Raw tracks: One full drum mix, the kick track, the snare, and a stereo track for both overheads.

Cad KM212 on the kick
Shure SM57 on the snare (top side)
Neewer pencil condenser mics (cardiod capsule), one above the snare on the kick/snare axis, and one positioned floor tom side about shoulder height (Glynn Johns method)

The room is quite small with a slanted ceiling and I've put several comforters up around the drum set, deadening a lot of the room sound, which is why the tracks sound so dull.

H. Tyler B