Prog Rock

later than we think

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honoured than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.

(Original lyrics by The Perfect Dark)
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (The Beautiful Dark with Eclectic Collective)

Breathy Bells (2025)

I created this track to add to an AI video.  It's my first time of making music solely to be the soundtrack of the video I was working on.

Link: https://youtu.be/uDDpj0HpP4A

Music created using mainly Spitfire and Orchestral Tools instruments.
DAW: Reason 13

An Elderly Tale (non-AI)

The colors of Autumn are plain beautiful

Washburn R305 parlor guitar and 1928 Gibson A2 Mandolin. 

Jaunt through colors of Autumn

Written by James Geer

 I wish that I had
A vodka and ginger ale
But I’m glad that I have
The vodka anyway

I wish that I had
A little bit of cocaine
But I’m glad that I have
A love who sustains

I wish that I had
An elbow of weed
But I’m glad that I have
Everything else I need

I wish that I had
At my behest.  
The things I’ve confessed
A round of Sussex‘s best
For the Grey Hounds and all the rest

Vodka and ginger ale

method: all the sounds you hear, apart from the voice, stem from a piano that is more than moderately out of tune, most of them morphed by audacity and samplitude
image: copyright jo richter

wunderbar geborgen / copyright jo richter

am wunderstumpfen ende
einer zweispur-einbahnstraße
senkt sich eines planers wendeplatte
zwischen steile bordsteingrate
in deren runden schenkels wölbung
die allerletzte eiderente ein
einzelei ausbrütet - solch memento
prospektiver nostalgie lädt
karrussellgenau zum grübelkreisen
ein, zum rasend innehalten

wunderbar geborgen

An atonal, twelve-tone composition, taking some inspiration from the Webern approach to atonal music and just making it very compact. To me that approach legitimately does make the atonal "sound" easier to digest. Bite-sized pieces. Hope you enjoy!

Verde

24 6 8

Adam - vox
Hugo - drums
Michał S. - bass guitar
Vlad - djembe

Jam-Be

I had a lot of fun covering this piece! The guitars were played on the Marblehead using the guitar pod. The bass was played on the Fender Jazz bass using the bass pod. The drums were from Session Drummer, the Evil Joe kit. The cellos and double basses were from East West Hollywood Strings, Diamond.

Red - King Crimson (cover)

blue

Blue2

All the Mellotron strings were played on the Nord Piano 2 HA88. The drums are Garritan's fusion kit, as well as their percussion (different blocks and cow bells) all from the Jazz and Big Band library, plus the
orchestral percussion (triangles, suspended cymbals, gongs and bells),
and oboe from the Vienna Symphonic Libraries. I also played the Muramatsu flute, the Ibanez guitar through the Vox Valvetronix VT20X, and the fretted jazz bass through the Line 6 Bass Pod to get the right mixture of clean, and distortion. Then added some low strings using the Yamaha M06 keyboard by itself. Both the vocal and guitar were recorded through the Lewitt condenser mic.

Starless - King Crimson (cover)

Sun Horse

From the Emerson, Lake, and Palmer album Works Volume 1, Pirates is one of my favorite pieces that combines orchestra, band, and vocals.

I hope you like my version of this great song!

Pirates - Emerson, Lake & Palmer (cover)

N.O.B.S. II

Lost Assets

Get The Album

You are facing the music from a music -nerd, -lover, -autodidact, -amateur (means lover :) ) and software engineer, who has actively listened to music for decades. I heard Led Zeppelin II, Paranoid, Aretha Now and Santana III, when they were released. 
Creativity is in my genes. I experience that Software, music, humour and drawing all are nourished by creativity.
My most active listener is me, myself, I :) … But be my guest.. I have a job and I don’t rely on making money by making music.
I like most genres, but when it gets trivial, I’m out! 
 I like Hard Rock, Fusion, Salsa, Reggae, Soul, Funk, Latin, Prog, Folk, World, Ambient, Ballads, Pop, Jazz, Bossa Nova, Country, Blue Grass, Classic, etc.
If it is hard it has to be hard for a reason. Please no sampled repetition, it hurts my brain :D !

Sun Horse

Helge

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