That’s amazing!!but also like trying too hard!! I'm looking forward to the next one!!

Sounds very similar to Thom York´s voices.

Taken from Neu Balance "Rubber Sole", out on cassette and digitally 6 January 2015.

Mastering by Jonathan Scherk

Buy Tape: 1080pcollection.bandcamp.com/album/rubber-sole

Press: 1080pcollection.net/neubalance.html

www.facebook.com/1080pcollection

Rubber Sole

Neu Balance - Guu Yuu

benoit pioulard 'a shade of celadon'

Macc & dgoHn "Some Shit Saaink" 
digital download re-release details
SUBTLED002CD

Trackisting :
1. "7C 1020"
2. "Long Tall Sally"
3. "Bamba"
4. "Sun Days"
5. "Mustard Greens"
6. "Empathy Bottle"
7. "Gever"
8. "Forget Stuff"
9. "Yut"
10. "Ascorbic 403"
11. "Things Go Brown"
12. "July 39th"
13. "Leg Taps"
14. "Recnad"
15. "You Will Be"


Subtle Audio 2x12" Vinyl + Digital Download Bundle special offer available here ---> http://www.subtleaudiorecordings.com/shop/advanced_search_result.php?keywords=SUBTLED002&x=0&y=0


Originally released as a 4 track 2x12" vinyl on Subtle Audio in 2009, a very limited 10 track Subtle Audio CD version followed in 2010 before a licensing deal with Rephlex Records saw the CD widely distributed along with 3 (digital only) bonus tracks. Now that the licensing term with Rephlex has come to an end, we're releasing all 15 tracks from the 3 different formats in one digital download. Seems fitting to do it now, seeing as we are celebrating Subtle Audio's 10th Birthday this year and it's 5 years since the original release of this album. 

Here's the Subtle Audio press release for "Some Shit Saaink" written back in 2009 ...

"Time to enter the insane, weird, drum-centric world of Macc & dgoHn as the Subtle Audio camp proudly delivers its first album long player by this pair of not altogether insane East Londoners.

Subtle Audio has been pushing Drum & Bass with a slighly different slant since 2005 and this album could well be presented as their mission statement, it sums up the distinctive sound of the label perfectly.

Macc & dgoHn favour a breakbeat driven style and they incorporate their beats into ever shifting cinematic arrangements brim full of attitude and experimentation. Individually, their sounds have travelled far beyond the Drum & Bass microcosm and their work has been aired by the likes of Zane Lowe and Mary Anne Hobbs on BBC Radio 1. Aphex Twin is also an admirer and his festival playlists have contained Macc or dgoHn on more than one occasion. Now they unleash a volley of material from their collaborative archive which is set to disarm critics who thought Drum & Bass had run out of rhythms, arrangements and silly album titles. No fear on that, 'Some Shit Saaink' is here!"

Buy from Boomkat

Macc & dgoHn - Ascorbic 403 :: Some Shit Saaink Album :: Digital Download re-release

◆ Spotify: open.spotify.com/artist/3Bt4V3gMbdITfEasiDy6rv
◆ Apple Music: music.apple.com/artist/produced-by-tuan/1657209267

Nostalgia with its eyes open. A pocketed bassline and measured backbeat carry understated guitars and amber keys, the mix staying clear and unforced. The writing treats memory like documentary, not dream—regret counted, small brightness kept. It lands with present-tense clarity: less longing, more acceptance; the weight and the warmth in the same frame.

🎧 Stream “Good Old Days”: lnkfi.re/ThatWasIt

——————————————————
LYRICS
——————————————————

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
One day you’ll feel it slip away
And miss the stillness of those days

Wish I asked you to that dance
Instead of hiding in my stance
Drank to blur what I could feel
Played it tough, but none was real

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
One day you’ll feel it slip away
And miss the stillness of those days

You and me on that old futon
Grass below, the stars were on
Didn’t care what they would say
Back then, we just slipped away

Maybe these are the moments
Maybe we’re still young
Maybe we never saw it then
But we were golden
Now we’ve got scars
But we’re still here
Smiling through

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
You don’t know what you’ve got
Until it’s gone
These were the good old days

