3D Desinger and Coverart (insta): Rabbitech0
This album is atmospheric and uses certain frequencies for calming purposes and increasing concentration
This is a one-hour sample of one of the songs in this album, which we provided you with a 3D background.
https://www.youtube.com/watch?v=kq0sMkDkXug&t=245s
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7-70

197Hz Deep Dreams

2 - 197Hz (Deep Dreams)

Groove-Funk/Fusion2[ai](124bpm)(2024)
Soundraw THE #1 MUSIC TOOL FOR CREATORS AND ARTISTS
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Image: deepai.org/machine-learning-model/text2img

Groove-Funk2[ai](124bpm)(2024)

long version : https://soundcloud.com/zsolt-zsigmond/you-are-here

You Are Here (short version)

Download/buy: https://patros15.bandcamp.com/track/sacred-depths
All links: https://ffm.to/hlow-patros15-sacred-depths

Support HLow:
https://beacons.ai/hlow

Support me: https://linktr.ee/Patros15

Thank you for support!

Sacred Depths

Buy / Listen

HLow & Patros15 - Sacred Depths

"Everything seems an echo of something else.

And when, by the hair, the headsman held up the head
Of Mary of Scots, the lips kept on moving,
But without sound.  The lips,
They were trying to say something very important.

But I had forgotten to mention an upland
Of wind-tortured stone white in darkness, and tall, but when
No wind, mist gathers, and once on the Sarré at midnight,
I watched the sheep huddling.  Their eyes
Stared into nothingness.  In that mist-diffused light their eyes
Were stupid and round like the eyes of fat fish in muddy water,
Or of a scholar who has lost faith in his calling.

Their jaws did not move.  Shreds
Of dry grass, gray in the gray mist-light, hung
From the side of a jaw, unmoving.

You would think that nothing would ever again happen."

-Robert Penn Warren

Artwork by George Wesley Bellows: "Dance at Insane Asylum" (1907)

Shadow of Truth (Retrograde)

2025-07-26

the story of water

Sauna
Recorded inside a wood-fired sauna in Nalovardo, after a wonderful day on the mountain top — a calm autumn day when the raw evening air whispered of the cold soon to come.
Each splash of water on the stones turned into steam and rhythm, echoing the contrast between warmth and frost.
A sonic ritual where nature, body, and sound melt together — pure Phuse energy, organic and alive.

Sauna

Art of Sound

SpaceMaze — The Origin Story
Full MinorScale version: https://soundcloud.com/minorscalemusic/spacemaze-juno?si=efb71d5a21c74ea5ab2bef490cf0123c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
The year is 1995.
Stockholm. Anemon.
A small ambient club filled with smoke, nerves and the raw electricity of youth.
Two young men step onto the stage with synths that were too cheap, dreams that were too big,
and absolutely no idea what they were about to unleash.

But somewhere in that first improvised performance —
between the tension, the chaos, and the beautiful mistakes —
the two arpeggios were born.
Our signature.
Our blueprint.
The sound that would follow us through life.

Pek — the impulsive spark.
Pax — the calculating architect.
Together we were Pekpax, two kids playing like the whole universe was holding its breath.

Fast-forward nearly thirty years.

A few weeks ago Pax posted a simple “Work Pattern” in our Discord.
Just a small clip —
but the moment I heard it, I was back in Anemon.
Back to the smoke, the neon, the adrenaline.
Back to SpaceMaze.
The name we gave our endless jams back when everything was new and nothing was impossible.

Pax dug up screenshots of the original arps from that night.
And suddenly the maze reopened.

Ensonic shaped Part I.
Pax crafted Part II.
I built Part III —
the turning point where the maze deepens, widens, breathes.
And when Swampy joined in, the final ending came alive and sealed the whole journey.

This isn’t just a track.
This is a time capsule —
a resurrection of who we were,
and a celebration of who we’ve become.

Three decades of friendship.
Three decades of sound.
Three decades carried by the same two arps that started everything in a tiny club in Stockholm.

If you want to create your own version and carry the arps forward,
reach out to me or Pax — we’ll share the pianoroll and everything you need.

SpaceMaze lives again.
And now it’s open for anyone ready to step inside.

Spacemaze Juno - Part III

Abandoned by Science Associates
Released as part of Research https://on.soundcloud.com/nZInaQmV7zA8TukJSi

Lost in a Loop (Abandoned)

Fragments of a Lost Civilization

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
---
Every track was recorded between 1980 and 2025.
---
Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
---
"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
---
"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
---
"Love is the only thing that transcends all dimensions, including time and space." <3

Groove-Funk2[ai](124bpm)(2024)

MO-PROJECT

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