rendez - vous 2

Elektra 2014.MP3

Hard to tell you what I feel when I present this "instrumental". Many controversial feelings and thoughts.
We can hear sounds that are reminiscent of distant gunfire ... Further down the track, a father laments calling his son and a child's voice calling for help . All this is only in my imagination, of course...
  
The war has never been so raging on our beautiful planet and I think of all those people, all those innocent children who will never know what happiness is. The happiness of knowing PEACE! I'm not talking about those who have already left ...
I hope you feel the same emotions as I had in building this new track.

Freedom ... Freedom Honey! "

© All tracks protected-Copyright France.
*All originals productions under creative common license
CC-BY-NC-ND*

Facebook page: http://exit.sc/?url=http%3A%2F%2Fwww%E2%80%A6Fkidofearthterienkind

Difficile de vous dire ce que je ressens au moment où je vous présente cet "instrumental". Beaucoup de sentiments et de pensées controversées.
On peut entendre des sons qui font penser à des fusillades lointaines... Plus loin sur la piste, un père qui se lamente en appelant son fils et une voix d'enfant qui appelle au secours. Tout cela n'est que dans mon imagination, bien sûr...
La guerre n'a jamais autant fait rage sur notre si belle planète et je pense à tous ces gens, tous ces enfants innocents qui ne sauront jamais ce qu'est le bonheur. Le bonheur de connaitre LA PAIX! Je ne parle pas de tous ceux qui sont déjà partis...

J'espère que vous ressentirez les mêmes émotions que celles que j'ai eu en construisant cette nouvelle piste.

Liberté...Liberté Chérie!

Donate ♥

Dad? What Is Happiness? ©(original)See the description

Collaboration / Ash and Hiro (Studio F.A.M.E.)

What a Feeling (Flashdance) / Ash & Hiro

This work is also a collaboration with Marco Turrini following the previous work. We tried what happens if I play "MEMORIES OF THE PAST" which is one of Marco's masterpieces together with him.How I would add my interpretation to this work while making full use of Pink Floyd's flavor and Marco's honed sensibilities, that was my problem.A big fan of Pink Floyd can not defile the honor of Pink Floyd.  :)
I sincerely thank Marco Turrini again. Also, I would like to confess that I'd like to express my respects to the many musicians who gave me a lot of musical influences, involved in this work.
And thank you for listening to this work from the bottom of my heart.

The key:Gm , C

When I listened to the sound source of Marco's "MEMORIES OF THE PAST ... TRIBUTE", the first thing I came up with was  "Breathe" by Pink Floyd. It is one song in the album "THE DARK SIDE OF THE MOON". Then, on "Shine On You Crazy Diamond" (included in  "Wish You Were Here ")A famous performance came back in my mind. This may be better known.
Both are masterpieces. There are a lot of name performances left. I will introduce it below.
By listening to that songs again, why I remembered that songs, I could find something in common between them, and at the same time you will be noticing something completely different.
What Marco drew for this song is Marco's "Pink Floyd", not Pink Floyd itself. Indeed, I feel an exceptional talent to him. For example,I'd like you to check the chord progression of the second part of this song. Mr.Marco treats it so that it is not cleverly noticed immediately,You will notice that the essence of a famous song nicely included. There should be many people who understood by just listening.Therefore, the title of this song is "MEMORIES OF THE PAST ... TRIBUTE", I do not ask Marco, I imagine arbitrarily and enjoying it. :)

You can listen to the original sound at Marco's page.
https://soundcloud.com/marco-seekx/memories-of-the-past

Pink Floyd - Breathe(London Live 8 - 2005)
https://www.youtube.com/watch?v=0dYMQA5_KcA
Pink Floyd - Shine On You Crazy Diamond(Wish You Were Here)
https://www.youtube.com/watch?time_continue=349&v=54W8kktFE_o

MEMORIES OF THE PAST...TRIBUTE (with Marco Turrini Orch.)

An instrumental track where the guitar is queen!
We must have fun sometimes!
Une piste instrumentale où la guitare est reine!
Il faut bien se faire plaisir parfois!

