Name: Garçon @ 53100 - 2024 by SOW in good sets in general
Duration: 3 h 2 min
Description: Recorded live at Villa San Michele during 53100 festival 2024. Photo by Teo Giovanni Poggi

good sets in general

Tracks from.

Omni Vu Deity
Island People
Mafmadmaf
Spacetime Continuum
LF58
Jake Muir
CV & JAB
The Transcendence Orchestra
O Yuki Conjugate
Woob
Matthew Barlow
Ishq
Imaginary Softwoods
Pete Namlook & New Composers

Merci https://soundcloud.com/phrex <3

Montsomnia Festival 2021

Merci www.soundcloud.com/ptrckrssll <3

Part 1 by Timnah
Part 2 by Patrick Russell

Timnah invite Patrick Russell

This mix is a warm music voyage of floating sounds, which explores deep and electronic dreaming tones, tribal rhythms that transform into darker hypnotic uplifting sounds .

with love, dj red

INVEINS \ Podcast \ 099 \ Dj Red

Recorded live at Observe Los Angeles, November 25, 2023

Live @ Observe: Los Angeles

Dustin Zahn x Truncate Live @ Observe Los Angeles (11/25/23)

Andy Martin (@andy-martin) is one of my favourite musical discoveries from the last few years. A while back, after hearing an iconic tune he made called "Revolution" featuring Lee Scratch Perry, I was excited about his music, and also learning more about him as an artist. Andy is based in Guadalajara, Mexico, with Jamaican and Mexican roots.

Whilst I was touring Mexico, we shared a few gigs together, and all the locals referred to him as "the best in the country", which I can completely understand. Since discovering Andy's music I've been hooked on his productions, an incredible fuse of old school and new school dub techno, underpinned by influences from his heritage which flourish in the form of exciting percussion & unique, emotional melodies. 

On top of this, Andy is very humble, and  a very talented DJ, and I'm super happy to host him in the series. 

If you haven't heard his music, go check it out! So much to discover

Thanks again Andy <3

Downloads enabled

Animix One Hundred & Sixty Two: Andy Martin

In late 2023 I was chatting with a musician friend about labels, and whether they're really all that necessary these days. As someone mainly focused on self-releasing my music through Bandcamp, I think for the most part the answer is no. One should focus on passionately creating things and being involved in their local music community. Over time, label or not, things will hopefully start to take care of themselves on their own. I did however mention that there was one label I thought was really cool, and would definitely be interested in working with: it was Nous'klaer Audio. Incredibly, the next day I received an email from Sjoerd Oberman, who runs Nous'klaer, inviting me to join for a release and performance at Draaimolen. Of course, I was delighted to be involved. This would be my first show in the EU. I spent about 3 months preparing a new set. Having grown rather bored of CDJs and DJ mixers, I opted to prepare a live set, in which I control 8 channels of audio tracks along with drum machines and FX. This setup gives me a lot of freedom to explore new arrangements of my catalog, and better command the dynamic energy on the dance floor, pushing and pulling things forwards to capture the mood of the crowd. To prepare for Draaimolen, I organized several shows across Japan (where I live), further refining the setup after each performance, and deciding what tracks would be the best fit for the 60 minute peak time set I was scheduled to perform. I was very nervous about how my set would be received, but it ended up working very well, and was the highlight of my year. From the very start, the positive reaction from the crowd put me at ease, and Draaimolen's focus on sound and stage design gave me peace of mind, knowing that every frequency was being perfectly reproduced on the floor. I'm so grateful for the opportunity Nous'klaer and Draaimolen provided me. Long live Nous'klaer and long live Draaimolen. Thank you Sjoerd and Milo and Kani and Hannah! 
- Erik Luebs

Erik Luebs live at Draaimolen Festival 2024

@avsluta

Next on tentacular, we’re thrilled to host a mix from the multi-faceted Lucie Stepankova, known as Avsluta (@avsluta): a London-based sound artist, DJ, and curator. With a focus on the liminal spaces between ambient and dance music, Avsluta creates evocative experiences that invite deep, active listening and emotional connection.

Lucie is the force behind @introspective_electronics, a platform dedicated to exploring ambient-infused sounds through regular radio shows, podcasts, and curated live events. Her collaborative projects include co-running Sonic Garden—an experimental ambient and downtempo event series in partnership with AMOENUS—and co-curating @terra-obscura-london alongside DJ/producer Alicia, a bi-monthly exploration of ambient-tinged UK bass and progressive club sounds.

Through her live performances, Lucie improvises with a mix of objects, field recordings, electronics, and digital processing, crafting speculative soundscapes that embody the essence of nature and emotion. Her DJ sets are equally diverse, seamlessly flowing between ambient, downtempo, UK bass, and off-kilter deep techno, blending atmospheres that resonate both physically and soulfully.

