Synesis & Echoes - Morrowind

Ex Viscera - Starlight [UFOEP004]

Something in the Air is a soundtrack to a movie that doesn’t exist about a gigantic creature that descends from above that defies all logic and humanity’s attempts to survive it. 

All music by Brownwall:

John Makarewicz 
Steve Murphy
Micah Robinson
Nick Nunziata

Clues on the Horizon

Collision - Sonic Tantra (forthcoming on Mantra Records)

For someone I love beyond the universe.

158 BPM of crunchy grooves and spacey pads.

Mastered at Alchemy Lab Studio.

Weasel 909 - Maât

Alexseed - 555

MIX E MASTER BY Resonhate studio 
artwork by Marterz Obsidia

Yonik - Obscure Pursuit

VOLTARE SLOWED

timemachine

“In the Dark Corners” is a slow-burning psychological score that trades melody for atmosphere, tension, and unease. Archer 23 approaches the piece like a filmmaker scoring an internal descent rather than an external chase, allowing the listener to wander through the shadowed hallways of the mind where certainty dissolves and something unsettling waits just out of sight.

The track is built on restraint. Subtle drones, low-register textures, and carefully placed dissonance create a sense of claustrophobia, as if the music itself is watching you. Rather than relying on jump-scare dynamics, Archer 23 lets anxiety accumulate gradually, mirroring how intrusive thoughts creep in quietly before revealing their weight. Each sound feels deliberate, serving the narrative of psychological tension rather than musical excess.

What makes “In the Dark Corners” especially effective is its ambiguity. The piece never tells you exactly what’s lurking there—it simply suggests it. This open-ended menace allows the listener’s imagination to do the heavy lifting, making the experience deeply personal and often more disturbing than anything explicit. Silence and negative space are used as confidently as sound, reinforcing the feeling that the real danger exists between the notes.

As a soundtrack score, the track feels cinematic and versatile, equally suited to a psychological thriller, a slow-burn horror sequence, or an introspective moment of unraveling. “In the Dark Corners” showcases Archer 23’s understanding of mood-driven composition and his ability to score fear without spectacle—proving that the most unsettling places are the ones we already carry within us.

timemachine

interference23

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