Ballad on the Nile

composed by john Coltrane, recorded and perfomed by Trashcan Orchestra in 1997. andrea veltroni: fretless bass - paolo casalini: piano - marco leoniddi: sax - francesco muresu: drums - sean neenan: guitar. Remix andrea veltroni 2018

Naima97 unlimited space remix

Wonderful stay at Post Ranch Inn  Big Sur California
https://www.postranchinn.com
At the beginning of this song click on the link above then right click On the video and select "show controls" then "double click" on the video and mute the volume icon. Enjoy
Best 7day San Francisco to Los Angeles road trip ever 

Anonymous review
By Mr & Mrs Smith
It is just before dusk as we climb the steep hill to Post Ranch Inn. ‘Look! Look!’ I gasp, pointing to a bright crimson escarpment in front of us. The setting sun’s reflection has turned the mountains opposite, a beautiful electric puce. With a glass of cold chardonnay in hand and after (very few) reception formalities, we are transported to our room courtesy of one of the hotel’s very own executive eco-friendly Lexus Hybrids.

Bauhaus meets Middle Earth here. Forest-coloured redwood and Corten steel has been fashioned into 40 stilt-riding mini houses all designed around geometric shapes, and all in perfect harmony with 150 acres of natural forest and lime green pastures. It can’t have been an easy brief for architect Mickey Muennig. He was given the task of building 40 condo-like hotel rooms, all sensitive to the Big Sur’s craggy cliffs. Muennig apparently climbed trees and high ladders himself in order to cite the best views, affect the maximum privacy and save the redwoods’ roots from concrete. The result is outstanding.

As we drive down the path that leads to our room, the Pacific Ocean glittering to one side, and the grand old redwood dames towering on the other, it is clear why this hotel is considered, by many, to be one of the best in the world. Pfeiffer is our coastal room. (All are named after the pioneers that shaped the land over 150 years ago.)

Once inside, it is clear that the clever design extends to the remarkable interiors. A circular space around the lavish Royal Pedic bed is made cosier by warm redwood walls panels and seascape-hued soft furnishings. Grey and rust-flecked Indian Raja slate lines the deep Jacuzzi bath and the pre-stacked fireplace in our bedroom all breathe ‘calming’, ‘homely’, ‘organic’, ‘inviting’... But the money shot is to be found beyond. From the 30-foot verandah, we get a 180-degree uninterrupted view of the ocean.

It may be tiredness from the long drive, or maybe Mr Smith has something in his eye but I swear I can see him welling up as we stand staring out to sea. A scarlet ribbon of sunset is streaking the sky to the west and the ocean hovering below us is just majestic. There is no perceptible evidence of humanity. No building is visible to the eye; just conifers and berry bushes below, some condors swooping, and, 1,200-foot below, moss-green rocks are audibly being lapped by crashing waves. 

At some stage, it becomes time for dinner, so, guided by environmentally supportive lanterns along the cliff path, we make our way to the hotel’s renowned Sierra Mar restaurant, two minutes' walk. Pretty much every table is taken which, for a Tuesday night, is testament to the superb menu that Craig von Foerster has created.

Although it would be easy to pass your time at Post Ranch floating in the infinity pool staring out to sea, there are many activities and outdoor pursuits. One is Mindful Meditation which fits well with the Big Sur’s hippie roots. Origami’d fresh fruit tempts alongside courgette frittata, buttermilk waffles, sausages, eggs Benedict with avocado and fresh juices – all fuel for our next adventure, the Esalen Centre, a true Californian get-in-touch-with-your-navel retreat centre, further down the coast. 

As we pack our bags, it is clear that the Post Ranch effect has taken hold of Mr Smith. He turns to me, open faced, and says, ‘Mrs Smith, this has been one of the best hotels, ever.’ I can almost see that zoom-lens shot in his thought bubble.

Clear Spaces

Want EP

TranceJazz - These are just 3 midi tracks, an arpeggio explored in a few enveloped modes, on filters, gate and tempo, a simple beat track, and a synth solo track recorded live in real time with an electronic blower. A funny experiment and result, with hints of trance, dance, jazz and a dash of classical music, and maybe also folklore :). I think it stomps very nice: D Let me know!

TranceJazz

i work for movies, radio, tv in Italy. follow me here and on my first account on soundcloud: Andrea Veltroni.  here you can repost my playlist.

rendez - vous 2

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