Improvisation // live-recording June 2011 // Q-O2 workspace Brussels

tWo (Matthias Koole, e-gtr; Stefan Prins, live-electronics)

"I'm your body", for 14 musicians and 4-channel soundtrack. Live recording by WDR of the premiere at Wittener Tage für Neue Kammermusik, 8th of May 2014, Teatersaal, Witten, Germany. Klangforum Wien, cond. Emilio Pomarico, sound-engineer. Florian Bogner, Peter Böhm.

I'm your body (Stefan Prins, 2013-14) - Klangforum Wien, E.Pomarico - LIVE

Cadenza für Sysophon solo (1991)

For piano and live-electronics. 
Piano: Stephane Ginsburgh; Live-electronics: Florian Bogner (ICST) & Stefan Prins. 
Live-recording 31/7/2016, CentralStation, Darmstadt, during the Darmstädter Ferienkurse 2016.
In coproduction with Ultima Festival Oslo, deBijloke Gent, ICST Zürich and Internationales Musikinstitut Darmstadt.

Piano Hero #3 (Stefan Prins, 2016) - LIVE

Concerto for Violin Solo and Orchestra

Recording performed by ORF Wien Modern, Carolin Widmann and Sylvain Camberling

First performed at Darmstadt Summer Course 14. August 2016, Radial System Berlin and Weimar Festspiel by Carolin Widmann, Sylvain Cambreling, Junge Deutsche Philharmonie and dancers from Sasha Waltz and Guests. 
Choreography by Antonio Rúz.

https://issuu.com/editionpeters/docs/ep_12015r__rebecca_saunders__still_

Still (2011)

For Piano Solo
Recording performed by Nicolas Hodges.
First Performed November 2005 at Lucerne Festival by Thomas Larcher.

Crimson (2004-05)

For 2 Double-bell trumpets.
Recording performed by by Marco Blaauw and Marcus Schwind.
Commissioned by WDR and Wittener Tage für Neue Musik
First performed 7 May 2011, Wittener Tage für Neue Kammermusik, by Marco Blaauw and Marcus Schwind

Neither (2011)

For Trumpet, Piano, Harp and Cello
Recording performed by Musikfabrik, conducted by Diego Masson

First performed by Ensemble of the Musikhochschule conducted by Zsolt Nagy at Velte Saal, Musikhochschule, Karlsruhe, 10 February 1992

Behind the Velvet Curtain (1991)

Scowle, 2018,
For amplified ensemble, 8-ch electronics and spotlights.
World premiere by ensemble hand werk | International contemporary music festival CROSSROADS | Salzburg, Austria, December 6, 2018

*** Please use headphones ***
* This is a live stereo recording.

Scowle, for ensemble, electronics and spotlights (live recording)

First 7 (of 42) minutes.  Klangforum Wien, cond. Bas Wiegers. Full recording released by KAIROS (https://www.kairos-music.com/cds/0015044kai), 27/3/2019

Third Space (2016-2018) - FRAGMENT

For bass flute, bass clarinet, bass oboe and live-electronics, performed by Ensemble Mosaik (Bettina Junge, bass fl; Simon Strasser, bass oboe; Christian Vogel, bass clar)

!!---please listen on good speakers/headphones, there's a lot happening in the <100Hz and >10kHz freq bands---!!

Commissioned by and dedicated to Ensemble Mosaik.
Premiered on 1.8.2020 at AckerStadt Palast, Berlin. 
Recording on 28.7.2020 at Vivaldi Saal, Berlin.
Recording engineer: Arne Vierck, editing and mastering: Stefan Prins

Inhibition Space #1 (2020)- for bass flute, bass clarinet, bass oboe & live-electronics

Franz Martin Olbrisch was born in Mülheim/Ruhr in 1952. He received his musical education at the Hochschule der Künste in Berlin between 1979 and 1985. He has been the recipient of various prizes and scholarships which, for example, in 1985 took him to Italy, in 1992 to the ZKM in Karlsruhe, in 1998 to the Heinrich Strobel Foundation in Freiburg, in 2001 to the Paul Sacher Foundation in Basel, in 2003 to the Ville Aurora in Los Angeles and in 2006 to the Cité internationale des arts in Paris for several month. 

Between 1988 and 2008 he was instructor of composition and studio technique at the Universität der Künste Berlin and the Technical University in Berlin. In 1994, 2004, 2006, 2010 and 2014, he was instructor of composition at the International Summer Courses in Darmstadt. From 2008 to 2020 he was professor of composition and electronic music at the University of Music Carl Maria von Weber in Dresden , from 2011 to 2021 he was Vice-President of the GNM (German Section of the International Society for Contemporary Music), since 2014 a member of the Saxon Academy of Arts and from 2015 to 2018 Vice-President of the Saxon Academy of Arts.

His works was performed among others at the World Music Days in Yokohama and Stuttgart, the Donaueschingen Music Festival, the Witten Days for new Chamber Music, the Festival ECLAT Stuttgart, the Festival international des musiques experimentales in Bourges, the International Computer Music Conference (ICMC)and the VIPER Festival in Basel. Among the artists of his compositions include ensembles such as the Radio Symphony Orchestra of the SWR, the HR Symphony Orchestra, the Arditti String Quartet,the Ensembles Klangforum Wien, Ensemble Recherche and Musikfabrik NRW.

Cadenza für Sysophon solo (1991)

Franz Martin Olbrisch

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