classical

Ken Aiso - Melody Chang - Violin
Valeria Morgovskaya - Prepared Piano
Lorenzo Marasso - Conductor
Recorded at the Lutheran Church of the Master
in Los Angeles on December 15th 2013

ARVO PART - Tabula Rasa - 1st Mov

ARVO PART - Tabula Rasa - 2nd Mov

Performed by the Philadelphia Youth Orchestra on February 16. 2014. 

Fantasia on a Theme by Thomas Tallis - Ralph Vaughan Williams

'Time only exists so that everything does not happen at once'
Artwork by Troika

Second movement of Estonian composer Arvo Pärt's double concerto, Tabula Rasa. Silentium, meaning Silence, is sewn together by threads of sound, much like how Timelessness expands from infinitely individuated moments of Time. 

Of his music, Pärt explains, "I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener."

Tabula Rasa {II. Silentium. Senza moto} - Arvo Pärt

01 - Arvo Pärt- Tabula Rasa - I. Ludus - Con moto.flac

Emil Gilels - Piano / Lorin Maazel - Conductor / New Philharmonia Orchestra
London 1972

Tchaikovsky - Piano Concerto N° 1 - Emil Gilels/Lorin Maazel/New Philharmonia Orchestra

Beethoven's- 7th Symphony -2nd  movement

Recording by HOOK recording art studio
Mixing/mastering: Sofoklis Sofokleous
(Special thanks to George Georgiou and Akis Pavlou)
Pallas Theatre 18th - 19th Jan 2016

The sound for the short film:
"The Orchestra is the City" 
A short film with the Cyprus Symphony Orchestra

The Cyprus Symphony Orchestra Foundation and one4all
in collaboration with the Cyprus Tourism Organisation present 
a Cyprian Films, New York production

Beethoven's- 7th Symphony -2nd  movement

"Gemini" - After the work by Richard Lippold
live performed by Grace Torres

Sonata XIV and XV

Recorded at the University of Texas at Arlington, January 2011

Arvo Part - Fratres (Ryan Cockerham, violin, Adam Jackson, piano)

Antonio Vivaldi-Summer

‘Великие души проходят вратами смерти, чтобы достичь бессмертия. Чайковский бессмертен не потому только, что его музыка гениальна, но еще потому, что не меньше ста раз проходил вратами смерти прежде чем написать гениальный финал Четвертой, Пятой, Шестой симфонии. Потому не побоялся в ресторане выпить холерную воду: уже исполнилась мера, уже смерти нет. Смерть побеждена, уже ничего не может измениться. Прозвучит лишь еще одна торжествующая триумфальная кода…’
Из книги блаженного Иоанна "Фортепиано как орфеон"


Chaikovski_Zimnie grezi

"Winter" is peppered with silvery pizzicato notes from the high strings, calling to mind icy rain

classical

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