Different versions of the same underlying idea.  7 beats per measure, 3 measures per cycle (7+7+7).  The different sections can be shortened, lengthened, and woven together as desired.  The production is several years old by now, and should be regarded as a rough draft, or "scratch track."

520 Snail Lightning (7 After Work)

520 Snail Lightning (6 Cleaner)

520 Snail Lightning (5 Surfer)

520 Snail Lightning (4 Ballerina)

This track currently consists of the same section repeated with different layers either being present or not.  The structure could be referred to as "A1, A2, A3, A4," etc.  However, the effect can be similar to a more typical "verse, chorus, verse, chorus, bridge, chorus" structure (ABABCB).  Additional layers can be added to specific sections to increase the contrast.

Don't be too alarmed by the file number.  I number all my sessions, and this one ended up being the 666th.  I considered skipping it, but instead I used it as creative inspiration.  I thought of how Lucifer is said to be majestic, yet prideful -- impressive, but scary.

I don't remember the structure of this one for sure.  The syncopation makes it tricky to infer.  If you want to know, I will open up the session and see what it is.  Knowing me, it is probably based on sixes.  The large-scale structure (sections) is only a draft, so it can reorganized as desired.

666 That Trap

The production is kind of muddy, but it's a start.  There are 4 beats per measure, 4 measures per group (4+4+4+4).  At 7:07, it's a long track, but it could easily be trimmed down.

Happy Dance 1618

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