This Is Vivaldi

One of the proudest recordings published by EDITION LILAC is the album of New Trinity Baroque, entitled VIVALDI CONCERTOS. Over 1000 copies were sold only within a few months since its publication, and the second run has been released less than a year later. Enjoy!

VIVALDI Concerto for Lute, Two Violins & Continuo in D major, RV 93 - II. Largo

VIVALDI Concerto for Lute, Two Violins & Continuo in D major, RV 93 - III. Allegro

VIVALDI Concerto for 2 Cellos, Strings & Continuo in G minor, RV 531 - I. Allegro

VIVALDI Concerto For 2 Violins, Strings & Continuo In A Minor, RV 522 - I. Allegro

Antonio Vivaldi -  Concerto Grosso In D Minor, Op 3 No 11, RV 565  II – Largo     III – Allegro

Vivaldi - Concerto №2 in G minor, Op 8, RV 315, L'estate (Summer) III. Presto

Dramma per musica in tre atti. Libretto di Apostolo Zeno, revisione di Carlo Goldoni
(Venezia, Teatro San Samuele, 18 maggio 1735)
Griselda: Sonia Prina
Costanza: Veronica Cangemi
Ottone: Blandine Staskiewicz
Roberto: Philippe Jaroussky
Gualtiero: Stefano Ferrari
Corrado: Iestyn Davies
Ensemble Matheus
dir.Jean-Christophe Spinosi
Parigi, Théâtre des Champs-Élysées, 21 settembre 2005

Antonio Vivaldi:"Griselda" RV718(1735)

Vivaldi Adagios

2. Largo (Arr. for Guitar)

The World of Emma Kirkby

I. Nulla in mundo pax sincera

Itzhak Perlman - The Complete Warner Recordings 1980 - 2002

The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro

V018-Antonio Vivaldi –  The Four Seasons, Op. 8 - Concerto No. 3 in F Major, RV 293,  (Autumn) I. Ballo e canto de villanelli Allegro

V020-Antonio Vivaldi –  Concerto for Strings in G major, RV 151, Alla Rustica I.Presto

Nisi Dominus RV 608. Antonio Vivaldi

Antonio Vivaldi: Nisi Dominus aedificaverit domum (Nisi Dominus, RV608) -- live
Andrew Leslie Cooper, countertenor
Zimmerman Band
Chris Jeanes, director

Vivaldi: Nisi Dominus aedificaverit domum

Megan Goodlett playing Flute Concerto in D major, RV 428 "Il Gardellino" by Antonio Vivaldi

Megan Goodlett - Flute Concerto in D major, RV 428 "Il Gardellino" by Antonio Vivaldi

7 Concerto In B - Flat Major, Rv547 For Violin, Cello, Strings And Basso Continuo: I. Allegro

BACH, VIVALDI. CONCERTOS
Einar Steen-Nøkleberg, piano (1–3, 7–8, 13–15)
Alexander Zagorinsky, cello (4–6, 10–12)
The Chamber Orchestra of the Vologda Philharmonic Society
Conductor – Alexander Loskutov

Johann Sebastian Bach. Harpsichord Concerto No. 1 in D minor, BWV 1052
1 I. Allegro
2 II. Adagio
3 III. Allegro
Antonio Vivaldi. Cello Concerto in A minor, RV 422
4 I. Allegro
5 II. Largo cantabile
6 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 4 in A major, BWV 1055
7 I. Allegro
8 II. Larghetto
9 III. Allegro ma non tanto
Antonio Vivaldi. Cello Concerto in G major, RV 413
10 I. Allegro
11 II. Largo
12 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 5 in F minor, BWV 1056
13 I. [Allegro]
14 II. Largo
15 III. Presto

Recorded In 2018.
Sound engineer – Alexander Volkov
Editor – Dmitry Maslyakov
Design – Anna Kim
Cover photo – "Sky Of Vologda" By Tanya Sazansky
Translation – Nikolay Kuznetsov
Digital Release: Dmitry Maslyakov, Roman Tomlyankin

MEL CD 1002592

04. Vivaldi: Cello Concerto in A minor, RV 422 - I. Allegro

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Vivaldi: The Four Seasons & Violin Concerto Op. 12 No. 1, RV 317

Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia"

Opening Allegro movement from Vivaldi's delightful Concerto for Mandolin in C major, performed on virtual instruments: featuring Bolder Sound's "Pure Mandolin", accompanied by pizzicato strings (Garritan and Dan Dean Solo Strings Advanced), Toccata organ (Sonokinetic), theorbo (Bolder Sounds), and mandolin, mandola and mandocello from Bolder Sounds' American Folk library.

This Is Vivaldi

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