She shared with us a few words with her mix

𝘛𝘩𝘪𝘴 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘪𝘴 𝘢 𝘭𝘰𝘷𝘦 𝘭𝘦𝘵𝘵𝘦𝘳 𝘵𝘰 𝘮𝘺 𝘵𝘳𝘪𝘣𝘦 𝘢𝘯𝘥 𝘵𝘰 𝘣𝘢𝘴𝘴, 𝘴𝘺𝘯𝘤𝘰𝘱𝘢𝘵𝘦𝘥 𝘳𝘩𝘺𝘵𝘩𝘮, 𝘢𝘯𝘥 𝘩𝘺𝘱𝘯𝘰𝘵𝘪𝘤 𝘦𝘶𝘱𝘩𝘰𝘳𝘪𝘢. 𝘐 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘳𝘦𝘤𝘰𝘳𝘥 𝘢 𝘮𝘪𝘹 𝘵𝘩𝘢𝘵, 𝘧𝘰𝘳 𝘮𝘦, 𝘩𝘰𝘭𝘥𝘴 𝘵𝘩𝘦 𝘱𝘰𝘵𝘦𝘯𝘵𝘪𝘢𝘭 𝘵𝘰 𝘪𝘨𝘯𝘪𝘵𝘦 𝘢 𝘵𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘷𝘦 𝘴𝘺𝘯𝘦𝘳𝘨𝘺 𝘰𝘯 𝘵𝘩𝘦 𝘥𝘢𝘯𝘤𝘦𝘧𝘭𝘰𝘰𝘳 ~ 𝘢 𝘳𝘢𝘳𝘦 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘐 𝘬𝘯𝘰𝘸 𝘦𝘹𝘪𝘴𝘵𝘴 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘐'𝘷𝘦 𝘣𝘦𝘦𝘯 𝘧𝘰𝘳𝘵𝘶𝘯𝘢𝘵𝘦 𝘦𝘯𝘰𝘶𝘨𝘩 𝘵𝘰 𝘣𝘦 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘪𝘵 𝘢 𝘧𝘦𝘸 𝘵𝘪𝘮𝘦𝘴 𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘺𝘦𝘢𝘳𝘴. 𝘐𝘵'𝘴 𝘵𝘩𝘦 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘥𝘢𝘯𝘤𝘦𝘧𝘭𝘰𝘰𝘳 𝘮𝘰𝘮𝘦𝘯𝘵 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘮𝘰𝘷𝘦 𝘧𝘳𝘦𝘦𝘭𝘺, 𝘢𝘴 𝘪𝘧 𝘯𝘰 𝘰𝘯𝘦 𝘪𝘴 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨; 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘢𝘳𝘦 𝘵𝘳𝘶𝘭𝘺 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳, 𝘭𝘦𝘵𝘵𝘪𝘯𝘨 𝘰𝘶𝘳 𝘦𝘺𝘦𝘴 𝘮𝘦𝘦𝘵 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘣𝘰𝘥𝘪𝘦𝘴 𝘤𝘰𝘯𝘯𝘦𝘤𝘵 𝘢𝘴 𝘵𝘪𝘮𝘦 𝘮𝘦𝘭𝘵𝘴 𝘢𝘸𝘢𝘺. 𝘐𝘵'𝘴 𝘢 𝘴𝘱𝘢𝘤𝘦 𝘸𝘩𝘦𝘳𝘦 𝘧𝘦𝘦𝘭𝘪𝘯𝘨𝘴, 𝘣𝘰𝘵𝘩 𝘭𝘪𝘨𝘩𝘵 𝘢𝘯𝘥 𝘥𝘢𝘳𝘬, 𝘢𝘳𝘦 𝘧𝘦𝘭𝘵 𝘱𝘳𝘰𝘧𝘰𝘶𝘯𝘥𝘭𝘺. 𝘐𝘵’𝘴 𝘸𝘩𝘦𝘳𝘦 𝘭𝘰𝘷𝘦 𝘢𝘯𝘥 𝘪𝘥𝘦𝘢𝘴 𝘢𝘳𝘦 𝘣𝘰𝘳𝘯. 𝘐𝘵’𝘴 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘣𝘦𝘭𝘰𝘯𝘨.

Tentacular 21 ~ Avsluta

Recorded live at Villa San Michele during 53100 festival 2024. Photo by Teo Giovanni Poggi

Garçon @ 53100 - 2024

There was impressive scenery on the second floor on the last day of the festival. The time for Sunju Hargun, who was to take the stage with two different sets, dancing and listening, to heal the bodies of the dancers who had been dancing so long in the rain. Deep dub echoes, Layered drones, and healing sounds echoed through the room, melting listeners' consciousness and guiding them into a deep meditative state.

フェスティバル最終日、セカンドフロアの朝の光景は印象的なものでした。ダンスとリスニング、二種のセットで登壇することになったSunju Hargunが、雨で踊り続けたダンサーたちの身体を癒した時間です。とろけるようなダブエコー、ドローン、ヒーリングサウンドが室内に響き渡り、リスナーの意識を融解させる深い瞑想をガイドしました。

Sunju Hargun-Alternative Set at rural 2024

Kaleidoscopic psychedelia from one of Australia's finest.

