I have been working with Brasilian musicians and in brasilian music bands such as Brasil Pass in Nantes (France), and this instrumental came out of it (13 years ago, recorded with to md's).
Made for "slow lascive dancing", it could be improved by some good lead vocals.
Anyone interested? :)

INSTRU SAMBA TAKE 40

I made this cartoon with a cat and a scientist called "Professeur Matou". (available on youtube)
Here is the soundtrack to it.

PR MATOU INSTRU FULL

Stuck opening music for Part 2

Voici une musique que j'ai faite pour un jeune réalisateur de films d'horreur-fantastico-policiers nommé JAW.  En espérant que ce soit le débutd'une longue collaboration!

HORROR MOVIE THEME 1c

HORROR MOVIE THEME 2 Short Version

an arrangement I made based on Audrey Hepburns interpretation in the movie "Breakfast at Tiffany's".

MOON RIVER PIANO SOLO ARRANGEMENT

This improvisation would be a good example of what I call a Pan-tonal musical statement. In this tune, I merrily mess around with an eight notes harmonic scale (added minor 7th to a major or minor scale for ex)and an elenventh notes scale in order to produce the chord sequence, which is basically a cycle of fifths (most of the time). In search for new harmonies, my pan-tonal system can help anyone sound like an old-times Jazz pianist (as in the beginning of this exerpt)or create interesting poly-tonality, wether it be the chords themselves or the way they connect together. Since this concept generates hundreds of different scales, chords and harmonic possible progressions, I do not think I will be able to cover it all in my lifetime...!  :)  The idea came to me the day I started studying Barry harris's minor 6th scale concept. After using it, I said to myself: "What if... you could add another note than the sixth, or even add two notes, up to 4 notes, which makes an eleven notes scale? How does it sound chordwise? To me, it's a possible logical explanation that can  make a link between ancient and new harmonic conceptions in western music. It's quite a simple statement as a matter of fact! The more notes you add,the more modern you sound, with lots of polytonality. The less notes you add and you get bebop, Gospel and blues chords.  Having eight notes also enables an easy flow on contrary motion voice leading, as Mr Harris has been so right to teach all these years. Thanks to him and the people that helped him spread the word! :) amen!

PIANO SOLO IMPRO ON EVENT ONE Compostion

This six minutes piece was meant to go with an action-suspense movie that was never made (yet). The intro is slow but the rest of it is very rythmic. I made this with music, as others, using my keyboards, instruments and computer.

HORROR MOVIE THEME 1 refined version

Listening to barry harris made me feel like playing that standard my own way, using Dr Harris's concepts and mine too! You can see this recording on my youtube channel, it's a video take, sound comes from my camera.

LIKE SOMEONE  IN LOVE

a short intro arrangement I've been working on for over a year and a half now. A short sample of my sound in 2019. I was obviously influenced by jazz pianist Barry Harris, whose concept (minor 6th scale)I borrowed and expanded to the alpha (double diminished) chord. It's like using his scale in two different keys at the same time, thus creating an "extremely easy to connect to anything" type of chord, the alpha chord. Neither did i invent the alpha chord nor the minor sixth scale concept, but i'm not sure anyone has thought of connecting these two together.

PIANOWIXIEMANJAN19

Born in France, I was taught the art of Jazz improv at Mc Gill IN Montréal during the late 1980's.  Since then, I basically taught myself how to play bass, percussions and piano, as well as 3D graphics and short story writing. I am a man of many styles when it comes to music and short movies productions. See for yourself on youtube at  THE WIXIE PIXIE DIXIE MOVIE FACTORY!

https://www.youtube.com/channel/UCVHIa87ATYHQRz95de3-0Kg

and  here is another channel of mine:

https://www.youtube.com/user/bernardegreteau

wixieman