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Vengaboys - We Like To Party! (DB7 Bootleg)

Hier mein 1.Set für euch!!

Werden defintiv noch mehrere folgen in zukunft genauso wie auch der ein oder andere Edit oder Track ;)

First Set

ich bin das Problemen

BPM 162 | 4/4 | Liquid Jungle × Ragga × Conscious Rap | Key: C#-moll
Sound: airy pads, marimba plucks, warm Reese sub, dub delays, soft Amen slices, vocal chops, Focus: intimate verses, warm build, gentle but heavy drop for the floor, Kick-Chain: HPF 26 Hz; +3 dB @ 68 Hz; −2, 5 dB @ 200 Hz; Shelf +1, 5 dB @ 3, 2 kHz; Comp 3:1 (Att 12 ms / Rel 80 ms), Sidechain: Bass→Kick 3, 5:1 (Rel 100 ms); Plucks duck 1, 4:1, Vocal-Chain/EQ: HPF 80 Hz; −2 dB @ 280 Hz; +2, 8 dB @ 3, 6 kHz; air +3 dB @ 10–12 kHz; De-Esser 6, 8 kHz; LA-2A 2–3 dB; Plate 1, 2 s; Dub delay 1/8 dotted on adlibs, Master: Low-cut 22 Hz; MB gentle; Stereo +12%; Limiter TP −1 dB; Target −7 LUFS (Radio / Club), dubstep, beat drops, hard kicks, studio qualität, radio version, mastert, contry,, electronic, soul

Rüstung aus licht new

BPM 162 | 4/4 | Liquid Jungle × Ragga × Conscious Rap x Acid Techno | Key: C#-moll
Sound: airy pads, marimba plucks, warm Reese sub, dub delays, soft Amen slices, vocal chops, Focus: intimate verses, warm build, gentle but heavy drop for the floor, Kick-Chain: HPF 26 Hz; +3 dB @ 68 Hz; −2, 5 dB @ 200 Hz; Shelf +1, 5 dB @ 3, 2 kHz; Comp 3:1 (Att 12 ms / Rel 80 ms), Sidechain: Bass→Kick 3, 5:1 (Rel 100 ms); Plucks duck 1, 4:1, Vocal-Chain/EQ: HPF 80 Hz; −2 dB @ 280 Hz; +2, 8 dB @ 3, 6 kHz; air +3 dB @ 10–12 kHz; De-Esser 6, 8 kHz; LA-2A 2–3 dB; Plate 1, 2 s; Dub delay 1/8 dotted on adlibs, Master: Low-cut 22 Hz; MB gentle; Stereo +12%; Limiter TP −1 dB; Target −7 LUFS (Radio / Club), dubstep, beat drops, hard kicks, studio qualität, radio version, mastert, contry,, electronic, soul, studio qualität, club version, mastert 

Verlernte Wurzeln new

Perfekter Ort

dark,Deutschrap trifft Jungle/Drum&Bass, düster, 168 BPM. Synkopierte Breakbeats, rollender Subbass, dunkle E-moll Pads, knappe Piano-Stabs, knacksige Hi-Hats; rohe, präzise Rap-Delivery, Hooks mit Echo und Sub-Layern. Studio/Club/Radio-ready. 

bruder

Minimal cinematic hip-hop; dusty sample loop + cinematic strings; BPM 82–84; d-moll; SUB @ ~35Hz + harmonic midbass 80–140Hz; vintage tape saturation; force mono <120Hz; preserve dynamics; provide stems + tempo map.

KOMM WIR GEH'N part2

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