David Mayer'

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Steed Lord - You (Keinemusik Remix) - Get Physical

Rampa, Santé - Aura (David Mayer Remix) - Souvenir

Keinemusik, KM005, A2, David Mayer, Ball

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

There are three reasons to celebrate. First: This is Keinemusik #5 – the first little jubilee in their string of releases. Second: When this release hits the street, Keinemusik will be one year old – again, a little jubilee. Third: will become more clear, when this disc is spinning in a club.

This fifth release on Keinemusik is labelled Workparty for a reason. Without some bead of sweat when stamping the record sleeves, when rushing over to supply several record stores, when taking care of updating the blog or when organizing parties, Keinemusik wouldn’t be where it is today – a label with a steady output that found its place in the Berlin Technoscene. Workparty One is a joint venture of all Keinemusik-producers. According to the occasion, it will be released as a special package inclunding a T-Shirt und a tote bag, along the regular run. And that, of course, could make a great present if there’s someone else celebrating an anniversary.

A1: Rampa – Falk
“Falk” starts out to be an unmistakable imperative for some hands-up-animation. The beatframe is about to push the floor to a tightness that lets you wonder, whether the sounds of rapture are coming from a crowd rubbing each other up or actually from the tune. To make that clear: “Uuh” and “Yeah” are a couple of samples leading the way to the most soulful break you heard in months. A break that will crumble down to explicit straightness and unfussy efficiency again. Definitely a big one.

A2: David Mayer – Ball
Davids first vinylrelease on Keinemusik is his most conclusive consolidation of everything he set up with his previous works on the “Nacktenordner” EP. It’s a blend of massively pumping grooves and engine room-acoustics with a smart kickdrumdesign and a dramatic composition that builds up on reduction but nevertheless is able to incorporate unexpected details.

B1: &ME – Youth
&ME comes up with a track that might be seen as the advanced continuation of his world-, or lets say floorformula, that already caused quite a stir when he released “F.I.R.”. “Youth” elevates from a clever directed buildup, modulates vocalsamples to concrete hooklines, piles layers of deep sexappeal over another and reveals by means of an almost song-like fetish for structure this absolutely evident, yet subtly and sophisticatedly constructed peaktime-smasher.

B2: Adam Port – No Pain
Around the vocaltracks of a song by Leipzig based band Shandy Mandies, an aesthetic is being built that could be seen as an antithesis to the sound Adam Port became known for. “No Pain” doesn’t find its deepness in the polyrhythmic patterns of Tribalhouse-standards, but in more remote interspaces, in which Port fleshes out the backbone of a slowly rising groovebastard to a compelling forerunner of New Wav-ish Shoegaze-Techno.

David Mayer - Ball - Workparty One - Keinemusik

My contribution to our Keinemusik crewsampler "Workparty Two".

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

David Mayer - Blank Sheets

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Press:
David Mayer – sure, it could be the guy next door. Or it could be the guy, copying your homework five minutes before the lesson starts, back in the days in school. This David Mayer right here takes a quite common civil name and turns it into a sophisticated producer-imprint. After several years of musical excursions and resulting coproductions (e.g. Rampa's releases on Terranova Recordings), he now delivers some of his own cuts to be the first releases on Keinemusik.
  
  The titletrack is slowly elevating out of a died away machine-room-corner. It’s taking its route, passing a bassline, that’s varnished in deathly funk, culminating in a subtle call to rave.
  
  The following Paneek is essential Floorcraft, a focused groovemonster that he’s fleshing out with delicate accents just as if he was Paul Bocuse and the track a truffle-ragout.
  
  Eifkoenig is drafted that crispy, that with every kickdrum the speakers seem to cough out a trace of graphite. It is a playground in which he lets rhythmpatterns fall apart masterly and in the next second gets them back together just like that. It is his celebration of structure and complexity that goes as far as the superior agenda of reduction gives way.
  
  Oenske is oscillating between Deephouse-followings and Trance-outlines. It is without a doubt the most reflective work within this bunch, but at the same time it’s not meant to be pushed off into an unrecognized set-niche. It is as functional as Paneek is, the only difference is, there it is subtlety and here it is the decidedness of a straight and gloomy Techhouse-modification that gets finalized for the peaktime.
  
  Those four tracks might be just the beginning, they are though the ultimate proof, that David actually did his homework. Anytime.

David Mayer - Nacktenordner EP

David Mayer - Over Again (Extract)

David Mayer - Lo Done (Extract)

David Mayer - Harun (ONNO On Acid  Remix / Extract)

David Mayer - Fortune (&ME Remix / Extract)

David Mayer - Fortune (Extract)

This is the titletrack of my "Jaded EP", release on Keinemusik November 13th, 2015.

