Your MegaMix

Kemet The Phantom VS Dua Lipa (Dramantic Remix)

THOUGH FORGOTTEN (G. Di Nunno)

Fallen out of favor
At least that's how it feels
All the evidence is there.

Can't compete, not worth a try
Your proof of love is small
That is all you have to give.

Give the taste of luxury
Above that status line
Once those bills come due
Sent to past is that good time.

Who's forgotten?
What's your worth?
The scenery 
Impression grand
Who's forgotten?
Dwell apart
All past good deeds forgotten soon.

Glass is filled to the brim
Compared to yours it shines
Left to ponder where you stand.

Gave your time, the value worth
Much more that's felt and known
Under lamp posts glowing bright.

Falling short no matter what
Your heart is all you've done
Better than you know
Gave what money cannot buy.

Though forgotten
Feel your worth
That scenery 
Is beautiful
Though forgotten
Dwells intent
Of what you gave 
Forgotten so...

All lyrics, instrumental composition by Gino Di Nunno
Copyright 2024.

#2. Though Forgotten

BAD DAY

THE BOY - RIOT OF THE MIND
OUT NOW!
TAP LINK IN BIO & LISTEN!

Please follow me on Instagram and Spotify! Thank you!

This is a cheering song for punks. Everything by myself. Main genres are Punk / Pop Punk. The moods are Energetic, Upbeat. The overall vibes are inspired by The Clash. Simplicity and passionate vocal. The sounds of guitar and bass are inspired by Green Day. I love their lively music. The goal was to make music as open as theirs. In creating, anyway, I tried to make a punk song that is simple. There's nothing difficult about the guitar, bass and drums. I would be really happy if someone heard this song and decided to start a band. The chorus is very very easy to remember! I want the audience to play loud at the party.

Lyrics : 1! 2! 3! 4!

We mustn’t forget about love
I don't need fuckin' rules
I wanna be in the sunshine
I don't ever know your shine

Wooo oh oh oh oh
Wooo oh oh oh oh

There's nothing to fear, nothing to doubt
'Cause I'm in love with you
I like to be higher than the sky
We don't need to cry now

Wooo oh oh oh oh
Wooo oh oh oh oh

We need a new riot
Riot Riot of our minds
We mustn't forget about love
We don't need our fighting glove

Wooo oh oh oh oh
Wooo oh oh oh oh

RIOT OF THE MIND

A song about the agony that is flat-hunting in London during the cost of living crisis. Apologies for the swearing and the ropey concertina-playing - just starting to get the hang of it these days but wanted to get a demo down for this week's @themusicollective 's playlist!

Lyrics:

Verse 1 
Stare at the screen, think this one’s nice but the price is obscene 
again, each time you see the end of the search, it’s getting urgent, 
and absurd, an endless test of the nerves to spend your life just 
scrolling, wishing hoping, nope it’s taken, take a break and a 
breath, I feel this will be the death of me, and I dive in again, wanna 
bang my head on the keyboard, restart and pretend I 
Believe I just need to keep repeating the same ordeal
Another day, another night, (guess) that’s the price of a

Chorus
Life in London we pay every day, my friend, over and over again

Verse 2
Maybe my standards are too high and I should be satis-
fied with a bed in the kitchen in front of the fridge, am I rich enough to af- 
Ford a place with an oven, can   I just shove all my stuff in a corner cos 
there’s no wardrobe, nowhere to wash clothes but the sink I’m on the brink of 
Despair, there’s mould in the air (and) on the ceiling, no heating, I’m feeling defeated 
Over a grant and a bit for this shit, what the fuck, but the clock is ticking, the
Agent’s a dick, I’m sick enough of it to finally quit and decide to
Throw my money at somewhere nice and that’s the price of a 

Chorus		   
Life in London we pay every day, my friend, over and over again, that’s the price of a 
Life in London we pay every day, my friend, over and over again
Over and over again
Over and over again.

Life In London (demo) - EXPLICIT

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:

1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …

2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart

3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality

ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart

out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Eclectic Collective with Xian3 and Holger Engel)

Damage On The Run

Recorded in Modesto, Ca.  Featuring Gibson 335 Guitar solo. Alto Saxophone solo. Vibraphone solo. Steinway Brothers Acoustic Piano Rhythm. Vibraphone Background, Rhythm. Godin Acoustic Nylon Guitar Rhythm. Acoustic standup Bass. Drums Full kit Acoustic drum set. Percussion Tambourine, Cowbell, Ago go bells, 22" Zildjan Ride & Crash Cymbal.

Cannery Row

Pacific Grove

Trio In G Major - Movement 1

Not Gonna Fall For That

It is not about the famous astronomer, mathematician and philosopher who lived in the ancient city of Alexandria. Ipatia is one of the fictional cities in a work by Italo Calvino (‘The Invisible Cities’) published in 1972 (and translated into English in 1974). 
I composed this song in 1997 and recorded it (with Elisabetta) almost immediately (that's when I bought a Korg D8). Now I have simply remixed it after separating the tracks and improving the volume of the vocals and the equalisation of the classic guitar (it is a Yamaha CG 110CE pre-amplified, and the effects were adjusted then with the Korg). The arrangement is very sparse, the sound quality not optimal.

Lyrics and music by Michele Ansani (1997).
Female voice: Elisabetta Verri.
Posted on SoundCloud: 2024, October 11.