☛ Follow Produced by TuaN: instagram.com/producedbytuan

Good Old Days

Bura Bura - The New Flesh 
To be released January 2018

Sydney’s Bura Bura aka Colin Thompson (Ghastly Spats, God K) has been performing his driving EBM, newbeat, cold wave solo project for over two years. In 2018 Bura Bura presents his debut full length solo album “The New Flesh” on cassette and we are extremely excited about it - The album takes influence from David Cronenberg’s Videodrome and is an exploration of body horror and the relationship between humans amd technology as well as dreams, nightmares and the structures of the human condition. A world of post apocalyptic cyber reality.

https://soundcloud.com/bura-bura-704639819

Bura Bura - Kissing The Whip

Bated Breath

Index - Kainos
iDEAL197 LP
Available soon
Distributed by Boomkat

‘Kainos’ is the debut album by Index, a new electronic music project by British musician Simon Scott, recorded in 2016 to 2019 in Los Angeles. Scott is a veteran British composer, field recordist, drummer and mastering engineer. 
Taking inspiration from the conflicting opinions of Brexit debates from the Houses Of Parliament, Scott fed these live streams into his modular synthesiser for improvising and composing with. These symbiotic jams formed the foundations for each Index track, with only the sparse nocturnal beats from a Roland 909 and transparent editing of each modular jam to accompany the synthesis. 

Scott’s association with shoegaze, as a member of UK band Slowdive, and ambient influences, present in his solo work on Touch and 12k, is replaced by the early electronics influence of Coil and Throbbing Gristle on Insides, early metal pioneers Black Sabbath rising on tracks such as Blackesh and Exit B. The throbbing 909 pulse on Sprinkles provides a Dubbed out groove that calls to mind Arthur Russell jamming with Basic Channel and the bottom heavy bass lines of dubstep on Countdown has is visceral and contains a brooding sample of Rachel Goswell’s (from Slowdive) voice sucking everything into the mix.
A key conceptual influence to Kainos is Luigi Russolo’s Futurist manifesto for music, The Art Of Noises who glorifies the use of “noise-sounds” and other nonconventional musical sounds. This captures the imagination of a modern culture immersed in ecological disaster (climate catastrophe) and surrounded by the constant noise of capitalism and consumerism. Other inspirations for this album were taken from literary and non-musical ideas such as Donna Haraway’s 2016 book ‘Staying with the trouble; Making kin in the Chthulucene ’ and its central tenet that “our task is to make trouble, to stir up potent response to devastating events on a damaged earth”.
Index is the musical expression of Scott’s profound discontent with the lack of equilibrium we have right now and how disconnected we have all become in relation to nature and each other. Kainos means “now, a time of beginnings, a time for ongoing, for freshness” (Haraway). It is born from ecological grief and political frustration at a time when electronic and ambient music is sitting too comfortably in safe areas of sonic experience with nothing to say and providing aural wallpaper that is safe and sterile.

INDEX - SPRINKLES (from "KAINOS" LP iDEAL197)

About 'Too Numb to Know' (out 9/25) by Profligate

'Too Numb to Know' showcases Profligate continuing to shirk the heavy electronics of his early years for razor sharp pop. On 2018's 'Somewhere Else,' Noah Anthony delivered dark pop gems while adding live instrumentations, reinvigorating his songwriting and sonic palette. This new song-driven approach gained praise from Resident Advisor, Pitchfork, Bandcamp Daily and The Wire, exposing Profligate to new listeners.

'Too Numb to Know' followed Anthony from coast to coast, as he recorded his first demos in Philadelphia and then moved to Los Angeles, a city he found creatively challenging and emotionally depleting. After the theft of his computer—and with it the work he'd done on 'TNTK' in L.A.—Anthony took a friend's suggestion and moved to Cleveland, Ohio, where he finished the album and added contributions from allies like Matchess, Lazy Magnet, Gel Set, and Missions, among others.

'TNTK' is about growth, reflection and change. Lead single "Hang Up" urges the artist’s younger self to trust his instincts during chaos. Its message pairs with bright keyboards, a pulsing beat, and soft, alluring vocals - on the chorus, he croons "Nothing you create but love penetrates." It's an urgent, driving pop song that fuses electronics with guitar and bass like the best of alternative radio. Guitar is prevalent on 'TNTK,' building on the live bass of 'Somewhere Else,' adding a new arrow to Anthony’s quiver, creating more space for melody, and using it to fill the room.

