tried to capture the spirit of the Flower Power generation which was great fun.

DAW: Reaper 7.48
U-he Zebralette 3: 30 instances
EQ: Graphic EQ by Viator
Reverb: Body & Soul Intro by The Sound of Merlin
Delay: TARON Stereo Delay by Taron
Compressor: Frank CS by Analog Obsession
Mastering: TDR Nova, Airwindows Pear EQ and Limiter No6

The Power of Love - (OSC#200-Zebralette3)

This track is created with U-He Zebralette3. Presets used from, init, TSOM, and some great factory presets

Tracks:
38x  CLAPi: Zebralette3 (u-he)

JS: TARON Stereo Delay (v1.0.0)
VST3: Convology XT (Impulse Record)
VST3: MCompressor (MeldaProduction)
VST3: MEqualizer (MeldaProduction)
VST3: MidBoss (AnalogObsession)
VST3: SkyNet (Shift Line)
VST3: TAL Reverb 4 Plugin (TAL-Togu Audio Line)

Master:
JS: RCInflator 2 (Oxford Edition)
POORTEC (AnalogObsession)
MAnalyzer (MeldaProduction)

Relections OSC200

Entry for OSC-200

My concept this month was to use both of my keyboards (I now have 2!) - to their respective strengths.
I used the fully weighted piano controller (Roland FP-10) for very velocity sensitive sounds - like percussion. And I also did fast wild lead breaks with lots of pitch/mod bend (lighter keys and pitch bend on Roland A-70).

DAW: Reaper
21 Instances of Zebralette3

Dead Duck: Filter, Limiter, Delay, TiltEQ
JS Saturation
ReaEQ, ReaXComp
OrilRiver Reverb
SPAN, YouLean Loudness Meter

Button Moon Rave

OSC200 - Zebralette 3 Beta in Logic Pro X

OnTrack P Zebralette3 Equus Quagga

Composed for KVR One Synth Challenge 200 using only sounds from Zebralette 3 by u-he.

DAW: Reaper 7.49

21x Zebralette 3 (u-he)

8x ReaEQ (Cockos)
5x GrapHack (AnalogObsession)
2x ReaComp (Cockos)
2x TAL-Filter-2 (TAL-Togu Audio Line)
2x TDR Kotelnikov (Tokyo Dawn Labs)
1x HZ Multiplier (HigherHz)
1x TheMasker (Cinemystics)
1x epicVerb (Variety Of Sound)
1x Ambient Reverb 7 (Stone Voices)
1x BootEQmkIV (Variety Of Sound)
1x SPAN (Voxengo)
1x MLoudnessAnalyzer (MeldaProduction)
1x Unlimited (Sonic Anomaly)


Cover by Frances Yeung
https://unsplash.com/de/@yikkiyeung

eraze the borders - Night Of The Fists [OSC 200]

For OHYAD - Theme for Area 2 - The Arena.

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One Hundred Years Amazonian Dungeon - Menacing Halls

I make games, write fiction, do programming, and create worlds. I also sometimes make music.

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