(2025)Sorcerer‘s Nacht🧙‍♂️(New improvised work, inspired from Tangerine Dream and synthwave in progress, not finished!) [Update 15!]
*🎹 Software instruments: Synapse Audio "DUNE 3" (Soundset "Luftrum 30" from "Luftrum" with preset designers Arksun and Echo Season. Soundsets "World of sequences" & "Ecosystems" by sound designer Otto K. Schwarz). Kompose Audio: "Rise", "Lumen" and "Choir". Icon Drum (Linn Drum): Polydata IconDrum MIDI Files: "In My Locker 1" & "Yacht Rock Studio Kit 1" and edited in Valhalla Supermassive effects on the Icon Drum drumloops.
*Edited sample from: "Gruber: Stille Nacht, Heilige Nacht · Dresdner Kreuzchor".
*Hardware instrument: "Arturia Keystep 37". 
*Inspired by: Kosmische musik/Cosmic music, Synthwave, New age, Berlin school, Tangerine Dream, Edgar Froese, Jerome Froese, Christopher Franke, Johannes Schmoelling, Peter Baumann, Klaus Schulze, Thorsten Quaeschning, Trent Reznor, Brian Eno, Daniel Lanois, Roger Eno, Roedelius, Moebius, Vangelis, Jean-Michel Jarre, Kate Bush, Terry Riley, Moby, Ralph Lundsten, Ludwig Göransson, Pink Floyd, Enigma, Genesis, Tony Banks, Peter Gabriel, Phil Collins, Gary Numan, Kraftwerk, David Bowie, Stille Nacht, Supertramp, Hans Zimmer and Larry Fast/Synergy.

Sorcerer‘s Nacht(2025)🧙‍♂️

I don’t just make music—I shape sound into emotions and journeys. Ambient is my calling, but I never let boundaries define me. I experiment, push limits, and trust my instincts to create something that feels real.

I don’t chase trends, fame, or numbers. Music flows through me naturally, and I follow where it leads—sometimes into the unexpected. If my sounds resonate with others, that’s a bonus. But in the end, I create because I love it.

Peace 🫶

I am composing dark electronic music in a variety of styles as my hobby. End of 2019 I became more active after I started using #Bitwig Studio. Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MiniFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Credits : Additional synth programming (first half of arpeggiator sequence) in many tracks by eXode (https://soundcloud.com/exodesound).
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Mourning of my childhood - Life full of bitterness
Fellow sufferer

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
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Every track was recorded between 1980 and 2025.
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Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
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"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
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"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
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"Love is the only thing that transcends all dimensions, including time and space." <3