Deejay.de: www.deejay.de/KM030_-_David_Maye…p_-_12inch__205474
Decks.de: www.decks.de/t/david_mayer-jaded_ep/c66-g0

David Mayer on Facebook: www.facebook.com/SoundsLikeDavidMayer
More Information: https://thejam.de/david-mayer/ 
Booking: till@thejam.de

David Mayer - Jaded (KM030)

David Mayer - Word Is Bond (Extract)

David Mayer - Moment (Extract)

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Press:
David Mayer wirkt innerhalb des Keinemusik-Kategoriensystems als der Virtuose in den Subtexten, als der Effektverstärker auf Mikroebene. Das war bei seinem digital only Debüt und dem ersten Keinemusik-Release überhaupt, der Nacktenordner EP so und wurde durch seinen Beitrag zur Keinemusik#5 einmal mehr verdeutlicht. „Crime“ ist Mayers erstes eigenes Vinyl-Release auf Keinemusik und nicht weniger als die erneute Optimierung seiner schon als Trademark geltenden Soundparameter.
A1: „Crime“ verkürzt die Abstände zwischen Reduktion und durchdachter Soundmodulation auf der einen Seite und eindeutiger Peaktime-Qualität auf der anderen, weitaus konsequenter als Mayers bisherige Produktionen. Es erweitert sein Arsenal an Maschinenraum-Moods um Vocalelemente, die einerseits die Tendenz zum Skurrilen begleiten, die sich aber anderseits als Hook im Kopf festsetzen. Die Subbass-Verdichtung und der trockene Snare-Punch von „Crime“ weisen bei aller Detailliebe vom ersten Takt an den kürzesten Weg zum Floor. Einmal dort angekommen dürfte es spätestens nach dem ersten Break auch noch die letzte Form von Zurückhaltung ausgeschlossen haben.
B1: Der Re.You-Edit fährt die Direktheit des Originals ein kleines Stück zurück und legt den Estrich des Stückes mit perkussiven Mustern aus. Die etwas akzentuierte Bassline täuscht zunächst einen linearen Aufbau vor, bis die Nummer nach einem Break mit Überlänge als Groove-Affirmation wieder geboren wird. Eine Version, die einige Aspekte des Originals invertiert, andere verstärkt, generell aber immer auf Augenhöhe um die höhere Einsatzquote battlet.
Digital only: Das Beatport-Exclusive ist von unseren Freunden von lo*kee aus London, Sebastian Voigt und Tom Gillieron (zusammen Indoor Fireworks). Der Mix klingt als wäre er in CinemaScope angelegt, er eröffnet einige Nebenschauplätze, die das Original noch ausgelassen hat und gibt sich trotz aller Detailfülle betont minimalistisch. Er setzt weniger auf grosses Peak-Time-Kino als auf spröden Cyberfunk und glänzt als clever inszenierter Afterburner.


David Mayer appears within the Keinemusik- category system as the subtext virtuoso, as an amplifier of effects on a microscopic level. He made it already clear with his digital only debut „Nacktenordner“ EP, which was the very first release on Keinemusik, and then stressed it through his contribution to the Keinemusik #5. „Crime“ is Mayerʼs first own vinyl release on Keinemusik and nothing less than the updated improvement of his trademarked sound parameters.
A1: „Crime“ shortens the distance between reduction and sophisticated soundmodelling on one hand and clear peaktime qualities on the other, far more consistent than any of his previous productions. His armory of engine room-acoustics is accompanied by vocal sounds, that hint towards his parttime obession with the obscure, but nevertheless shape a hook that definitely sticks in your head. But besides all emphasis on details, with its subbass aggregation and the dry punch of its snare, „Crime“ directs to the floor the straight way. Doing so from the first bar and on, it will eliminate the last man standing and make him dance after the first break at the latest.
B1: The Re.You edit reduces the immediacy of the original and adds some percussive patterns to the groundings. The accentuated bassline seems to build up a linear structure, but after an excess length break, it is reborn as a groove affirmation par excellence. The version inverts some of the aspects of the original and enforces others, but generally, it is set on eye level in the battle for the higher rotation count.
Digital only: This Beatport-Exclusive comes from our friends from lo*kee in London, Sebastian Voigt and Tom Gillieron (together aka Indoor Fireworks). Their mix sounds as if it was laid out in CinemaScope, it opens up a few angles left out by the original and, despite being lush and rich in details, comes across deliberately stripped down. It focuses less on peak time effects and more on crisp cyber funk and shines as a cleverly staged afterburner.

