Ghost Note

An old DADGAD tuning track I'd forgotten I'd done :)

DADGAD Nocturne

L'exercice consistait à faire un titre de 3 mn, franchement ça pas était évident, mais finalement travailler avec un carcan développe l'imagination.
la guitare electro acoustique est enregistré sur 2 pistes, une direct et l'autre avec un micro, pour les son de fanfare j'utilise "Miroslav Orchestra"  pour la batterie c'est "Native Instrument", la basse je l'ai piqué à ma fille et enfin une les paul avec un Ebow et "Guitar Rig".

Fanfare

Summermix, Pumpkin Jack, Cartman, Devoción, Fgb, anchorfm, Bone, Tpsg, ooesночьremix, cryshilka, Snowminds16k, crypto, Angryrap, TUNES, tape,, Big Gottiroyalty Free Music Background, Geno, Bacground, Rr, Rusya, Celebritynews, Mc , Ashamaluevmusic, Getyourwish, MP3, Octal, Discover,, goldie, flip side,  Bulgarian, Scoring, قصيده, Miniml, Ilmainen Vlog Musiikki, Tunetank_Enchanting, pyatno, gu,, glaive,

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Hymne au temps qui passe

Artichoke Lawsuit (STBB827)

Dance on Windswept Branches

Dance On Windswept Branches (NaviarHaiku476)

P.oceanica is a slow-growing species of Posidonia, a global seagrass that provides food and shelter to marine organisms, protect coasts against erosion, and purifies natural water resources. P.oceanica covers the entire coastline of the Mediterranean Sea with its network of roots and rhizomes. One colony discovered off the coast of Ibiza is believed to be nearly two-hundred thousand years old, which would make it the oldest living plant in the world.

Marta Solé, a research scientist in environmental engineering at the Universitat Politècnica de Catalunya in Barcelona Tech (UPC), has spent her career studying the impact of noise pollution on marine biology. Solé’s previous research demonstrated that cephalopods hear sound through small sensory organs, which become damaged when noise exceeds a certain volume and frequency. P.oceanica have exhibited similarly adverse effects to noise, compromising the plants’ ability to connect to root systems and gather nutrients from the ocean.

Suss Müsik considered the metaphorical duality of sound waves and ocean currents as a framework for this Junto project. Three “waves” of synthetic material were treated with various distortion effects and allowed to pass over each other. A cyclical pattern simulates the gently modulating seagrass that lies beneath the surf, insulating its tender blades from the harsher noise just above the crashing waves.

The piece is titled P.oceanica and was recorded live to Tascam 8-track. Those who wish to learn more about Solé’s work are encouraged to read The Sounds of Life by Karen Bakker.

More on this 588th weekly Disquiet Junto project, Swell Time (The Assignment: 

Make some surf music), at: https://disquiet.com/0588/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0588-swell-time/

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Defense

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