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For the Reverse Delay prompt, I generated a piece I have named Hallucinogenetic.  In a moment of self-delusion, I bought, not one, but two Morphogene modules. In a rack, there they sat, unused for longer than I cared to remember - intimidating like an oversized canvas is to a small tube of paint.  So this was a perfect prompt to get some time with these modules - for which I am grateful.  We all need a push sometimes.  In any case, I plucked a small 10 second sample of strings and a second shorter sample of woodwinds which were installed one each onto the two Morphogene module SD cards.  The result, Hallucinogenetic was recorded in one take on one track into Ableton Live with some compression, EQ and reverb.  It definitely has some ragged edges but the process has demonstrated to me the potential of these modules.

Hallucinogenetic(disquiet0488)

Full doomload here : http://gestrococlub.org/SarahShamash1.htm

SARAH SHAMASH - "The time has come" (Out aug, 2015)

A simple edit of Dreams by Fleetwood Mac.

#FREEDOWNLOAD

Fleetwood Mac - Dreams (Miguel Campbell Edit)

imugi 이무기 - Somebody Else (leon jd intelligent edit)

Judith

Send in the Clowns

“This Town” Lyrics:

Waking up to kiss you and nobody’s there
The smell of your perfume still stuck in the air
It’s Hard
Yesterday I thought I saw your shadow running round
It’s funny how things never change in this old town
So far from the stars

And I want to tell you everything
The words I never got to say the first time around
And I remember everything
From when we were the children playing in this fairground
Wish I was there with you now

If the whole world was watching I’d still dance with you
Drive highways and byways to be there with you
Over and over the only truth
Everything comes back to you

I saw that you moved on with someone new
In the pub that we met he’s got his arms around you
It’s so hard
So Hard

And I want to tell you everything
The words I never got to say the first time around
And I remember everything
From when we were the children playing in this fairground
Wish I was there with you now

Cos if the whole world was watching I’d still dance with you
Drive highways and byways to be there with you
Over and over the only truth
Everything comes back to you

You still make me nervous when you walk in the room
Them butterflies they come alive when I’m next to you
Over and over the only truth
Everything comes back to you

And I know that it’s wrong
That I can’t move on
But there’s something about you

If the whole world was watching I’d still dance with you
Drive highways and byways to be there with you
Over and over the only truth
Everything comes back to you

You still make me nervous when you walk in the room
Them butterflies they come alive when I’m next to you
Over and over the only truth
Everything comes back to you

Everything comes back to you

This Town

Puerto de El Musel, Gijón, Spain.
25/10/2014

Amarres en el Puerto de El Musel (Contact microphones)

Zlatomir Fung, cello
Janice Carissa, piano

Recorded at Skillman Studios in Brooklyn, mixed by Ted Moore in Chicago

Program note: Prelude is a duo for cello and piano that was written to precede attacca into the Brahms e minor cello sonata without pause (though it may also be performed alone) and is affectionately written for and dedicated to Zlatomir Fung and Tengku Irfan.

Prelude

A track from https://eighthtowerrecords.bandcamp.com/album/incantatios-from-ugarit

Uunslit is the soul into that piece !
Her soundcloud : https://soundcloud.com/uunslit

Incantatios from Ugarit

Daughter of Anu (with Uunslit)

Tribute to an amazing song and artist from way back. 
Nick on keys and vocals
Alan on keys and backing vocals

Gear used:
Korg Kronos X
Roland FA06
Korg Minilogue XD
Roland V-Synth

Written by David Essex
All instruments engineering production and vocals by The Time Brothers

David Essex - Rock On 2020

The Assignment: Make music inspired by a line from A Wizard of Earthsea: “For a word to be spoken, there must be silence. Before, and after.”

Also on album "Hearken Beach".
https://krakenkraft.bandcamp.com/album/hearken-beach

Originally I just wanted to make five minutes of interchanching deep pad and noisy something, with a lot of non-silent space between them. I added some ambient field recordings in these spaces, because the name of the track was intended to be 'The Impossibility of Being Silent'.

But then my mi clouds produced some sounds of it's own and I liked it. At the end I had to reintroduce silence to all parts. All in all I hope this to be considered as a tentative approach to silence, with an increase towards the end.

--

More on this 451st weekly Disquiet Junto project, Ursula’s Silences (The Assignment: Make music inspired by a line from A Wizard of Earthsea), at:
https://disquiet.com/0451/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0451-ursulas-silences/

Album: Hearken Beach

A Tentative Approach To Silence [disquiet0451]

The first track we recorded with the Digitakt, accompanied by the Ciat Lonbarde Deerhorn and Tetrax Organs. 
We used some samples from the sample packs by Jogging House (Reel Feels) and Hainbach (Isolation Loops). 
Links to the sample packs below. 
We hope you enjoy this one :)

Reel Feels by Jogging House: https://jogginghouse.bandcamp.com/album/reel-feels-sound-pack
Isolation Loops by Hainbach: https://hainbach.bandcamp.com/album/isolation-loops-soundpack

Bird Feeder

Moon Bumps (naviarhaiku354)

Dreaming Music
Guy-Frank Pellerin: tenor saxophone
Recording: 27/10/2020

Dreaming Music / Guy-Frank Pellerin

Of course an escaping snail has to travel quickly to avoid recapture. By the end of the track our hero Sam snail has forgotten all about the circus and is happily moving at his own pace.

Disquiet Junto Project 0462: Vade in Pace
The Assignment: Write a short piece of music that gets slower and slower as it proceeds.

More on this 462nd weekly Disquiet Junto project, Vade in Pace
 at:

https://disquiet.com/0462/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0462-vade-in-pace/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Josh Levinger, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/CHUe3K

https://creativecommons.org/licenses/by-nc-sa/2.0/

Sam Snail Quits The Circus (disquiet0462)

Sad Clown - Send in the clowns arrangement

Artwork by: Awstein (Deviantart.com)
feat. vocals Ethera Soundscapes Clara Sorace
Music Arranged: John Koumourou
Send in the clowns - euphonic style

© All audio material is copyrighted by John Koumourou

Home Page: www.cocoonmusicstudio.com
Facebook: www.facebook.com/cocoonproductions
Bandcamp: johnkoumourou.bandcamp.com
Soundcloud: soundcloud.com/john-koumourou/tracks
Pond5: www.pond5.com/artist/john_koumourou

Sad Clown - Send in the clowns arrangement (euphonic style)

Nick and Alan formed The Time Brothers in the late 80s. The band name is a reference to a song by Alans good friend, Mick Jones.. 
Over the ensuing years, various synths have come and gone, not least our working gear from back in the day, the Korg M1, Roland D50, Ensoniq ASR10 and the Roland W-30. 
Since those early days, the gear has been updated considerably and now has the mighty Korg Kronos X at the heart of the production process. Coupled with the Roland V-Synth GT, Roli Seaboard and a shed load of VSTs, Nick is able to complete an entire song by himself. 
Alan uses the Korg Minilogue XD, Roland JupeterXm, JP08 and more. Plenty to work with there. 
The sound has evolved over the course of a few decades but we hope our passion for music will never fade.

David Essex - Rock On 2020

TheTimeBrothers

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