"Termination Sequences" is a series of recordings made by prompting biotech workers and scientists to play “A” notes and chords on guitar 33 times, the number of adenine nucleotides at the end of the coronavirus mRNA “termination sequence” which signals transcription to stop. "Termination Sequence (Into the Void)" is a Zoom recording of a live improvised sound performance by Frank Masciocchi. Masciocchi is a musician as well as the lab instrumentation engineer at Philadelphia biotech company Integral Molecular where he is responsible for installation, calibration and maintenance of lab equipment. MORE INFO: https://www.laurasplan.com/termination-sequences

Termination Sequence (Into The Void)

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Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory engagement. Her conceptually based art practice combines a wide range of media including experimental materials, digital media, and craft processes. Her biomedical themed artworks have been commissioned by the Triënnale Brugge and The Centers for Disease Control Foundation. Her projects combining digital fabrication and textiles have been exhibited at the Museum of Arts & Design and Beall Center for Art + Technology and are represented in the collections of the Thoma Art Foundation, The Chan Zuckerberg Initiative, and the NYU Langone Art Collection. Her lace viruses including SARS and HIV (2004) have been exhibited and published around the world. Reviews and articles including her work have appeared in The New York Times, Discover, designboom, American Craft, and Frieze. Splan has received research funding from The Jerome Foundation and her residencies have been supported by The Knight Foundation, The Institute for Electronic Arts, Harvestworks, and The Pollock-Krasner Foundation. She has been a visiting lecturer at Stanford University teaching interdisciplinary courses including “Embodied Interfaces”, “Data as Material” and “Art & Biology”. She is  a member of the New Museum’s NEW INC incubator and is collaborating with biotech laboratories to interrogate interspecies entanglements in the contemporary biomedical landscape. Her recent solo exhibitions including molecular animations and textiles made with wool from laboratory llamas include Entangled Entities (APSU’s The New Gallery) and Unraveling (BioBAT Art Space at the Brooklyn Army Terminal).

Termination Sequence (Into The Void)

Laura Splan

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