I love this section❣️ I love this calm ambience❣️

Cool Track…. 🌍☮︎👍🐞🍀2024

Brilliant as always my friend--So ominously restful:)

Really open track that is keeping the imagination open.  Very peaceful.

More cool sound work, dig the spacey ambience

An electronic instrumental composed using the generic synthesisers and sequencers in Garage Band and Logic. No real instruments were used on this one.

© 2023 Dairv Dubbleyew

Chasing the Dream

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

Impressions from the Celestial Couch

Restrained

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Magic Box

Cast of Characters:
mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals

TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering

J.J. Terrell–@j-j-terrell –piano and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 



This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 
  But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then I added my guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed and mastered well, too, so we turned to both Mark and Stephen for those important roles, once again, which they fulfilled expertly.  
  This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.
  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.

With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

A Brush With Death (The Eclectic Collective with The Mysterious Decibel)

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

New Horizon


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Quiet Mantra IV by Mathias D. Clain
Live played music; modular synthesizer (drone) and acoustic instruments through microphones, signal processing and mixing done in the moment with some minor edits in the DAW.

Quiet Mantra IV

Electronic noises
Håkan Skeneby -  Nosensend/Well
I co-found a duo with my friend Artur
on guitar - Surfers Like Us

Restrained

Well

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Magi©ian™ (Making music make a difference)

HOBOCOP

~Mark F

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