A1 David Mayer - Crime

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com


Press:
David Mayer wirkt innerhalb des Keinemusik-Kategoriensystems als der Virtuose in den Subtexten, als der Effektverstärker auf Mikroebene. Das war bei seinem digital only Debüt und dem ersten Keinemusik-Release überhaupt, der Nacktenordner EP so und wurde durch seinen Beitrag zur Keinemusik#5 einmal mehr verdeutlicht. „Crime“ ist Mayers erstes eigenes Vinyl-Release auf Keinemusik und nicht weniger als die erneute Optimierung seiner schon als Trademark geltenden Soundparameter.
A1: „Crime“ verkürzt die Abstände zwischen Reduktion und durchdachter Soundmodulation auf der einen Seite und eindeutiger Peaktime-Qualität auf der anderen, weitaus konsequenter als Mayers bisherige Produktionen. Es erweitert sein Arsenal an Maschinenraum-Moods um Vocalelemente, die einerseits die Tendenz zum Skurrilen begleiten, die sich aber anderseits als Hook im Kopf festsetzen. Die Subbass-Verdichtung und der trockene Snare-Punch von „Crime“ weisen bei aller Detailliebe vom ersten Takt an den kürzesten Weg zum Floor. Einmal dort angekommen dürfte es spätestens nach dem ersten Break auch noch die letzte Form von Zurückhaltung ausgeschlossen haben.
B1: Der Re.You-Edit fährt die Direktheit des Originals ein kleines Stück zurück und legt den Estrich des Stückes mit perkussiven Mustern aus. Die etwas akzentuierte Bassline täuscht zunächst einen linearen Aufbau vor, bis die Nummer nach einem Break mit Überlänge als Groove-Affirmation wieder geboren wird. Eine Version, die einige Aspekte des Originals invertiert, andere verstärkt, generell aber immer auf Augenhöhe um die höhere Einsatzquote battlet.
Digital only: Das Beatport-Exclusive ist von unseren Freunden von lo*kee aus London, Sebastian Voigt und Tom Gillieron (zusammen Indoor Fireworks). Der Mix klingt als wäre er in CinemaScope angelegt, er eröffnet einige Nebenschauplätze, die das Original noch ausgelassen hat und gibt sich trotz aller Detailfülle betont minimalistisch. Er setzt weniger auf grosses Peak-Time-Kino als auf spröden Cyberfunk und glänzt als clever inszenierter Afterburner.


David Mayer appears within the Keinemusik- category system as the subtext virtuoso, as an amplifier of effects on a microscopic level. He made it already clear with his digital only debut „Nacktenordner“ EP, which was the very first release on Keinemusik, and then stressed it through his contribution to the Keinemusik #5. „Crime“ is Mayerʼs first own vinyl release on Keinemusik and nothing less than the updated improvement of his trademarked sound parameters.
A1: „Crime“ shortens the distance between reduction and sophisticated soundmodelling on one hand and clear peaktime qualities on the other, far more consistent than any of his previous productions. His armory of engine room-acoustics is accompanied by vocal sounds, that hint towards his parttime obession with the obscure, but nevertheless shape a hook that definitely sticks in your head. But besides all emphasis on details, with its subbass aggregation and the dry punch of its snare, „Crime“ directs to the floor the straight way. Doing so from the first bar and on, it will eliminate the last man standing and make him dance after the first break at the latest.
B1: The Re.You edit reduces the immediacy of the original and adds some percussive patterns to the groundings. The accentuated bassline seems to build up a linear structure, but after an excess length break, it is reborn as a groove affirmation par excellence. The version inverts some of the aspects of the original and enforces others, but generally, it is set on eye level in the battle for the higher rotation count.
Digital only: This Beatport-Exclusive comes from our friends from lo*kee in London, Sebastian Voigt and Tom Gillieron (together aka Indoor Fireworks). Their mix sounds as if it was laid out in CinemaScope, it opens up a few angles left out by the original and, despite being lush and rich in details, comes across deliberately stripped down. It focuses less on peak time effects and more on crisp cyber funk and shines as a cleverly staged afterburner.

B1 David Mayer - Crime (Re.You Remix / Extract)

David Mayer - Crime (Indoor Fireworks Remix / Digital Only / Extract)

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Press:
David Mayer – sure, it could be the guy next door. Or it could be the guy, copying your homework five minutes before the lesson starts, back in the days in school. This David Mayer right here takes a quite common civil name and turns it into a sophisticated producer-imprint. After several years of musical excursions and resulting coproductions (e.g. Rampa's releases on Terranova Recordings), he now delivers some of his own cuts to be the first releases on Keinemusik.

The titletrack is slowly elevating out of a died away machine-room-corner. It’s taking its route, passing a bassline, that’s varnished in deathly funk, culminating in a subtle call to rave.

The following Paneek is essential Floorcraft, a focused groovemonster that he’s fleshing out with delicate accents just as if he was Paul Bocuse and the track a truffle-ragout.

Eifkoenig is drafted that crispy, that with every kickdrum the speakers seem to cough out a trace of graphite. It is a playground in which he lets rhythmpatterns fall apart masterly and in the next second gets them back together just like that. It is his celebration of structure and complexity that goes as far as the superior agenda of reduction gives way.

Oenske is oscillating between Deephouse-followings and Trance-outlines. It is without a doubt the most reflective work within this bunch, but at the same time it’s not meant to be pushed off into an unrecognized set-niche. It is as functional as Paneek is, the only difference is, there it is subtlety and here it is the decidedness of a straight and gloomy Techhouse-modification that gets finalized for the peaktime.

Those four tracks might be just the beginning, they are though the ultimate proof, that David actually did his homework. Anytime.

David Mayer'

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