While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound.

Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M.

This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve.

Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D.

As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent.
 
@kia-sydney @animalia-label  @cirruslabel

Read more at ra.co/podcast/973

RA.973 Kia

@priori-ties mix begins and ends with a gentle embrace, prowling seductively with dub-driven grooves before retreating into the ether like dusk yielding to dawn. Consistently in motion, but never in haste. Don’t miss the lion’s roar. 

The jewelry released with this mix is inspired by Priori’s fascination with labyrinths. Priori feels like mazes and labyrinths were omnipresent in youth literature and movies but hey rarely encounter them in culture these days.

Explore more on www.forge.fm 🔥

Priori

오랫만에 돌아온 꿈 팟캐스트의 55번째 에피소드는 조지아 티빌리시를 중심으로 활동하고 있는 HVL의 57분 앰비언트 디제이 세트와 함께 합니다.

HVL (Bassiani / Tbilisi)
테크노의 성지로 불리는 저명한 클럽 Bassiani의 레지던트 아티스트 HVL은 2009년 데뷔한 이래 트빌리시 클럽 씬을 중심으로 급격하게 번성하고 있는 테크노 무브먼트의 선두에 서 있다. HVL은 오랜 시간동안 다양한 장르와 스타일을 탐구해왔고, 라이브 공연과 DJ 세트를 통해 만들어진 그의 독보적인 사운드는 그동안 Bassiani Records, Rough House Rosie, Tabernacle Records, Organic Analogue와 같은 언더그라운드 전초기지에서 발매된 솔로 앨범들을 통해 잘 드러나고 있다.⠀
Organic Analogue Records에서 발매된 HVL의 풀-랭스 데뷔작이자 트빌리시 사운드를 정의하는 수작- ‘Ostati LP(2018)’는 매우 절제된 분위기의 아웃보드 하우스와 테크노를 중심으로 기존 HVL의 역동성을 매혹적으로 발전시킨 작품으로 높이 평가받고 있다. HVL은 홈 그라운드인 트빌리시를 넘어서 Berghain, Hï Ibiza, 그리고 Berlin Atonal까지 세계 최고의 댄스 플로어에서 높은 수준의 라이브 쇼와 DJ 세트를 선보이고 있다.

https://soundcloud.com/hvl
https://www.instagram.com/evilgap/
https://kiyadama.bandcamp.com/

The long-awaited 55th episode of the kkum Podcast returns with a 57-minute ambient DJ set from HVL, based in Tbilisi, Georgia.

HVL (Bassiani / Tbilisi)
First coming to attention as a member of Okinawa Lifestyle duo in 2009, Bassiani/Horoom resident Gigi Jikia a.k.a HVL has become a leading voice of thriving techno movement centered around Tbilisi club scene. Since starting solo career in 2013, HVL was busy exploring more diverse range of genres and styles. His solo releases which have appeared on underground outposts like Bassiani Records, Rough House Rosie, Tabernacle Records and Organic Analogue, have testified to taste that’s also reflected in his Live performances and DJ sets.
The outstanding debut Ostati LP on Organic Analogue Records (2018), intended as a manuscript of the sound of Tbilisi, is a seductive update on the established HVL’s dynamics, centered on outboard house and techno with a noticeably understated mood.
As HVL’s reputation as a solo artist grows, so does his status as a selector and DJ. Jikia has taken his skillfully crafted Live shows and DJ sets to new heights in 2018, hitting up some of the best dancefloors in the world from Berghain and Hï Ibiza to infamous Berlin Atonal.

꿈 kkum 55 - HVL

Recorded live from our FOLD takeover with Transmissions, this one comes courtesy of softi who opened Room 2 with a two hour set we simply couldn’t keep to ourselves. Weaving through glitchy, swamp-soaked textures and deep, hypnotic rhythms, she laid down a trippy journey that set the perfect tone for the night ahead. Dial in and drift!

@jazz_brown

Harmony Rec. podcast | softi

Transmission 001: Sunju Hargun 

FOLD, London
March 08, 2025
02:00 - 04:00 

 Welcome to the Transmissions mix series, featuring sets recorded at our parties at FOLD. 

For our opening mix, we’re delighted to share a recent Steam Room session with the Bangkok-based selector and producer Sunju Hargun. 

For two hours, he delivered a masterclass of immersive, deep and psychedelic techno. And true to style, the set is a seamless flow of intricate rhythms and subtly shifting textures, shadowy grooves and pulsating basslines.  

This mix was mastered in the Area52 Studio. 

Dive deeper into the world of Sunju here: 
https://soundcloud.com/sunjuhargun
https://soundcloud.com/siamesetwinsrecords

Transmission 001: Sunju Hargun

Electronic Acid

103rd

SOW's audible archive. 

Hailing from Siena, Tuscany, SOW is committed to bringing unconfined sounds to the international stage.


SOW produces 53100 in Chianti, Dusty Cabinets in Amsterdam, Current Shapes in Siena + more.

Garçon @ 53100 - 2024

SOW

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