Lyrics (ENG - ITA)

if
you will explain to me why
you are reticent
only
if we talk about you
if
you will tell me what it is
that torments your life every time
I ask about you

then you will get as a prize
a wooden planisphere
and the encrypted map and the colours
of this secret drawing
and a round-trip ticket
to and from Ipazia
with me...

if
you will explain to me how is
that glimpse
that you delete from your eyes
When I osberve you
if
you will tell me why
your lips taste like ink
only when you kiss me
furtively

then you will have in pledge
this secret drawing
and the encrypted map
of the capital of the kingdom
and a round-trip ticket
to and from Ipazia
with me...

----------

se
mi spiegherai perché
sei reticente
solamente
se parliamo di te
se
mi dirai cos’è
che ti tormenta la vita ogni volta
che chiedo di te

allora avrai in premio
un planisfero di legno
e la mappa cifrata e i colori
di questo segreto disegno
e un biglietto
di andata e ritorno
da Ipazia
con me…

se
mi spiegherai com’è
quello sguardo
che cancelli dagli occhi
quando ti osservo
se
mi dirai perché
hai le labbra che sanno d’inchiostro
solo quando mi baci
di nascosto

allora avrai in pegno
questo segreto disegno
e la mappa cifrata
della capitale del regno
e un biglietto
di andata e ritorno
da Ipazia
con me ...

Ipazia [with Elisabetta Verri] **

Lorsque j'ai proposé ce concept à mon Ami Suédois «Seagull» https://soundcloud.com/farout-music-studio pour une éventuelle collaboration, celui-ci avec sa grande gentillesse, a immédiatement accepté de partager cette petite aventure musicale, en y apportant quelques éléments de guitare acoustique …. Et pour donner, à cette bande audio "French_Fantasy", des harmonies très subtiles.
Je l'en remercie chaleureusement ….
Avec la voix de Clara Sorace …. qui est pour nous deux, et en grande partie, un lien de notre complicité.
https://clarasorace.com/

************************************************************************************************************

When I suggested this concept to my Swedish friend "Seagull" https://soundcloud.com/farout-music-studio  for a possible collaboration, he was so kind as to agree immediately to share in this little musical adventure, adding a few acoustic guitar elements .... And to give this ‘French_Fantasy’ audio track some very subtle harmonies. 
My warmest thanks to him ....
With the voice of Clara Sorace .... which is for both of us, and to a large extent a link in our complicity.
https://clarasorace.com/

Hold Me Now .... With Seagull and Clara Sorace


Ermes, R. Muresan, classe '05, nato nelle periferie di Milano ha iniziato la sua carriera a 19 anni, seguendo i suoi sogni di voler portare un messaggio al mondo attraverso le sue parole, presto sarà tra le vostre playlist ed eventualmente lo vedrete ovunque.

Realizzata per Maria Immacolata T.

Seguitemi su tutte le altre piattaforme link nel profilo

ERMES  - LEI (Prod. Padu)

fuel

“Blood on Their Robes” is not just a song — it’s a reckoning. Written in the aftermath of unspeakable tragedy, it shines a harsh light on the judges, magistrates, and politicians whose failures keep leaving the gates wide open.

This is an Appalachian Americana Roots Jamband track, built like a firestorm: gritty outlaw verses, gospel-powered choruses, southern-rock riffs, and psychedelic blues jams that stretch into raw, communal protest. It’s music meant to be felt as much as heard — part sermon, part street march, part jam that won’t let go.

The heart of this song is the memory of beautiful young Iryna, whose life was stolen not just by one act of violence, but by a system that looked the other way. Her loss, we hope, will be the straw that breaks the camel’s back — the moment when people stand up, say enough, and start taking their power back.

This anthem belongs to the people. It’s a cry for justice, a call to action, and a warning: until the broken system is torn down and rebuilt by hands that care, the blood will not wash off those robes.

Blood on Their Robes

Song composed and edited in May 2.020.

Music Studio, with native instruments, Kv331 Synthmaster player and One.

Beyond the heaven

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Gino Di Nunno is a 66 year old guy from Greensburg, Pennsylvania. He can't sing, but since starting writing and recording his songs in 2016, he is improving. He is obsessed with Rock Progressivo Italiano, Orchestral music (Beethoven, Mahler, Shostakovich), Jethro Tull, Mercyful Fate/King Diamond, and Philosopy. Gino started playing guitar in 1976, but two years later he suffered a left-hand accident and lost 3 and 2/3 fingers (He also started dabbling with piano in 2016, though he doesn't consider himself adept he knows enough to make it sound good). He did not start playing again (as a left-hander) until 1980, and with very long practice sessions, he was able to start a band, taking the hard road by writing original material with his brothers and a few vocalists, where they played everything from Punk, Blues, and a mix of Progressive Rock and Metal.

The band of brothers decided to end their music pursuit in the early 90's to catch up with life. Gino decided to give music another try in the early 2000's and didn't start recording and releasing music until 2016, releasing versions of albums on Soundcloud where he had no idea what he was doing; however, each album saw improvement (yes...even his vocals) by learning through trial and error experimentation. 

Gino said the best advice he ever received was when a guy told him, "if you can't sing, make sure your lyrics are good so people will focus on them instead of your singing." Gino writes deep lyrics dealing with life struggles and predicaments, yet always with a bit of hope. He prefers to write small symphonies within a song, with lots of changes, added dynamics, and a breaking away from familiar forms and structures. He realizes he is not unique in breaking new ground, and that aging and long practice sessions has given him (at times) an aching right wrist which has taken away the speed he once had, and even with his spotty vocals his only request is that you dive deep into the songs because he insists something beautiful can be discovered.  (Antonella Gaspari)

#2. Though Forgotten

Gino Di Nunno

Recent comments

Janne Hennie

JERUSALEM CALLING

DKTG

JERUSALEM CALLING

Related tracks