Name: Adam Bartas Live @ TFU 2004 by Ash Castro (AUS) 🇦🇺 & 🇦🇷
Duration: 1 h 15 min 58 s
Description: whole bunch of old school mixtapes i had laying around from the era of 2004-2009 proper tfu oldschool vibe enjoy

A bunch of tunes that deserve to be heard

Hidden Melbourne Gems

Before the Melbourne sound was a thing. Adam and Dean still in the early days of the Orkestrated brand. TFU rocking coming off some amazing years at Waratah Lane moving ahead to Bourke Street. Electro was king. An amazing era of music for those that were lucky enough to experince it.....Everything in this mix is mixed off old cds from 05-08

The Golden Era Of TFU

whole bunch of old school mixtapes i had laying around from the era of 2004-2009 proper tfu oldschool vibe enjoy

Adam Bartas Live @ TFU 2004

Sunday July 17, 2022

niche. - LIVE At Tramp Mercy (17.7.22)

THE PROTOTΔPES VOL.9

Old School Melbourne Syndicate Part Two:
https://soundcloud.com/dion-di-maggio 00:00 - 1:02:00
https://soundcloud.com/ayejae123 1:02:00 - 1:56:00
https://soundcloud.com/malzyyy 1:56:00 - 2:48:40
ME 2:48:40 - END

Old School Melbourne Syndicate - Part Two

FerTxudj

"What the hell IS that?" (in case you were wondering what Steve & Bill were saying in the thumbnail image.)  

As ever, working on Interbay tracks in the Lab is pure science of discovery.  You can have an aim in mind but what you end up with is probably going to be nothing like what you thought you were going to get.  And that is certainly true of today's Interbay track--so, the title of "You Know What It Is?" is spot on.  

(The answer being "This is the new sound."  Though, to be honest, I'd say that most of the sounds in this track aren't all that new.  Perhaps the combination of all of these sounds is new.  To me, it just sounds like Interbay.)

I wanted to produce a hiphouse track.  Some of my favorite years of being a club dj were when hiphouse was big--combining the energy of house music with elements of hip hop was exactly what I was looking for when it started happening.  I've always felt like the genre wasn't given the respect it deserved and most of the artists who made it are completely unknown to the kids of today, who might really enjoy it.  (Or, perhaps I'm projecting a bit...simply because I have so much fondness for it.)  

Doesn't matter quite so much, because I really didn't end up with a hiphouse track.  

As usual, a whole stew of ingredients got tossed into the pot and heated up.  Some tribal house drums, some disco drums and keys, some afrohouse percussion and vocals.  And then I Interbay'd all over it, with glitchy strings and a radio static inspired keyboard sound...and tempo and pitch twisted vocal snips from a sort-of-hiphouse track made in the UK, a track that was very popular for me in my dj sets back then...but almost unknown now.  Sadly.  (But, it probably means that Icarus won't be bothered.)  

There's a bit of lo-fi vibe in this track too--which probably has more to do with my occasional impatience in getting a track from the Labs and presented here on SoundCloud than a purposeful attempt to do a lo-fi afro disco hiphouse tune.  

I hope you like whatever this is.  (You know what it is--it's the new sound!)  

Give it a listen.  Give it a like.  Repost it, share it, add it to a plyalist, comment on it.  Go ahead, bend it, spindle it, and mutilate it if you feel you must.  Just knowing someone else has heard this track makes this old hiphouse fan but evidently incapable of actually making hiphouse music producer feel more connected--which is nice.  

I also encourage you to follow this page (join the--as I type this out, it changes up and down so often) 251 others who have done so.  I hope that they've done so in order to follow these daily Interbay track drops--yes, daily.  A new track drops every single day--and has for well over a year now.  This schedule allows me to incorporate different styles and blur various genre styles together.  (Which reminds me, been awhile since a proper post-punk or cyberpunk track.)    

And, if you've read this far.  Thanks!  (...that's all.  Just thanks.)  

"You Know What It Is? (The New Sound)" *SoundCloud Exclusive*

Released in 1997, this collaboration between Snitzer & Mc Coy and Humate captures the intensity of European techno at the time. The Heavy Mix rhythm presses forward with a force. Synth lines swell in arcs that hover above the drums.

The combination of producers brought together different strengths. The drive and weight of Snitzer & Mc Coy with the melodic sensibility Humate had honed across records like Love Stimulation. The result is a piece that can fill a floor while keeping an edge of mystery intact.
A defining release for Superstition and a track that has carried its power into new generations of listeners, it holds its place as part of our Classic of the week selection.

Oh My Darling, I Love You (Heavy Mix)

Homegrown Minimal 4.0  - Rich Morgan Mixtape :)

Homegrown Minimal 4.0  - Rich Morgan Mixtape

A 2 & a half hour journey through the different sounds you might hear out in the Melbourne club scene over the last 7-8 years, put together by a good friend of ours @freejmelb, give him a follow!

A Journey Down Memory Lane: Mixed By FreeJ

HARD TECHNO PAPIII

Old school and new mixtapes.     
05-present sound

Adam Bartas Live @ TFU 2004

Ash Castro (AUS) 🇦🇺 & 🇦🇷

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Ash Castro (AUS) 🇦🇺 & 🇦🇷

AyeJae

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