"A Little Rain" and "My Days" feature evocative melodic and textural beauty. Laura Callier of Gel Set adds graceful shimmering vocals to “A Little Rain” that wash the song in nostalgia, while the latter song’s weave of mostly acoustic instruments (certainly a first for Profligate) is unexpected and welcome. Softer moments like these are interspersed throughout 'TNTK' between kinetic numbers like "No Clear Way," while "We Can Punish" and “A Stranger” are reminiscent of his noisier, beat-oriented years. This varied approach and attention to detail are the garnish to an already tight song cycle that will satisfy hardcore fans of Noah Anthony's output and newcomers, alike.

About Profligate

Noah Anthony’s music ranges from heavily rhythmic electronics to tightly-composed songs. His debut LP Come Follow Me, was released in 2012 on More Records and a string of 12” EP’s and compilation appearances followed. 2014’s Finding the Floor was issued by Not Not Fun. 2018's 'Somewhere Else' was Profligate's first for Wharf Cat Records and was supported with U.S. touring and an appearance at SXSW 2018. The follow up, 'Too Numb to Know' will be released on 9/25.

BUY LP/CD

Profligate - Hang Up (from the album 'Too Numb to Know' out now)

Profligate - A Stranger (from album 'Too Numb to Know' out now)

What to Say

Nuestro cuarto LP es una seductora y siniestra interpretación de algunas historias de brujas y libros mágicos que han llegado a nosotrxs y se han condensado por medio de leyendas y tradiciones orales de las distintas culturas que hemos ido conociendo. Este compendio de cuentos y sonidos podría convertirse en su propio ritual para invocar a sus demonios personales y enfrentarlos en la oscuridad de cualquier noche de insomnio y ansiedad.
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'Salamanca' es una evocativa obra que honra a todas aquellas mujeres que han sido asesinadas injustamente en épocas cuando las instituciones temían que el poder pierda su centro patriarcal. La Caza de Brujas es sin duda uno de los sucesos más nefastos de la historia moderna y, en este álbum, contamos algunas crónicas que buscan reivindicar la imagen de muchas mujeres etiquetadas de esta forma. Las letras son el resultado de una exhaustiva investigación que recoge elementos del folklore de varios puntos del planeta y absorben una inusual potencia y significado cuando la música se adentra en los pasajes más oscuros que hemos explorado en colaboración con diversas artistas de Latinoaméricana: una mezcla de darkwave, dreampop, poesía, magia y experimentación sonora. 'Salamanca' es una fiesta pagana, un aquelarre, una celebración y el cierre de un ciclo de 10 años de trabajo.

En su mayoría, se utilizó software libre para la producción de este álbum, evitando las restricciones implícitas al momento de usar software privativo y buscando la independencia tecnológica dentro de una obra que persigue la libertad como principal objetivo.

2046: Voz, Guitarra, Sintetizadores y Programación
606: Batería, Percusión Electrónica, Sintetizadores y Programación

Producido por Sexores

Bajo en Volantia: Piaka Roela (México)
Voz Adicional en Volantia: Naerlot (México)
Voz Adicional en Hannya: Noelia Cabrera (Perú)
Voces en Salamanka: Choute Sergina Honoré (Haití), Mariana Carvalho (Brasil), Tamya Moran (Ecuador), Timpana (Bolivia)

Posism + Tiraclaurism contiene un extracto de 'El Beso Que Te Di' interpretado por Los Olimareños; compuesto por Juan Vicente Torrealba y Ernesto L. Rodríguez (Discos Pueblo, 1982)
Death by Burning contiene un extracto de diálogo de The City of the Dead (John Llewellyn Moxey, 1962)

Grabado y Mezclado por Emilia Bahamonde Noriega en la FAM (Ciudad de México, MX)
Asistencia: David Yépez Valencia
Masterizado por Emilia Bahamonde Noriega y Roberto Chalela

Portada: Amy Haslehurst
Diseño Gráfico: Alex Madrid
Dirección: David Yépez Valencia

Este álbum es para ellas.

© 2020 Sexores
℗ 2020 Buh Records

What to Say

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