All submissions to Haiku 390:

https://www.naviarrecords.com/2021/06/23/naviarhaiku390-for-that-brief-moment

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #390: for that brief moment / when the fire-fly went out… / O the lonely darkness

moonbeams
like fishes –
swim over the river

It’s not the first time we experiment with haiku and AI, but it’s always fun. ChalkWalk, a member of Naviar’s community and regular contributor to the Haiku challenge, created some haiku with the support of GPT-3, an autoregressive language model that uses deep learning to produce human-like text. This language prediction model was developed by OpenAI, a San Francisco-based artificial intelligence research laboratory.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

haiku by ChalkWalk & GPT-3 https://soundcloud.com/chalkwalk-naviar
https://openai.com/blog/gpt-3-apps/

The organ work at 2:27 is based on a composition by Paul Reiners:
https://soundcloud.com/paul-reiners-1/capsule-time-disquiet0481

Turtle Soup [naviarhaiku385]

More on this 492nd weekly Disquiet Junto project – Kintsugi Rework (The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing) – at: https://disquiet.com/0492/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0492-kintsugi-rework/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Kate, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/jEFjbJ

https://creativecommons.org/licenses/by-nc-sa/2.0/

All samples provided by Found Sound Nation and Symphony For A Broken Orchestra. Symphony for a Broken Orchestra was commissioned by Temple Contemporary at The Tyler School of Art. Major support is provided by The Pew Center for Arts & Heritage, with additional support from the Barra Foundation.

Tape Loops & Broken Instruments (disquiet0492)

Disquiet Junto Project 0492: Kintsugi Rework
The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing.

Step 1: This week’s project explores the ceramic method called “kintsugi.” If the term is unfamiliar, read up on it a bit. Here’s a description from an article in the Washington Post: “That means ‘golden joinery’ in Japanese, and it refers to the art of fixing broken ceramics with a lacquer resin made to look like solid gold. Chances are, a vessel fixed by kintsugi will look more gorgeous, and more precious, than before it was fractured.”

Step 2: Consider how kintsugi can be employed, through metaphor, as a means to rework/remix an existing piece of music.

Step 3: Take an existing track, perhaps one of your own, and by some means “break” it.

Step 4: Take the “broken” piece of music from step 3 and make it whole by employing a musical adoption of kintsugi.

----

Track notes:

I took a piece of music I'd recently made to simply practice key changes on guitar and keyboards. It's a fairly relaxed jazz styled track with piano, Rhodes keyboard and an electronic drum pulse.

I 'broke' it by recording the whole track to a reel on my Morphagene module, which can do all manner of granular manipulation to audio. 

My process of 'kintsugi' consisted of taking the output of the Morphagene and feeding it through a couple of slow sweeping LPF's and then a dual looping delay. The parameters of the Morphagene are also controlled by slow rate LFOs. Rather than let the whole thing drift along, I applied a bit of hands-on steering of the sonic narrative. 

The reconstruction renders the original track into a ghostly echo of its previous incarnation, full of broken lines, discontinuities and unexpected harmonies. 

I imagined a beautifully reconstructed black bowl, lines with discrete veins of gold, glimmering in a dusk as the sun sets.

Disquiet[0492] - Dusk Glimmer

More on this 492nd weekly Disquiet Junto project — Kintsugi Rework (The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing) — at: https://disquiet.com/0492/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0492-kintsugi-rework/

Wabi Sabi (disquiet0492)

released 11.06.2021

trumpet + generative sound

correct (disquiet0493)

More on this 493rd weekly Disquiet Junto project — AudioCorrect (The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music) — at: https://disquiet.com/0493/

Thanks to Alan Bland for proposing this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0493-audiocorrect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

feral crotch

halF correcT [disquiet0493]

AudioCorrect - disquiet0493

Composed and performed by Daniel Diaz, April 2021, Paris France.
electric bass, fender rhodes, synths,

For this haiku:

for that brief moment
when the fire-fly went out…O
the lonely darkness

Photo by Vasily Kozorez
Poem by Tachibana Hokushi

Shared June 24th 2021 for this two challenges:

https://llllllll.co/t/disquiet-junto-project-0495-protip-etude/

https://www.naviarrecords.com/2021/06/23/naviarhaiku390-for-that-brief-moment/

Miniature Firefly (disquiet0495)(naviarhaiku390)

A track for Naviar Records' Haiku Challenge where a piece of music is composed in response to a haiku.
A very short piece; I wanted to have the violins soar out of the darkness for a brief moment, before going out, like the firefly mentioned.

For That Brief Moment (naviarhaiku390) - Adrian Lane

This track was created for the Naviar Haiku group.
390 week haiku
naviarlab.tumblr.co

2021-06-24

For That Brief Moment ( Naviarhaiku 390 )

This track was created for the Naviar Haiku group.
390 week Haiku.

https://naviarlab.tumblr.com/

OneAmbient4 - For That Brief Moment - O The Lonely Darkness (Naviarhaiku 390)

made for the naviar haiku music challenge https://www.naviarrecords.com/2021/06/23/naviarhaiku390-for-that-brief-moment

Ableton & Audio Modeling

Firefly At Night (naviarhaiku390)

for that brief moment
when the fire-fly went out…O
the lonely darkness

Tachibana Hokushi, whose real name was Tachibana Genjiro, was born in Kanazawa in 1665. Hokushi was one of Basho’s most famous students at the time, and he even accompanied the great master during part of his famous journey through the narrow roads of the North, from Kanazawa to Matsuoka.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th June June 2021

haiku by Tachibana Hokushi https://allpoetry.com/Hokushi

Fire-Eaters (naviarhaiku390)

1Jul21

My naviarhaiku391  submission;
https://www.naviarrecords.com/2021/06/30/naviarhaiku391-experimenting/
:D

Experimenting [naviarhaiku391 ]

Naviar Haiku is a weekly challenge to create a piece of music based on a poem. See https://www.naviarrecords.com/about/naviar-haiku/. This week's haiku is by Tachibana Hokushi (b. 1665):

Experimenting
I hung the moon on
various branches of the Pine

Here's the result of my experiment. Unfortunately there was a bit too much of a breeze for it to be a success. And then the clouds came across...

There's a lot of low-level detail and binaural content in this piece, so it's best listened to on headphones.

Hanging The Moon (naviarhaiku391)

This track is based solely on a glass harp played live, following the disquiet junto project 0497. The glass harp (5 glasses filled with different levels of water) was recorded first, then the different effects were added in separate live overdubs to create the atmosphere of the devil's living room.

More on this 497th weekly Disquiet Junto project – Benjamin’s Glass (The Assignment: Pay tribute to Benjamin Franklin and his armonica) – at: https://disquiet.com/0497/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0497-benjamins-glass/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The Devil's Harp of Glass (disquiet0497)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Tired of only experiencing normal emotions?
Experience Thalasin Free Trials:
https://thalasin.bandcamp.com

Fire-Eaters (naviarhaiku390)

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