Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Küchenbossanova (Radio Edit)

Mohamad Reza was born on March 15, 1990 in Tehran,

His profession is inventing melody and arranging electronic music.
He started composing professionally in 2019 and started publishing in 2022.

He produced and officially released the album (Future Genre) in the middle of 2022 to 2023.

And in 2021, he made the album (Above the Clouds), the time of this album is about hour which includes remixes of the most famous composers in the world, but unfortunately it was not allowed to be officially released.

And also, in august 2023, he started making album number3 (Rain Man) and his purpose of this album, is to attract and big enjoy the audience in the profession of electronic music and special and new genres.

Mohamad Reza wants to quickly release new and updated music in several different genres, and his main goal is to release special and new styles in the electronic music profesion.

In his opinion, people need new principles in the music industry and profssion, And he considers it his duty to fulfill this need with increasing efforts.

And finally, Mohamad Reza thanks and appreciates all those who support and follow him,  and he hopes that he will be able to serve the people of the world sincerely in the music profession to the best of ability.

Ex-Hell - I make smoking music😶‍🌫️🎶high, chill vibes. Bar-Bearing Stories from my life that might connect with your life.

Bama made 
Geogia raised 

instagram: @Exhale.rap
facebook: Ex-Hell

Good Vibes, 
 
HustleUp
Contact Info: 
hustleup4L@gmail.com
or Instagram 

Website and Merch Coming Soon!!

Alex Park is an electronic producer from Vilnius, Lithuania, crafting high-energy slap house and dance tracks built for movement and mood.

Enjoy the ride!

I'm Light Flavor and I love to produce music.
You don't like it? Perfect. Next track is different anyway.

El Sick Pop de Puerto Anónimo habla de los vicios humanos, de los caminos oscuros de la mente, de las obsesiones y de la esclavitud social. Le da voz a la naturaleza enferma del humano, incómoda pero real.

Music producer
Deephouse/house/techno
For any questions:

fedyagrechnikov@gmail.com

Upcoming Singer kind of Also check out my quiz Only if you want tho Also I'm 18 now  https://buddymeter.com/quiz.html?q=J7Lf7Eh  


・❥・♥️ᴘꜱꜱᴛ! ʜᴇʏ! ʏᴇᴀʜ ʏᴏᴜ!・❥・
˗ˏˋɪ ᴛʜɪɴᴋ ʏᴏᴜʀ ʀᴇᴀʟʟʏ ᴘʀᴇᴛᴛʏ♥️ ;𝟯
ᴀɴᴅ...
❝ɪ’ᴅ ᴅᴏ ᴀɴʏᴛʜɪɴɢ ᴊᴜꜱᴛ ᴛᴏ ʜᴏʟᴅ ʏᴏᴜʀ ʜᴀɴᴅ♥❞
➽───────────────❥
❤️ ❤️Put This Heart
❤️ ❤️ ❤️ ❤️If
❤️ ❤️ ❤️You
❤️ ❤️Love
❤️ ❤️Your
❤️Followers!
➽───────────────❥

Gender: Male 

Relationship status: Single

╔══╗ Put this on your profile
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Only if you want tho not gonna force you Lol   Also Album out rn
Love the Quadra Crew so much Also I follow back so don't be shy WuW. Also bro If you gon follow just to unfollow don't follow me at all. Plus you not forced to follow me. UwU but yaw Love ya'll so much.

New quiz https://yosecreto.com/d34/447312

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

klangmœbel label - You find us on many streaming platforms.
haarmann / hommelsheim / Igden Daledrop / Aldo Tamarind
Electronic music.


#alternative #soundtrack #downtempo #indie

Küchenbossanova (Radio Edit)

Haarmann