the revolution music from age of empires 3

Age Of Empires 3 Soundtrack - Revolution Music

Kakegurui Opening Deal with the Devil Instrumental

Neon Genesis Evangelion S² Works Disc 1 of 7

in track [B-4 Those women longed for the touch of others' lips, and thus invited their kisses. (S&P)] S&P means strings and piano but was trimmed to fit the 100 character limit

Neon Genesis Evangelion S² Works

B-4 (Guitar and Piano)

B-4 (Strings)

A-12 Introjection

A-9 (Synth Only)

A-8 Angel's Arrival - quiet and eerie

A-5 Advancement of the Human Instrumentality Project

A-3 (Rhythm Only)

Neon Genesis Evangelion S2 Works Disc 2/7

many of these tracks are missing due to having been flagged and removed for copyright

D-8 Romance

D-1 Violent Situations With Guns

C-1 Pleasant Morning

B-19 Friendship

B-18 Feeling at Peace - Hope (Flute Only)

B-18 Feeling at Peace - Hope

Neon Genesis Evangelion S2 Works Disc 3/7

many of the tracks are missing due to being flagged and remove by soundcloud

A-16 [Theme of NERV](rythm only)

A-15 [She Said, 'Don't Make Others Suffer For Your Personal Hatred'] (slow te...

A-15 [She Said, 'Don't Make Others Suffer For Your Personal Hatred'] (drums)

A-13 (type A)

E-9 [A STEP FORWARD INTO TERROR](rythm only)

Original Soundtrack for the game Scanner Sombre by Introversion Software. Amazing and underrated game with a perfect soundtrack originally composed by Alistair Lindsey.

Note from the original composer:

Just prior to commencing work on Scanner Sombre I had experienced an intensely busy and emotionally brutal couple of years in which I had lost, to terminal illness, all three of my cats, my dog, and finally my Father too. During this period I had designed sounds and composed music for several games most notably Ludeon's 'RimWorld', and Introversion's BAFTA Award winning 'Prison Architect'. 

To stay 'professionally positive', and therefore be able to write the (mostly) emotionally neutral or happy music that these games required was not easy but was nonetheless essential.  On many such occasions, alone in my studio, I could feel the proverbial thumbs of my own truth pressing remorselessly ever harder into the eyeballs of my soul, as I forced myself not to externalise (in my musical compositions) the pain and loss I was feeling inside. 

As it turned out we had just finished Prison Architect when my Father died.  What should have been a time for joy, jubilation, and a sense of pride and victory was instead usurped by feelings of nausea, anger, and devastating loss.
 
In all truth henceforth what I desperately needed most of all was to be authentic. I needed a new project to write for that could offer me a legitimate vessel into which I might pour all of that dark, rancid, despair and negative energy that I had bottled up inside for so long. 

What I needed was a bottomless pit of never-ending doom, where all hope must be abandoned, where only pain and grief can thrive. Somewhere that would need the kind of music I had wanted to give birth to for an entire year!

And that, ladies and gentlemen, turned out to be Scanner Sombre. 

All the best, and, er....enjoy the music?

Alistair Lindsay. 
Head Of Audio. Introversion.

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