Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

TECH DWJ

N69 - Take You There

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Raffaele Rizzi - Deep In Love [100%Pure] 128K

Heads Will Roll

Heads Will Roll (A-Trak Remix)

Green Velvet - Flash (Eats Everything Remix)

Johannes Heil - EXILE 007 B2 (Pawlowski Rework)

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Out now! 
https://Toolroom.lnk.to/WeissNeedsTS

Weiss has made a bit of a welcomed habit in recent years of dropping a Sun-drenched bomb on Toolroom around this time of year and following on from 'You're Sunshine' last year, 'Feel My Needs' is his submission for 2018! Recent Weiss highlights have included him playing the main stage at Dirtybird's own Campout festival, regular dates at the world-renowned Fabric as well as a US tour and an album in the making.

In true Weiss style, this record will have the hairs on the back of your neck standing to attention in a matter of seconds. Lush, old skool piano riffs and sublime vocal licks, all laid over the top of a crisp and infectious house backing. This is a sure-fire future anthem and you can expect this to be providing the sound-track to many a memory throughout the Summer of 2018!

Feel My Needs

Out now!

Weiss – ‘Feel My Needs'

BUY IT NOW: https://www.beatport.com/release/pleasurekraft-presents-monolith-series-volume-2/2324452

SPOTIFY: https://open.spotify.com/album/7rjRsVdpk4UMGgobWY5eHM?si=P9PQXvw1TB6Dp1qWvmRJpA

Proudly presenting the second installment of our annual 'Monolith Series' VA. A collection of eight songs from some of our favorite up & coming producers from around the world showcasing the (mostly) cosmic techno sound we love so much.

Support from: Adam Beyer / Amelie Lens / Gregor Tresher / Enrico Sangiuliano / Pan-Pot / Bart Skils & more

Release date: Jul 13

https://facebook.com/kraftekmusic
https://instagram.com/kraftekmusic
https://beatport.com/label/kraftek/17363

Pleasurekraft presents: Monolith Series Vol 2

BUY IT NOW

Joyhauser - Galaxy Phase

It doesn’t get much bigger than this: Adam Beyer links up with Green Velvet and Drumcode’s outstanding rising star Layton Giordani for a debut collaboration.

Some musical partnerships feel fated. Both fans of one another’s work, for years Adam Beyer and Green Velvet had discussed writing music together. In turn, Beyer’s protégé Layton Giordani had admired the Chicagoan’s work for as long as he could remember. When the 25-year-old found himself playing alongside the green mohawked legend at Belfast’s Shine, the spark and subsequent friendship was immediate. With the links now set in place, it was only a matter of time before the trio’s creative chemistry would manifest musically.

‘Space Date’ was conceived organically and birthed quickly. Propelled by Green Velvet’s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that’s highlighted sets by Beyer at Awakenings, Ushuaia and also EDC Vegas when Green Velvet dropped it to a raucous response. The track is complimented by ‘Rome Future’, the product of a year-long series of productions between Beyer and Giordani. Deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who’ve followed their sets over recent months.

Adam Beyer, Layton Giordani & Green Velvet - Space Date - Drumcode - DC193

Follow Zimmz:
Spotify: https://open.spotify.com/artist/1fjyfUlALNaLiP57l5UmGn?si=NfZnI-h4Rku3f2C1qM8Cfg
Instagram: www.instagram.com/zimmzmusic/
YouTube: www.youtube.com/channel/UCigvB8p55QPXIWYEcAtN5BQ

Sinematic

‘All I Need’ comes signed, sealed and delivered as a straight-up tech house belter. With Shiba San’s distinctive bass-heavy sound and Tim Baresko’s knack for nabbing a killer vocal hook, it’s no wonder these two Frenchmen are production dynamite together. Sounding as if the record was intrinsically designed for deep and dark club moments, the duo channel their hip-hop influences through infectious RnB style vocals on top of an earth-shattering bassline. Volume up to maximum level, ‘All I Need’ has dropped on DFTD to make you move.

Download & Stream

Shiba San & Tim Baresko 'All I Need'

In My Mind

Fast-rising Irish producer Rebūke debuts on Hot Creations with ‘Along Came Polly’. Hear the much-hyped title track now…

Read more: https://bit.ly/2rhv8PA

Premiere: Rebūke ‘Along Came Polly’

First up on the Mixology crews brand new MXO imprint is this stomping tech house EP from Maur & Roobinz. Gospel Man is a tried and tested dance floor weapon that has been proved at our parties for the past 6 months. Its rolling bass line and gritty gospel vocal will lay it down on any system. On the B side is a much more groovy title - Magic Organ. Its carnival feel and trippy vocals will take you on a magical journey!

Gospel Man EP

Download

Maur & Roobinz - Gospel Man

Download / Stream: https://relief-records.lnk.to/JNvCl

Layton Giordani SoundCloud: https://soundcloud.com/laytongiordani

Stream

Green Velvet & Layton Giordani - FUZION

heard this tune when i was off my rocker at Dom Dolla's grapevine set late 2018 and thought fuck me what an absolute rip snorter of a tune, decided to put my own spin on it

TECH DWJ

Dylan