metroid

Metroid Prime 2  Echoes Music- Escape From Dark Aether

Metroid Prime 2- Echoes Music- Menu Selection Screen Theme

37 - Gandrayda Battle - Metroid Prime 3 Corruption OST

Metroid Prime 2  Echoes - Title Screen Intro Theme

Metroid Prime 2  Echoes Music- Mutated Emperor Ing 2 Battle

Metroid Prime 2- Dark Samus Fight

This list has been made for me and my firends to run through roll20 while we run our dungeons

Sleckd Background Metroid Prime 2 Echoes Sanctuary Fortress

Early MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

RIP Satoru Iwata. He was a great inspiration to me and one of my role models.

The instance this theme plays when Samus lands on the planet really establishes the grand exploration the player is about to embark on. While the track is for the Tallon region, the theme is also used in the beginning of the NES Metroid and Super Metroid. As a result I interpret this as also a characterization of Samus Aran. Arrangement-wise, this is the first Sci-Fi music I've attempted, so it was also a learning experience for me.

The original track also includes some great atmospheric sounds fused into the music, which I did not try to emulate, so therefore ignored. As part of my challenge, I wanted to use only traditional orchestral instruments and play them normally to see if I could pull off the sci-fi mood. This is in part inspired by John Williams' purely orchestral Star Wars score, and Hans Zimmer's Inception/Interstellar. In an interview for Inception, Hans stated he wanted to use real instruments with minimal processing. Instead, he instructed the strings section to try to play the music in a "synthesized" way. What I did was keep the articulation of my instruments as flat as possible. I kept the original Tallon Overworld track's use of long harmonic chords, but to keep it from sounding boring and hollow, I faded in many other instruments in and out to add more texture. These include the horns, tremolo strings, clarinet, vocals, and the organ (Which sounds like more Interstellar copying, but the original track also has organs, so I'm good!).

All of this adds up to a piece that celebrates Samus' resourcefulness, adventurous spirit, and graceful movements.

Metroid Prime Orchestrated - Tallon Overworld

This is not my property I take no credit for this song only wish to add ambiaunce to roll20

Metroid Prime 2- Echoes Music- Emperor Ing Battle 1

Metroid Prime 3 Corruption -Rundas Battle Rock Remix By Sasukeshika

Metroid Prime 2  Echoes Music- Quadraxis Battle

Metroid Prime 2- Echoes Music- Ing Battle

Metroid Prime 3  Corruption Music - Skytown Main Theme

Game: Metroid Prime 
Title: Underwater Frigate
Platform: GC
Year: 2003

Metroid Prime Soundtrack   Underwater Frigate

A boss in Metroid Prime 3 Corruption who is really annoying.

Metroid Prime 3 Corruption Rundas Boss Theme

Metroid Prime 3 Corruption Meta Ridley Boss Theme

Metroid Prime 3 Corruption Bryyo

metroid prime 3 corruption  all rights to nintendo and the artist Kenji Yamamoto Minako Hamano and Masaru Tajiam making this possible all rights them.

Metroid Prime 3 Corruption

Metroid prime 3

Metroid prime 3 corruption v Dark samus

Multiplayer (Metroid Prime 2  Echoes) - Super Smash Bros. Ultimate

One of my favourite moments in a video game is when you encounter an environment or moment that contrasts everything you've encountered up until that point. In Metroid Prime 3: Corruption, that moment was when you come across Planet Elysia, Skytown. The setting is so peaceful when compared to the hostile locations up until that point. Kenji Yamamoto, Minako Hamano, and Masaru Tajima captures this beautifully with the original Skytown track (which is also featured in the epilogue of the Metroid Prime Trilogy).

The lore of the planet even leaves more to the imagination; sentient robots going into hibernation for hundreds of years, to only perceive the world through their dreams. I really wanted to capture those moments in life where everything just stands still, in a dream-like state. I took heavy inspiration from the works of Thomas Newman and Jeremy Soule, to which their work always manages to put me in a state of tranquility.

For the lead instrument, I chose a very gentle piano. I paired this up with little ambiances throughout the track, such as atmospheric effects or whispering enigmatic passages. This really helped shape the overall piece into a sense of delicateness. The dulcimers worked very well, conveying both an ancient, yet mechanical colour. The final touch to the piece was Laura Intravia's exquisite vocals, which added a final organic layer to the soothing piece.

Entropic Dream is probably my favourite composition. It encapsulates the style of music I love to listen to and create. Sometimes its the little nuances in a piece that speaks loudest. If you listen carefully to Entropic Dream, you might hear something new. As a musician, I hope to inspire listeners to enjoy the little moments in life, to stop for a minute in their day and to enjoy the world for all its sound.

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