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This piece moves like a measured walk. Every phrase feels deliberate, yet never heavy. The oud begins with a steady line, tracing a shape that unfolds in small arcs before resting again on familiar ground. The violin joins softly beneath, more shadow than echo, rounding the edges of each turn. Together they breathe at the same pace, letting space do the talking.

The rhythm follows the quiet heart of Soleá por Bulerías beat cycle that holds motion without insistence. It carries the listener forward with a sense of even ground, like a path already known. Nothing urges the step; it’s the journey of presence rather than distance.

In tone and texture, Small Distance sits warm and near. The sound feels close, almost tangible, as if recorded from across a quiet courtyard. It holds the poise of reflection without sadness — a soft conversation between resolve and calm.

Small Distance belongs to the same quiet continuum as Letters Without Ink and An Equestrian Farewell, but it opens a lighter space between them. It is not about departure or arrival, only the calm found in continuing.

Small Distance · Oud and Violin in Quiet Soleá por Bulerías

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